
- Artist/Title: Drowning the Virgin Silence - Blue Noise
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv024
"Drowning the Virgin Silences Blue Noise creeps up and floods the listener with a shadowy and moody sense of foreboding. Dark drones on the title track are an initiation to the horrors and beauty drawn together by the following tracks. Wide drifting spaces start to open up, but by Strangeways, the listener is enveloped in a warm, melancholic cocoon.
Hand numbered edition of 100."

- Artist/Title: 10,000 Maniacs - Trouble Me
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_10000MANIACS
- (This is a USED item)

- Artist/Title: 13RXTNLE / fleshghxst - death swank
- 4
- Format: CDR
- Label: noise good
- Price: $6
- Catalog ID: CarbonDist_NG007
Split CDr featuring 9 tracks from 13RXTNLE recorded over the last 2 years. Some of the best work from this project. Fleshghxst is Ohio‘s best kept secret delivering 10 tracks of varying noise. Very tasteful arrangements, a wonderful listening experience, although it might just drive you mad. Limited to 50 copies in full color paper sleeve.

- Artist/Title: 13RXTNLE / i dick the f table - the ___ split es dope
- 4
- Format: CD
- Label: noise good
- Price: $6
- Catalog ID: CarbonDist_NG002
BRXTNLE turns in some live tracks, and some studio tracks of weird noise from all over the spectrum using all kinds of source sounds and instruments. idmtft gives some of his unique brand of audio sculpture including harsh noise, voices, strange music, and all around great sounds.

- Artist/Title: 2673 / Unicorn - split EP
- 4
- Format: CDR
- Label: Kitty Play Records (USA)
- Price: $8
- Catalog ID: CarbonDist_kittyplay002
"An EP split between two electronic bruisers. 2673âs minimalist program is a perfect companion to Unicornâs (members of Man is the Bastard/Bastard Noise) more complicated and sometimes relentlessly driven scorch. Packaged with hand-inked sleeves pressed by Thumbprint."

- Artist/Title: 5608 - C-20
- 6
- Format: CASS
- Label: Mudboy (USA)
- Price: $8
- Catalog ID: CarbonDist_mudboy_5608.jpg
"5608 Is the frank reminders of boondogle supergroup: NorthEast meets Southern Hemisphere(hear?) Join the Jam with: Stefan Neville (of Pumice) and NZ fame, ------->Guitar, Keys, Vocals<--------- Dave Lifrieri (urdog, Xerxes, Manbeard etal.) -------->Guitar and Melodica, <-------------- with Mudboybeats (x members of mudboybeats) -------->Percussion and Harmonium<-------- JAMMIN! This c-20 is like a pill you take to drive, a single solid shot of the best freak money can buy.Dowop, Doom wop, Doom warp you way on down. EDITION OF 133- LISTEN TO A BIT HERE Drawings by Mr. Neville This release will come with a ipod sticker featuring a download code to get this tape out of the internet and onto your ipod. Each sticker/code is good for two downloads."

- Artist/Title: 68 Comeback - Golden Rogues Collection
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1970
- (This is a USED item)
1995 Sympathy For The Record Industry release

- Artist/Title: A Bloody Occurrence - s/t
- 4
- Format: CDR
- Label: Audiobot (Belgium)
- Price: $12
- Catalog ID: CarbonDist-DRAMA_BLOODY
schizoide, belgian famous guitar destroyer raging against electronic sillyness produced by his beloved 'sharki', known from crack w.a.r. and tarantism. its all about friends and frustrations actually. co-released with audiobot and x+z=0. comes affixed to a large multi-color poster.

- Artist/Title: A Certain Frank - remixes by Kreidler and Phoneheads
- 7
- Format: LP
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_CERTAINFRANK
- (This is a USED item)
12" remixes on Ata Trak

- Artist/Title: A Killer Birthday - Corman's Delight / Vampire on Wheels
- 6
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_KILLERBIRTHDAY
- (This is a USED item)
on Rellik Records - 2005

- Artist/Title: a radio with guts - sugat in eleven parts
- 4
- Format: CDR
- Label: fort hazel
- Price: $8
- Catalog ID: CarbonDist-FHM33
Experimental ambient noise instrumental jazz. Here‘s how it worked: several musicians jammed out, bits of samples and snippets were reworked, melodic and noise overdubs were done, and the result is here now, the first part of a trilogy.

- Artist/Title: A Real Knife Head - split sky
- 4
- Format: CDR
- Label: Slow Toe (USA)
- Price: $6
- Catalog ID: CarbonDist_slowtoe_str004
A Real Knife Head?s second release, Split Sky, was recorded in their practice space, The Box, in the Collinwood neighborhood of Cleveland. Straight to 4track, it?s a mixture of sonic shit, minimal guitar and drum, and a cover of Jandek?s Just Die. A Real Knife Head continue to work the idea of freedom within the limits of equipment, cash and technique.

- Artist/Title: a vibrant struggle - whispering bones
- 4
- Format: CDR
- Label: small doses (USA)
- Price: $8
- Catalog ID: CarbonDist_dosethirtyone
""a vibrant struggle" is a collaboration between norwegians sindre bjerga and jan m. iversen and dutchman steffan de turck (aka staplerfahrer). in the fall of 2007, the trio spent a weekend putting music to tape. this is the third volume from their sessions -following fast on the heels of a release on 905 tapes. a single 31+ minute jam comprised of meditative drones, percussive acoustics, and cacaphonous bliss. edition of 83."

- Artist/Title: A.M. - Orla
- 6
- Format: CD
- Label: Ikuisuus (Finland)
- Price: $15
- Catalog ID: CarbonDist_IKU_AMCD
One day in early 2004 I arrived home to find the biggest parcel I had ever received sitting on my doorstep, it was crudely wrapped and covered in stamps. I was amazed that anyone would POST something like this through the regular mail system.
I brought it inside and cut away the packaging. To my astonishment I found that it contained a large old 'Orla' chord organ and a letter from Marcel Bear (Empirical) saying that he had noted my recent enthusiasm for organ tones (see also With Throats As Fine As Needles and Sunken...).
He had found this one at a garage sale and thought that I might like it. My interest in organs had been at least in part inspired by my reading about Charlemagne Palestine and his concept of the "Golden Music". His idea of a stream of sound that may facilitate an ecstatic bliss of religious intensity has been hugely influential to me (in much the same way as Haino's 'sound of the universe'...).
I decided pretty much straight away that I would record an album using this organ as the predominant sound source (the only other sound sources are the field recordings of rain on the 1st track and scaffolding pipes on the 2nd).
As the recordings progressed from the straight ahead drone of the 1st track I stripped away more and more unnecessary components of the machine until on the last track I was bowing and plucking the spring pegs of the keys. One of my favourite sounds was that of the fan motor itself.

- Artist/Title: A.R. Kane / Geggy Tah - split
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_ARKANE
- (This is a USED item)
1193 - no sleeve

- Artist/Title: Aesop Rock / I Self Devine / Cage - split
- 7
- Format: LP
- Label: USED
- Price: $5
- Catalog ID: CarbonDist_USED_AESOPROCK
- (This is a USED item)
3-way split with tracks from Aesop Rock, I Self Devine and Cage. from Nature Sounds

- Artist/Title: Agents at Midnight - s/t
- 6
- Format: CD
- Label: Quodlibet (USA)
- Price: $10
- Catalog ID: CarbonDist_QLCD004
"The full-length debut of noise-jazz duo Agents At Midnight, and a real pro-pressed CD in an edition of 500 copies, the first in 5 years! Meticulously constructed from hours and hours of recording sessions, this album is a distillation of all the many sounds and styles explored by this duo. Rumbling bassy drones, unflinchingly ear-piercing examinations of feedback tones, dizzyingly fast sample-based pieces, musique concrete-inspired collage. And on all of it, sax and electronics flow subtly into one another, bleeding over until the authorship of sounds is often uncertain. Agents At Midnight inhabits a weird hybrid territory somewhere between abstract modern improv, harsh noise, and free jazz, sometimes blending these styles, sometimes veering between them." - limited to 500, co-released with Fargone

- Artist/Title: Agents of Midnight - s/t
- 4
- Format: CD
- Label: Quodlibet (USA)
- Price: $3
- Catalog ID: CarbonUsed_FAR047
- (This is a USED item)
features Ed Change and Ed Howard

- Artist/Title: AGF.3 and Sue.C - Mini Movies
- 6
- Format: 2CD
- Label: Asphodel (USA)
- Price: $17
- Catalog ID: CarbonDist_ASPH3004CD
Two-disc release, one CD/one DVD. "The Compact Disc: Loping, wine-soaked electrical RnB, AGF's third album (her first for Asphodel) finds her dropping neu beat poetry over cookie crumb beats and snaking across sly bass and piano. Tales of friendship, longing, and wandering through anonymous city streets permeate the airwaves. Nineteen tracks of lopsided pop and soundtrack interludes, sparse and torch lit, Mini Movies is the complete sound of disastrous freedom. The DVD: the Mini Movie: Sue C. (Gold Chains collaborator and solo video artist in her own right) and AGF worked together to put together this patchwork mystery of everyday life in the shadows of capitalism, socialism, communalism and community. It is about personal history and personal relationships. Filmed in New York, Long Island, Berlin, London, San Francisco and elsewhere, Mini Movie is a travel diary at once familiar and strange but overall it is a tribute to friendship. The soundtrack is one continuous piece from which most of the tracks on the CD were derived."

- Artist/Title: Agnes High Quality - En Passant
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonUsed_BBE011
- (This is a USED item)
cracked jewel case cover
Add to CartSong Previews:
Will You Marry Me
Glitzerland
- Artist/Title: Ails al'on - ten ten ten
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR193
This is the last release in the Carbon 15YR.Series. 36+ minutes of noisy pop, synth, psych, heaviness from this duo consisting of David Merulla of Autumn in Halifax and Joe Tunis (of Carbon, Tuurd, Tumul, formerly of Pengo, etc). [packaged with 3-color silkscreened covers in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Akitsa - sang nordique
- 64
- Label: Hospital Productions (USA)
- Price: $12
- Catalog ID: CarbonDist_HOS163
akitsa - sang nordique - cd
reissue of the second akitsa full length. very low end punkish primitivist chunky underwater black metal with hard youth spirit and epic minimalism. essential for fans of bone awl, ildjarn, early absurd etc.

- Artist/Title: Algebrassiere - Bip Malentendu
- 4
- Format: CDR
- Label: imvated
- Price: $8
- Catalog ID: CarbonDist_Imvated_cp77
"impromptu rockballads. radiosamples and ongoing drum solo's. records on Breathmint, Ecstatic Peace, SNSE, etc etc... comes with painted and stencilled art and stapled covers and jewel cases filled with paint and and and... " - comes in sprayed jewel case, with nice-printed paper wrapper, silver tape, etc.

- Artist/Title: Algebrassiere - that's irritainment
- 4
- Format: CDR
- Label: SNSE
- Price: $8
- Catalog ID: CarbonDist_snse047
Algebrassiere is a seven-armed gilamonster, hairy everywhere except on it's chest, eight cat heads sprouting from it's spine. As it lumbers through the plasma center, it batters upon musical instruments with the severed limbs of Randy Savage. It lives to lick the flames of fire and spew stream-of-consciousnesses into a coffee can that doubles as a toilet. It longs for love, but will settle for a crooked, gap-filled smile from a whiskeystench bum. This album raises a racket that swings, 12 trax of impromptou fiendrocking fuck rock that makes you more virile with each successive listen. Spraypainted, screened, colorcopied that shit

- Artist/Title: Allun - onussen
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1947
- (This is a USED item)
Bar Le Muerte release

- Artist/Title: Allun - et sise
- 4
- Format: CD
- Label: bar la muerte
- Price: $5
- Catalog ID: CarbonUSED_Allun_et_sise
- (This is a USED item)

- Artist/Title: Aloha - the great communicators...
- 4
- Format: CD
- Label: Polyvinyl
- Price: $5
- Catalog ID: CarbonUsed_73
- (This is a USED item)

- Artist/Title: Alpendre - 01:05:03,924
- 4
- Format: CDR
- Label: TIBProd (Norway)
- Price: $8
- Catalog ID: CarbonDist_TIBCD92

- Artist/Title: Andy Gilmore - Lord, hold my hand while i run this race.
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR88
10YR.Series.08 - the eighth in the Carbon 10 year anniversary CDR series. a truly magnificant collection of guitar and piano pieces from one of the nicest and most creative people i know. Andy creates, whether it be with guitar or piano, pencil or ink, word or thought. clocking in at over 44min, this release contains 13 tracks, one of which is a 14min live piece, each of which exudes the level of emotion and delicateness that we've come to expect from Andy.
Reviews (1):
Foxy Digitalis
I’ve only ever paid Andy Gilmore passing interest. I never really gave his Of Lice and Moons much contemplation. It was only when I absorbed myself in Lord, Hold My Hand While I Run This Race that I discovered a truly captivating and emotionally-driven exhibition of sound.
These lonesome guitar and piano creations drift and stray out of the disc and implant themselves directly into your imagination, where they reminisce over whispered sighs of sentimental memories and ecstatically rejoice over the empty shells of past glories. In doing so, it evokes a stirring, sequestered awareness of abandonment, and removal from these joyful recollections. These bleaker elements begin to penetrate and alter those thoughts. The stark sensation that you are now withdrawn from reality is a cold wake-up call that spits you back out into Gilmore’s desolate sounds.
The clanking of piano pedals and clinking of keys makes for a perfect soundtrack to a despondent existence, but through this, it still manages to radiate splendour and beauty. This won’t just pull at your heartstrings, it will puppeteer them.
When we were younger, we couldn’t appreciate the lack of responsibility we had. Now that we’ve grown, we increasingly find ourselves asking, like Gilmore, for someone to hold our hand while we run this race. - James Clarke

- Artist/Title: Angel Corpus Christi - Louie Louie
- 4
- Format: CD
- Label: gulcher
- Price: $12
- Catalog ID: CarbonDist_Gulcher601
"12 songs by for and about Lou Reed 1. Louie Louie 2. Caroline Says II 3. Tell It To Your Heart 4. She's My Best Friend 5. Disco Mystic 6. Banging On My Drum 7. I Want To Boogie With You/Je T'aime 8. Lou"

- Artist/Title: Angel Corpus Christi - divine healer
- 4
- Format: CD
- Label: gulcher
- Price: $10
- Catalog ID: CarbonDist_GULCHER415
The latest sad-funny avant- pop sounds from San Francisco singer-songwriter- accordionist and longtime MX-80 collaborator. With Rich Stim and Dave Mahoney from MX-80.

- Artist/Title: Angel Corpus Cristi - Louie Louie
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_CORPUSCRISTI
- (This is a USED item)
Gulcher release from 2005

- Artist/Title: Anomoanon - asleep many years in the wood
- 4
- Format: CD
- Label: Temporary Residence
- Price: $8
- Catalog ID: CarbonUsed_127
- (This is a USED item)

- Artist/Title: Antoine Chessex - Silences
- 6
- Format: CDR
- Label: tanzprocesz (France)
- Price: $10
- Catalog ID: CarbonDist_tzpCD21
"vocals, sax, tapes, mics, 4-track manipulations by monno's saxophonist and dave phillips collaborator. drone sax vs sound poetry vs ritualistic invocations vs electricity. 120 copies."

- Artist/Title: Antony Milton - The End of this Short Road
- 4
- Format: CD
- Label: Deserted Village (UK)
- Price: $14
- Catalog ID: CarbonDist_DV27
"I recorded it in 2000 a few months before I started the PseudoArcana label, and given that my initial idea for P.A. was for it to focus on harsher and more abstract musics the simple melodic folk songiness of 'Short Road' resulted in it sitting on the shelf for much longer than it perhaps should have. There was a great poet who said of his work that all he had ever done was write the same poem again and again, trying to get it right. I've sometimes felt that I only have the one song inside me, and I've approached that song from a hundred radically different angles and have ultimately become convinced that this song can never in fact be realised in any definitive way. But that one song is still there inside me and there are places on 'Short Road' where I think I come as close to realising that song as anywhere."

- Artist/Title: Antony Milton and Joe+N - can you find your what
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR120
two extended tracks totally 35+ minutes, this is a long-distance collaboration between Antony Milton (aka AM, etc, Pseudoarcana label man) and Joe+N (aka Joe Tunis, Carbon label man). the two traded snippets, full tracks and mixes, back and forth during 2006. the sounds included are a great mix of guitar, drone-strings, found sound, vocals and various other noise makers. [packaged in a heavy-duty vinyl sleeve with a transluscent yellow "dimple" cover, artwork beneath, and wrapped in a band of metallic foil tape.]
Reviews (2):
Modisti
[ Antony Milton and Joe+N - can you find your what CDR ]
Starting out from what could be described as a ‘textural guitar drone scene’, this duo explores the possibilities of such a medium using a greater scope in terms of spatialization and processing. The harsh, extended character spreads in sweeping strokes, featuring a greater experimental set of techniques, less based on real time instrumental performance and thus allowing a greater sophistication and variation in sound processing. The second track presents a more experimental approach –featuring a casual, accidental attitude as well as a wide palette of sound sources- to the composition of materials as well as a thoroughly refreshing outlook, allowing space to be defined through the absence of sound rather than by featuring large amounts of materials.
Foxy Digitalis
This postal meeting between two underground label kingpins, Antony Milton (Pseudoarcana) and Joe+N (Carbon records) begins in surprisingly heavy territory. Pulsing fuzzed-out electronics combine with guitar mangling to create a truly disorienting murk. It seems Milton’s recent forays into black metal have spilled over into the work he does under his own name.
For a mail collab the distance between the two performers is quite effectively bridged here. The interplay and symbiotic relationship between the Milton and Joe+N creates the impression of a late night jam in a low-lit room, rather than CDRs carted across a vast ocean by indifferent hands.
The packaging of this release really does seem to give a good indication of the sounds within, it features a picture of a moth obscured by a piece of yellow plastic (which looks like some sort of factory off cut). The whole thing is bound in silver electrical tape. Sounds pretty haphazard, but it ends up looking cool. So too with the album itself, the sounds some times seem a little random, but it works.
Overall the first track reminds me of an extended instrumental track by Gate, which is good thing for sure. Feedback, static and dissonance (the pet hates of creepy audiophiles the world over) are deployed over the course of this piece without fear and to great effect.
Track two is more eerie, a moaning violin is married to an ambling acoustic guitar to create the ideal Pagan festival comedown soundtrack. There is a vocal somewhere in the mix, but it ends up only as a suggestion of a voice, like some murmer of a human presence, somewhere back there in the trees. The spell is momentarily broken by the voice of child and the response of a parent (presumably Joe+N). It’s kinda funny and serves as a reminder that you really shouldn’t take this stuff so seriously.
“Can You Find Your What” is a successful collaboration on every level. Further fruits of this musical friendship should be eagerly anticipated. 8/10 -- (13 February, 2007) - Cola Nitida

- Artist/Title: April in the Orange - IN THE MIRROR UNDER THE MOON
- 8
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv015
In the Mirror Under the Moon is a carefully sequenced collection of Aril in the Orange's earliest recordings, dating from the prelapsarian dystopia of 2007 and early 2008. Each song is a butterfly-blue weave of melody rolling through a changing sky of strum and solo, overtone Casio and cut-up piano - chromatically rich and vaguely alien annotations on AitO's translation from murky tongues of sky-dreaming, solo bedroom madness into bright dialogues of humane collaboration. The aesthetic of the amorphous at its most shimmering. - Flavius Dionysius
Pro printed, hand numbered edition of 100

- Artist/Title: Argumentix - nightmarcher
- 5
- Format: CASS
- Label: Below PDX (USA)
- Price: $6
- Catalog ID: CarbonDist_BELOWPDX08
"Life in the Pre-Apocalypse brings Argumentix time of leisure to reflect on the immediate. The newest album joins pain and sorrow knuckle scraping on cement floors. A smashed throat spurting grunts, moans and crooning thorns against tape loop manipulations, sequencer configurations, and urban field recordings. A departure from previous albums with focused anger and reluctance to acknowledge the future. Existential crisis has never felt so optimistic.
Cover art by Shoosha screenprinted by Nick Bittakis on wallpaper samples of various colors and paterns."

- Artist/Title: Argumentix - Tarantula Downpour
- 10
- Format: 7inch
- Label: Trash Skull Records (USA)
- Price: $8
- Catalog ID: CarbonDist_TS01
NOTE: this is a 7" vinyl and DVDR release!!!! - "My first VINYL RELEASE! Side A: âTarantula Downpour Glass of Wine for Dinnerâ is based on an all too realistic dream about post-modern identity drowning itself in lack of confidence. Itâs also about mind-control through chemical warfare by both force and volunteer. What if the apocalypse has already come and gone and this is just us trying to make sense of the end times?
Side B: âLend Me your Blanket (I Wanna Dream About You)â is a love song to Jamesâs dead mother. She rests inside his voice and Argumentix feels her spirit when he sings. Of course, she would have also thought this music was really strange.
DVDR includes 8 original animated videos by James Squeaky, including a video for âTarantula Downpour,â along with songs from various other releases. They range from crude drawings and feline adventures to dense rotating patterns of melting color."

- Artist/Title: Argumentix - Beyond Party Destruction Time
- 8
- Format: CDR
- Label: tanzprocesz (France)
- Price: $10
- Catalog ID: CarbonDist_tzpCD23
"oops, tapes, beats, samples, vocals. evil post-apocalyptic songs for post-apocalyptic 24-hour party people. recycled 12" packaging. cdr + anti-12" 100 copies."

- Artist/Title: Argumentix + Adam Gnade - wilderness and the hold gold
- 6
- Format: CDR
- Label: Below PDX (USA)
- Price: $6
- Catalog ID: CarbonDist_BELOWPDX04
"Music journalists by day, musical story-tellers by night, writer Adam Gnade likes to put his words to music and Boss of Goth, Argumentix likes to put music to words. For a night the two loaded up on ecstatic narratives and wrangled together this album, a swirling evil spirits hijacking the amusement park journey.
But this isn't soundtrack music. There are beats, melodramatic interludes and crushing gasps for air. This is two story-tellers sharing war stories and raising their fists to the youth. This is something to drink to. This is something to dance to. This is something to die to. Here's to hoping you die before we do.
Cover art by Adam, beautifully screenprinted by Ben at Diesel Fuel Prints."

- Artist/Title: Army of Ghosts - The Horror
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1969
- (This is a USED item)
1999 Parallelism release

- Artist/Title: Arthur Doyle - No More Evil Women TOUR CD
- 8
- Format: CDR
- Label: Carbon Records
- Price: $10
- Catalog ID: CR104
20 minutes of Arthur Doyle's trademark vocalizations. recorded direct to cassette, this is a great vocal only recording from Arthur, to celebrate his recent mini-tour of the NorthEast US. [limited edition. packaging started as 3 4'x4' paintings on 1/4" plywood. the pieces were then cut into 6"x6" boards that serve as the cover/carrier for the release.]
Reviews (1):
Volcanic Tongue
Although free folk spirit Arthur Doyle is primarily associated with the saxophone, the arc of his trails takes in a whole bunch of classic 20th century song and dance modes. Doyle's vocal style is a particularly original amalgam of a bunch of seemingly mutually exclusive currents, all reconciled with a delivery that is as far-out and unmediated by any concern for traditional expressive modes as it is playful and totally spontaneous. No More Crazy Women (nothing to do with the recent Qbico LP of the same name) is a special tour-only CD-R that bundles three impossibly-great solo vocal performances recorded straight to cassette. Packaging is real sweet too, with each CD fastened to a 6"x 6" painted board. The sound here is somewhere between early jazz scat singing, primitive field moans, the gutteral automatic accompaniment of Bhamanian guitarist Joseph Spence and the syntax-dissolving experiments of Henri Chopin. Features wild versions of "Round Midnight" and "Stormy Monday". Limited to only 150 copies. - David Keenan

- Artist/Title: Atomic 61 - purity of essence
- 4
- Format: CD
- Label: Cavity Search
- Price: $5
- Catalog ID: CarbonUsed_81
- (This is a USED item)

- Artist/Title: Auger - like little machines
- 4
- Format: CD
- Label: rectrix
- Price: $10
- Catalog ID: CarbonDist_RECTRIX02
subtle single-noise-compositions, reminding me of Bernhard Gunter‘s work. from the Rectrix site: Complex, rhythmic noise packaged with a nice minimal look. This is a bit different from the harsh wall of noise stuff that I am used to."

- Artist/Title: AUN - Multigone
- 6
- Format: CDR
- Label: Crucial Blast
- Price: $9
- Catalog ID: CarbonDist_ BLISS32
".This seven track disc is undeniably the heaviest music that AUN has created so far, a grinding, distorted soundscape that begins with the keening electronic drones and muffled, disembodied metallic riffing that becomes endlessly tanged in a nest of squirming low-end noise in the opening title track, and steadily ratchets up the heaviness with each track, until we come to the punishing "Palejoy", a bludgeoning Industrial metal dirge that has massive, Godflesh-like percussion fused to processed, almost synthetic sounding doom riffage, a black cloud of buzzing, ultra downtuned black dirge drifting over a muffled, slow motion breakbeat. In between, AUN erects vast walls of crumbling distortion and rhythmic guitar loops forged into apocalyptic ambient drift streaked with heavenly synth choirs and sweeping cosmic fx, crushing fifteen-minute blasts of immolating amplifier ragas formed from a nebula of melting woodwind sounds, distant elephantine tympani drums, hellish symphonies of rusted, scraping strings and celestial electronic whiteout that ends up sounding like something from Skullflower's Orange Canyon Mind but one hundred times heavier, and strange deep-space blues jam instrumentals with impossibly detuned guitar soaring through black holes of reverb and tape fluctuation. This is seriously crushing stuff that stands out in sharp contrast to the hordes of amp-leaning feedback riders, and is highly recommended to anyone into KTL, Final, Black Boned Angel, To Blacken The Pages, K.K. Null, Aethnor, Fall Of The Grey Winged One, Fear Falls Burning, Hlidolf, Messiah Complex, and other heavy, textural industrial/ambient/sludge groups. Multigone is packaged in the signature Bliss sleeve with full color artwork, and the disc is attached to the interior of the sleeve on a plastic hub. Issued in a limited edition of 300 copies."

- Artist/Title: Austere - Monodia
- 4
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_austere1
- (This is a USED item)

- Artist/Title: Austere - Convergence
- 4
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_austere2
- (This is a USED item)

- Artist/Title: Austere - caruscate
- 4
- Format: 3inch CDR
- Label: sound-o-mat
- Price: $8
- Catalog ID: CarbonDist_SEANCE02
5min piece on rectangular CDR in a cellophane-wrapped and decorated paper box {edition of 50]. the cdr is the ouija board, comes with literature on using the baord, etc. amazing packaging! part of the Music for Seances series (http://austere.org/oracle/seances.shtml)
Add to CartSong Previews:
Screen of Province
In Slow Arcs
- Artist/Title: Autumn in Halifax - Kites With Broken Strings
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR117
autumn in halifax is "the quiet avant folk drone guitar and voice of david merulla." and this release showcases pretty much every aspect of that description. in addition to his amazing guitar/looping and vocal work, he is joined on a number of tracks by various friends from his previous stomping grounds in the San Diego (post)pop/rock scene. David does an amazing job of mixing delicate (and catchy) melodies and looping, with abstract sounds and textures . www.autumninhalifax.com
Reviews (4):
Two Way Monologues
A lot of people have a tough time understanding how I can appreciate watching baseball, golf or even (gasp!) curling as much as I do, and I can understand that. The reality is that those activities just move too slowly for the majority of people.
It can be the same way with a movie, like one of my all-time favourites, Waking Life. I find that movie riveting, and to date I still am trying to wrap my head around the intricacies of what it all means. I'd be an idiot to expect everyone to have the patience for that type of movie. And I would be an idiot to expect everyone to have the patience for Autumn in Halifax's record Kites With Broken Strings.
Patience is absolutely crucial to enjoy Autumn in Halifax. There are moments that occur in the album that are absolutely crushing. The music has a way of lulling you into a mesmerized state where it is just you and the music; and then, like a cold bucket of water to the face, an abrupt change in the pacing or volume awakens you. It is just an incredible feeling when music can do that to you. The key is in the build up, or what I referred to as the lull. Rudimentary rules about song lengths are ignored here, and whatever length it takes to satisfactorily complete the song is used instead.
The album title is fascinating, isn't it? Kites With Broken Strings -- what does that mean to you? To me, the one word that comes to mind is potential. A kite with broken strings at is useless; the sole function of a kite cannot be performed without strings. But that doesn't mean it can't regain that potential again and that it hasn't done beautiful things before. Maybe I am completely wrong and the band just named the album what it did because it sounds cool. I hope not. I also like my analysis because it fits well with this music in general. It is only as rewarding as you let it be. A casual listen to songs like "Farewell" just isn't going to cut it.
"Farewell" actually offers the listener a great microcosm for what they going to experience during Kites With Broken Strings. Clocking in at 10:38, it is a slowburn, to say the least. In many ways I am reminded of Raising the Fawn but with a heavier emphasis on folk and more of a hint of fragility in David Merulla's vocals. Repeatedly, Merulla plays this quiet tranquil melody against the rhythmic drums, and the melody has more of an effect on me than most hard rock riffs ever do. When I listen to this song I know that everything will go on hold for ten minutes of my life and I can just let myself get lost into this music. And this, as I am discovering, is the true beauty of the drone style.
For a minute and thirty seconds "Memphis" plods forward as it builds toward something, but the repetition soothes you -- and then it happens and demands that you perk up and listen. Merulla's voice couldn't be described as polished, it has a raw quality that contrasts well with the meticulous thought that goes into the guitar and instrumentation. I wouldn't suggest playing any of these songs at your next social gathering, but in those late artistic, contemplative hours of the night this is the soundtrack that you are craving.
I am asking/encouraging anyone who reads this and would like to share an opinion on what they think the following lyrics mean to post or email and let me know, because I find them utterly fascinating:
"Ghostly coma breaks/the radius of your smiles/when I need them most/Sparkles rival faith/Rivals sparkles truth/Sparkles rival faith/Rivals sparkle truth"
Those lyrics come from "Stinger Glows Relief," another of the many excellent tracks Kites With Broken Strings has to offer. The song is constructed to force the listener to focus on Merulla's voice and those mysteriously beautiful lyrics. In spite of not knowing precisely what the lyrics mean, the sadness or despair in this song is still bordering on overwhelming.
And it doesn't end with the three songs I mentioned. On their own these songs are decent, but as a whole the album is a more powerful and rewarding experience. The learning curve is higher, so you make the call. The flavour of the month or something that you won't be sick of this time in July? That is up to you.
Songs to hear: As your attorney, I'd advise listening to the entire album. (Fear and Loathing reference, for those who just decided that I am crazy.) SCORE: 8.5 - Dan
City Newspaper
Cover story excerpt Rochester City Weekly (OCTOBER 26, 2005)
A brisk wind blows through David Merulla's music
At times, he inhabits his own music with such a gentle touch that he may as well be a ghost himself. His playing also moves forward at an unhurried pace almost unheard of in this day and age.
The arrangements, which feature light electronic touches and playing and recording by members of Kill Me Tomorrow, Bartender's Bible, and the Black Heart Procession, leave ample room for echoes. Echoes in the spaces of buildings, echoes that span the rural American West... echoes of a tree-lined Rochester street bracing itself for the cold. - Saby Reyes-Kulkarni
Pop Matters
Autumn in Halifax is (mostly) David Merulla, and to get an idea of his music, it helps to know that he’s intrigued by both nature and architecture, and these two obsessions shape his music. Like the former, his songs are often unconstrained and unpredictable, changing direction and feel without warning. But like the latter, Merulla’s songs possess shape, though it’s not always apparent. This is the rewarding part of his music—a few listens just do not suffice. You have to live with the songs to discern the overall harmony and symmetry of its components, and what first sounded like random noise reveals itself to be part of a larger structure. Merulla, you might say, paints on a large canvas, and standing too close prevents you from seeing the complete picture. Once you see it, though, you can’t look away, despite that it’s often haunting, lonely, and unsettling.
Kites with Broken Strings is Autumn in Halifax’s new album; consisting of eleven tracks, it exemplifies Merulla’s eccentric brand of folk. Merulla handles vocal and guitar duties, but it would shortchange him to say he “plays” the guitar. All the conventions of guitar playing—pleasing chord progressions, catchy hooks, pyrotechnic guitar solos—are absent from Merulla’s songs. Lest you think, though, this means Merulla doesn’t know the tool of his craft, he does. His approach, however, is completely different from the classic pop model of verse/chorus/solo/chorus/fade. Instead, his guitar lines drift back and forth, moving in and out of frame, disappearing only long enough to instill a sense of unease and anxiety, returning to both please and taunt. His playing has been described as “quiet avant folk drone,” and while it’s all of these things, it might be more apt and succinct to say it’s surreal. Each song on Kites with Broken Strings sounds like a collage of fragments of dream or memories, juxtaposed against one another, the interplay equally revealing and disturbing.
Adding to the illusory feel of Autumn in Halifax’s songs is Merulla’s voice, which is always shaky, often shrill, and deliberately off-key. Yes, this doesn’t sound like the kind of music you play at a party, and it isn’t—at least, that is, not until all the obligatory guests have left and only your core group of confidantes remain. Autumn in Halifax, you see, isn’t for everyone, but only those who enjoy investing in the listening experience, those who know that rewarding art often requires something from the observer. And Merulla’s voice and songwriting do require that you pay attention, but together, they are hypnotic, each chasing after one another until they collide.
Overall, Kites with Broken Strings is disquietingly serene, much like a memory that has no tangible power in the present, but still manages to disrupt. Indeed, songs like “A Quiet Long Enough” and “In Slow Arcs” capture the transitory nature of memories, each based on loose guitar patterns that repeat themselves. “A Quiet Long Enough” is an instrumental song, and the repeating guitar patterns are complimented with backwards electric guitar notes. This gives the song a reverse momentum, as if any forward progress is always determined, and ultimately thwarted, by what came before. “In Slow Arcs” features vocals and instrumentation, but still feels transient. Drums crash into the middle of the song, accelerate the pace, but then disappear into the background. Later, they repeat the same pattern, creating a bizarre ebb and flow.
Lyrically, Merulla isn’t interested in telling stories or creating character sketches; rather, he gives the listeners images and lets them make connections. You might, for instance, think a song titled “Memphis” would tell of drunken nights down on Beale Street, but that’s too obvious. Instead, Merulla presents a series of snapshots that, while loosely related, don’t tell a coherent story: “The sound of winter... I came to... Memphis... we left it in the sea.” Likewise, in “Water + Wire,” the listener is forced to make coherence out of fragmented thoughts: “Nothing left unless we rest / Accidents, they... they test / The gentle texture of water and wire.” Only half the words in most the songs are discernible, which somehow makes the lyrics all the more intriguing. Of course, such lyrical wordplay would be easy to dismiss as artistic pretension, but Merulla’s lyrics make perfect sense within the context of his songwriting.
Like both architecture and nature, Autumn in Halifax’s songs deal with the role of space—the space between people, the space between the past and the present, and the space between reality and illusions. Kites with Broken Strings is perfect for pondering such reflective matters, and while it offers no answers, it makes you realize that questioning is better than knowing.
Transitory and haunting, Autumn in Halifax's songs sound like all those past moments that determine your present situation. - Michael Franco
Delusions of Adequacy
“Thank you...from the bottom of my bloody folk heart,” David Merulla writes in the liner notes for Autumn in Halifax’s Kites with Broken Strings, and I’m struck with what an interesting description that would be for this band: bloody folk. Take your structured folk music, and dissect it, sometimes into its barest components and sometimes into delectable chunks of folk goodness, and you get the unique and endearing sound of Autumn in Halifax.
Rochester native Merulla is the heart of his bloody folk sound, assisted on the album with assorted friends, and on this release, he delivers one of the most intriguing albums I’ve heard in ages. There’s tracks here for those who love traditional song structures and those who eschew them, and sometimes both will be pleased in the same song. At the heart of these songs is a moody folk sensibility, but Merulla and friends get so creative in mixing these songs and adding in ebow, lap steel, Rhodes piano, and assorted noises, that the result is something truly unique.
The album opens with the quiet “A Quiet Long Enough,” which warps its guitars forward and backward, creating a kind of ambient soundscape. It’s merely a prelude, though, to the lengthy and brilliant “Farewell,” which gives perhaps the perfect feel for Autumn in Halifax’s sound. It’s flowing, eerily moody at times and yet striking in Merulla’s lyrics and lilting vocals. The drums are booming, the guitar repeating its lines in the backdrop, keyboards lilting and pretty by contrast, and what seems incohesive in theory comes together beautifully.
“In Slow Arcs” brings to mind Joan of Arc in structure as well as Merulla’s purposefully off-key singing style. “Water + Wire” is sweet and gentle, and Merulla’s singing style is endearing more than jarring, nicely complimenting the rich tones of this quiet yet poppy track. “Echo in the Lower Case” is a gentle instrumental, lilting and smooth and evocative. It leads nicely into the album’s centerpiece, the brilliantly powerful and instrumentally textured “Memphis.” The album is rounded out by the more folky “Aluminum Smile,” creative found songs to back up “Lemon Tigers,” more poppy “Pretty Noise,” the stark and stripped-bare “Stinger Glows Relief,” and the esoteric “Screen of Province” that provides a nice bookend to the opening instrumental.
Merulla spins tales in true folk style that take on an almost dreamy feel, his lyrics telling of “birds, avalanches, water, hearts, and silence,” as he notes in his bio. His instrumentation – at times quiet and moody, at times experimental in approach – is the perfect accompaniment to these tales and still works on its own in the instrumentals. Don’t be surprised if you find yourself getting lost in these songs, wondering where the time went, wondering where these strange and discomforting thoughts are coming from. Merulla’s music is meant to lull you disarmingly and strike you with its dichotomies. It’s enigmatic and unusual and startlingly effective. And I’ve yet to hear a release this experimental in approach work so well. This is truly a gorgeous album. - Jeff Marsh
Add to CartSong Previews:
track 1
- Artist/Title: Autumn in Halifax - Robert Frank & The Moon
- 10
- Format: BOOKLET and CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR175
The short story Robert Frank & The Moon written by David Merulla began as a title written in one of David's notebooks and then continued to reappear in subsequent notebooks and on various scraps of paper. David's affinity for the Swiss photographer Robert Frank plays a subliminal part in seeing the story through however the story is more about memory, shapes and origami. The companion soundtrack ep is an instrumental music recording by Autumn in Halifax & The Leaves, meant to be listened to while reading the story, however can also be enjoyed by itself. The ep was recorded live to two track at the Wolf Den, Rochester, New York by Joe Tunis, mixed by Chris Reeg & David Merulla. Autumn in Halifax & The Leaves is David Merulla, Scott Oliver, Chris Reeg and Joe Tunis. [package include a 5x7 booklet with pro-printed cover, silkscreened cdr and silkscreened kraft stay-flat envelope]
Reviews (2):
Pirtlegimp
This is an EP of instrumental tracks from the wonderful Autumn in Halifax the band that is directly responsible for the existence of Pirtlegimp Promotions. These tracks are the audio portion of a package that includes a short story and should still be available from Carbon Records should you be interested. If you like the more minimal and lo-fi leaning post rock then you should be all over this; to me it sounds like a very slowed down collaboration between The Dead C and the pretty post rock band of your choice. - Rob Rioux
Indie Street Radio
Autumn in Halifax - The Story: Taking notes from Raymond Carver and Proust in a distinctly contemporary sense, Robert Frank & The Moon uses a traffic accident as the centerpiece to thematically explore and concretize an Augustinian conception of time.
The Music: The soundtrack to Robert Frank & The Moon stands on its own right as a contemplative (primarily) guitar-based piece with a distinct interplay between both arpeggio rhythm and warm-sunset-drone, and structured song and ambiance.
The Total Package: There is an inherent problem of putting story to music in this fashion: timing. That is to say, should one read the story to the pace of the music, is the music composed to fit the average amount of time one takes to read the story, how closely aligned is the music to the story, etc.? I chose to simply read the story at my own pace accompanied by the music without worry of any sort of artistic intention of alignment. While I finished the story sometime in the third song of the soundtrack, it would be inaccurate to say that this juxtaposition doesnt have any meaning. My reading often became one with the pervading rhythm or mood of the piece, mimicking the narratives complex, intersecting, and inextricably tangled rhythms of life.
Add to CartSong Previews:
Dyed in the Wool
Valedictorian
- Artist/Title: Autumn in Halifax - the soft, soft shakes
- 6
- Format: CDR
- Label: Carbon Records
- Price: $10
- Catalog ID: CR177
Recorded in multiple studios over the course of 2007 and 2008, in both Upstate New York and San Diego California, Autumn in Halifax; David Merulla and W.Dirk Doucette, along with various contributors put together another collection of songs with considered arrangements and colored by multiple instruments including Wurlitzer and Fender Rhodes pianos, singing saw, accordion, trumpet, vintage effects and the familiar guitars,drums and bass. The warmth of 1970's rock and roll, concise pop songs and subtle experimentation all can be found within this particular song cycle.
Reviews (1):
City Newspaper
Setting out to make a "more pop-sounding" album this time around, Autumn In Halifax leader David Merulla proves that poppiness doesn't have to come at the expense of substance. Merulla's work can flow as gently as a canoe being carried downstream by a slow current, but tends to be heavy on the atmosphere. He also writes prose, and his songs often come across like the sonic equivalent of pastoral scenes described in dense passages of literature. By contrast, "Soft Shakes" immediately gets off to a more anthemic start with the singalong-inducing "Sleepwalkers." As the album goes on, drummers William Doucette and Jonathan Stevens provide lively beats even as Merulla begins to evoke the deep stillness of vintage acoustic Neil Young. Merulla has an unparalleled knack for challenging your expectations while going easy on your ears. As accessible and beautiful as it is, "Soft Shakes" still commands a most rewarding kind of patience. - City Weekly

- Artist/Title: ĂŠl-g - Capitaine PrĂŠsent #4
- 8
- Format: DVDR
- Label: tanzprocesz (France)
- Price: $7
- Catalog ID: CarbonDist_tzpDVD01
"Capitaine PrĂŠsent" is a subconscious audio-serial started in 2004 by ĂŠl-g.
This Fourth episode is a film with Stolen images from google, edited in a 20 minutes long futurist didactic movie with 300 different voices, inserts and orgasmic crescendos. It talks about life, universe, teenagehood, theme parks, enterprises, synaptic links and sweet skizophrenia.
Tristan Tzara meets PizzaHut meets You.
And yeah it's french only because it's impossible to subtitle this object, no place for it. Capitaine PrĂŠsent #1-2-3 included for yr never-ending audio pleasure. Totally queer pink plush handmade packaging. 50 copies.

- Artist/Title: Bad Party - Coming Out Slowly
- 12
- Format: LP
- Label: Animal Disguise (USA)
- Price: $8
- Catalog ID: CarbonDist_ADR085
DEBUT RELEASE FROM THIS DETROIT BASED INDUSTRIAL/PUNK DUO FEATURING EX-MEMBERS OF WHITE DEVIL AND TAMION 12 INCH. 8 SONGS OF RAW, UNCOMFORTABLE MISANTHROPY AND SELF REFLECTION. INCLUDES THE FAN FAVORITES 'ANOTHER GIRL DIES', 'HATE HALF MYSELF', 'I TOUCHED HER TWICE', 'STRAP ON, I'M A MAN', 'FEATHERED HAIR AND TIGHTASS JEANS', 'KILL KILL KILL', 'CATHOLIC GUILT', AND 'LONDON'. PARENTAL ADVISORY SUGGESTED. LIMITED VINYL PRESSING OF 500 COPIES.

- Artist/Title: Baldruin - Schatten & Lichter
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_005
"Sleepwalking in lost memories, a hairy goblin processes ambient Lo-Fi nightmarish tales on keyboard, flute, found objects and percussion. Recalling images from childhood days in the Bavarian woods, these Madeleines taste like cold sweat; dark, romantic and surreal elegies for a past never experienced, only imagined. Some call it Hauntology, we call it Bavarian Gothic. Schatten & Lichter provides ten sonic stillborn changelings at midnight, preserved and presented here on tape." -Holger Adam, Phantom Limbo
Hand numbered edition of 100. C-31

- Artist/Title: Barbara Manning and the Go-Luckys! - You Should Know By Now
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1989
- (This is a USED item)
2001 Innerstate release

- Artist/Title: Barky - a study in rocking
- 4
- Format: CD
- Label: Barky (USA)
- Price: $10
- Catalog ID: CarbonDist_BARKY01
"Barky is an instrumental trio from the boroughs of New York City, whose peculiar combination of Indie Rock, Avant Jazz, and Americana..." - this record is a great combination of math-rock, a little jam/noodling, and a little jazz-sound. basically, like if Karate played more complex songs, or the midwest math-rock bands threw in some solos. good stuff.

- Artist/Title: Bass Tone Trap - Trapping
- 6
- Format: CD
- Label: Music a la Coque (Italy)
- Price: $13
- Catalog ID: CarbonDist_musicalacoque004
"Re release of 1983 album LP. This english band is a mish mash of freeform jazz, jagged white funk, empty spaces, great to tangle to !"

- Artist/Title: Bats'i son - music of the highlands of chiapas
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1948
- (This is a USED item)
2004 Latitude release

- Artist/Title: BCT - The Life and Times of Steven Character
- 4
- Format: CD
- Label: Yawn Factory (USA)
- Price: $8
- Catalog ID: CarbonDist_YF001
"Conceived in a thick haze of flatulence and other suspicious airborne activity in 1996, Blatant Crap Taste is the one-man grind machine from Rochester, NY native and technical metal juggernaut, Erik "pinchmaster" Burke. Formerly the creative mastermind behind legendary underground sensations LETHARGY, and current SULACO and NUCLEAR ASSAULT guitarist, the multi-talented Burke handles all the instruments on this 77-song squealography that would literally suck the Tin Man right through a keyhole. Sustained, explosive bursts of humorous intensity is the prime agenda of B.C.T., and via Burke's construction of labyrinth-like mazes of crooked riffing and torrential blast beats, he yanks and twists the listener through a schizophrenic 64 minute minefield of unpredictable aural acupuncture. Despite the prickly nature of the hyper-kinetic, porcupine-needle guitar style, there is an absolute punchdrunk magnetism and sense of groove in the songwriting that slithers and winds itself into your permanent memory. The Life & Times of Steven Character is an essential release for fans of quirky, rhythmically complex extreme metal of the Human Remains/Cephalic Carnage variety, and is truly a testament to the immense talent and staggering creativity of the original Rochester berserker, Erik Burke. Guaranteed to unfold your brain into shrapnel-shaped pieces of THC-stained origa" -- Drew Johnstone

- Artist/Title: Beekeeper - anywhere will do
- 4
- Format: CD
- Label: Muss My Hair
- Price: $5
- Catalog ID: CarbonUsed_55
- (This is a USED item)

- Artist/Title: Beequeen - ownliness
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_INFC003
- (This is a USED item)
on the Infraction label (OH)

- Artist/Title: Below PDX ZINE - summer 2007
- 6
- Format: ZINE
- Label: Below PDX (USA)
- Price: $5
- Catalog ID: CarbonDist_PDX_summer2007_zine
44 pages, hand painted covers. reviews, interviews, surveys, cartoons and more

- Artist/Title: Ben Reynolds and Andy Jarvis - s/t
- 3
- Format: 3inch CDR
- Label: First Person (UK)
- Price: $6
- Catalog ID: CarbonDist_First_Plural009
âThis installment of Andy Jarvis' excellent First Person CD-R series features collaborations with another excellent UK-based artist, Ben Reynolds. These three tracks do a fine job of exploring the realm of solo steel-string acoustic guitar. In the spirit of Fahey and other Takoma artists, Jarvis and Reynolds do a marvelous job playing off each other. On the opener, "Princess Metal Mountain," soft drones flow underneath the dual picking, give a sense of tranquility and peace. This is a solemn track with an underlying mysticism. It's like you're being followed by a mythic creature, but every time you turn around it scurries out of site. "Bronze Tower (That Holds Up the Sky)" is short but oh so sweet. This follows two high school lovers through golden fields at dusk one summer evening. The smell of grass is in the air, and they are guided by nothing more than young love. There's an endearing quality to this piece that is hard to pin down, but present throughout. It's quite beautiful. The third, and final, piece is the epic "The Immortal Yip." Meandering through clouds of dust, Reynolds and Jarvis seem to be constantly searching each other out. There's a sense that they are just barely out of reach to each other, but that adds to the overall dynamics of the track. In all, it thrives in its length (it's over 11 minutes) and leaves you wanting moreâ.- Brad Rose

- Artist/Title: Bethell - ep1
- 4
- Format: CDR
- Label: Epicene Sound System (USA)
- Price: $6
- Catalog ID: CarbonDist_ESR019
"This is one fucked up release. Bethell is the brain child of one Justain Netherly, another ohio resident with some desfunctional ideas. At first you might think this is a grind record, but only if said grind band had Masonna and Merzbow in it's ranks. Then there is all the Galaxy 500/My Bloddy Valintine space/psych parts... then back into the sick noise grind blur. completly fucked."

- Artist/Title: Bhob Rainey - Two Bites of a Bitter Sweet
- 6
- Format: 7inch
- Label: Evolving Ear (USA)
- Price: $7
- Catalog ID: CarbonDist_EE17
"Bhob Rainey is an established bigwig of the global improv/noise/experimental underground as a result of his work alongside trumpeter Greg Kelley in the influential duo, nmperign, his direction of the improvising juggernaut, The BSC, and his numerous solo works and collaborations with the likes of Jason Lescalleet, Gunter Muller, Ralf Wehowsky, Le Quan Ninh, Alessandro Bosetti, and Michel Doneda, among others.
Two Bites of a Bitter Sweet is his first release of purely electronic music, and Evolving Ear is tickled to be the messenger on this one. The material on the two side-long, 33rpm pieces ranges from homemade synth textures to field recordings from Lisbon, Venice, Huelva, and other, unremembered locations. There's some singing by Naomi Yang (Damon and Naomi) and Bhob himself, and some words of wisdom from Archbishop Desmond Tutu. Overall, a woozy alternate reality is offered for repeated dream pool swims.
Beautiful, hallucinatory artwork by Elaine Kaufmann."

- Artist/Title: Big Chief - Face
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1939
- (This is a USED item)
1992 Sub Pop release

- Artist/Title: Big Hair - the pickle farm
- 4
- Format: CD
- Label: Energy
- Price: $5
- Catalog ID: CarbonUsed_99
- (This is a USED item)

- Artist/Title: Big Whiskey - the bloated museum of treachery
- 4
- Format: CD
- Label: warm freedom of tongue
- Price: $10
- Catalog ID: CarbonDist-WFOT1
Seven pieces of outside-rock in just over an hour. Don Rettman (guitars/electronics/stuff) and Dave Bryson (drums/percussion) make a big ol‘ sound that grooves noisily for awhile, and then surges in search of another groove for awhile, and lets the guitar feedback for a ‘nother little while, and then does something else. Hypnotic and noisy.

- Artist/Title: Bill McCarter / Stalingrad Symphony - secrets / struggle
- 4
- Format: CD
- Label: gulcher
- Price: $10
- Catalog ID: CarbonDist_gulcher414
Ex-Crawlspace McCarter‘s unreleased 1978 EP (Velvet-y not-pop) + his 2001 free-rock CDR Struggle. With members of Crawlspace & the Lazy Cowgirls.

- Artist/Title: BJ Nilsen - Hazard 06_12_03
- 4
- Format: CDR
- Label: Touch
- Price: $11
- Catalog ID: CarbonDist_TOCDR5
"Christian Fennesz has started curating a series of events at the Konzerthaus in Vienna as part of the ‘generator‘ series of live performances held there each month. In early December he performed with Philip Jeck and BJNilsen (aka Hazard) as part of the Touch night, during which Jon Wozencroft also showed his films. All the concerts were recorded, and BJNilsen‘s becomes the 5th in the TO:CDR series." CD (wallet) -- factory manufactured.

- Artist/Title: Bjerga / Iversen - In broken dreams the world still keeps turning
- 4
- Format: CDR
- Label: Dead Sea Liner (UK)
- Price: $8
- Catalog ID: CarbonDist_deadsealiner005
"A great slice of industrial ambience from the Norwegian duo - walls of drone improv and inteference cut through with robot birdsong."

- Artist/Title: Bjerga / Iversen - (Go With The Flow) Like a Twig on the Shoulders of a Mighty Stream
- 8
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR178
.. that is kinda what Bjerga/Iversen have been doing, since the humble beginnings 4 years ago.. After more than 50 releases and about the same number of gigs since then, it is perhaps somewhat of a contradiction that its all more or less just as humble .
Thanks to its piercing frequencies, paranoid multitasking, mantra-like grooves and billowing fields of feedback, this record represents both one of the last bastions of true Punk and a 21st century take on the Krautrock spirit. It is the kind of music that would have your parents worried if you listened to it alone in your room. It is also, in a way, the exact opposite of what you would associate with the Norwegians just by reading about them. If this is a best-of, then its probably the least representative in the world.
This CD collects some choice cuts and edits from our now quite (stupidly) extensive recorded catalogue.. It might not be an easy task to single out the best moments, which would sort of be beside the point anyway.. In a way its all the same song, the song that never ends.. We tap on to the frequency, and sometimes the psychedelic transmissions are seeping through like burning sunlight on technicolored drops of water and other times the harrowing, fleshy minimalism of solitary organ notes and foggy feedback overtones dig out deeper, darker furrows in uncharted territories .
It may seem like another contradiction, then, that "(Go with the flow) like a twig on the shoulders of a mighty stream" breaks these documents down into easily digestible (relatively speaking, mind you) and highly selective moments. Suddenly, there is nothing but magic and everything makes sense. From the opaque clouds and glassy ambiance of Theres always a little light that shines to the hypnotic and yet playful ultra-minimalism of Most things are made of water and their stretched-out metaphorical Über-message The trumpets of silence, descending from its warm opening bass pulsation into a frosty cellar of disentangled frequencies, these are undeniable works of mesmerizing sound art. Extracted highlights from twisting and turning improvisations like Theres a ghost in the dream machine surprisingly put them in a league with the en-vogue Guitar drone fraction, while there are stretches of subtle experimentation which are of a decidedly more microtonal nature. On the other hand, these moments of coherency are definitely also a relevant part of their cosmos and they deserve to be appreciated as well. Glued together on a single, cohesive disc, it is almost as if these Norwegian cowboys had simply decided to mix everything they stand for into a delirious DJ mix, taking no detours whatsoever.
Still going with the flow, but for the past four years the flow has dragged us though the muddy swamps, the pitch black forests and down the magic rivers of pure sound .
When I saw them for the first time, struck by their perplexing quietude and their naive way of drawing ripping sound from random objects. This album is about those times. It is about showing what you missed if you werent there when it happened. And about why it is worth remembering if you were.
Reviews (1):
Crucial Blast
The Norwegian duo of Sindre Bjerga and Jan-M. Iversen has been wowing me for a few years with their dark improv-noise, mostly through their prolific release schedule that sends clutches of super limited cd-rs out into the world through labels like Carbon, Ruralfaune, At War With False Noise, and Utech. It 's hard to believe that these guys are able to explore as wide ranging a realm of sounds as they do with all of their myriad releases, and I hardly ever hear them stay in one spot for long on any given release. Massive Earth-en guitar drone will find itself next to a track of battered toy noises, or the duo will emit crushing blasts of feedback and electronic squonk, then slide effortlessly into glistening ambience that blooms from a field of effects pedals that the artists manipulate in expert fashion. For any newcomers to Bjerga/Iversen's dark noisescapes, I would recommend this disc in a heartbeat. (Go With The Flow) Like a Twig on the Shoulders of a Mighty Stream has been put together as a collection of some of Bjerga/Iversen's best material, culled from an assortment of rare and out of print releases. Sixteen minute epics of flattened high-end feedback tones, mutated radio signals, psychedelic guitar noise and throbbing low-end are matched with shorter tracks like the grinding Teutonic sludgedrone of "Drawn To The Light, Like Moths To A Flame" and the eerie space horror and industrial skulk of "Invisible Empire". The untitled eighth track is the one unreleased recording on here, and it's a killer blat of dark ambience that makes my skin crawl, a deep Lustmordian drone flecked with glitchy computer noises and unnerving dissonance. The whole disc tends to lean more towards the darker, more ambient side of Bjerga/Iversen's improv recordings, but that is where these guys really shine anyways, so who's complaining. The whole disc flows together so nicely that it hardly even sounds like the compilation that it is, and anyone who hungers for the heavier and more corroded end of the deathdrone/dark ambient spectrum needs to hear it. Think Maurizio Bianchi's cold industrial drones combined with the fractured, blackened industrial throb of newer Wolf Eyes, Lustmord's cavernous ambience, early krautrock and the grinding guitar buzz of Earth's 2. Sounds pretty great, right? This is definitely the place to start, and after sinking your ears into this heavy collection of psychedelic industrial drone, you might just want to start hunting down all of the other fifty-plus releases that Bjerga/Iversen have released over the past few years... Nice red and black packaging, and the booklet has some well written liner notes on the duo written by Tobias Fischer.

- Artist/Title: Bjerga / Iversen - buring the light at both ends
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR119
36+ min of desperate transmissions from a desolate place. a collaboration including Sindre Bjerga,the man behind the amazing Gold Soundz label (Norway) and Jans-M Iversen, the man behind the, equally amazing, Tibprod label (also from Norway). [from the Carbon Recycled.Series. recycled 2 and 3 fold covers, spray painted and silkscreened with some of the original artwork bleeding thru the paint fog.]]
Reviews (1):
Foxy Digitalis
This Norwegian duo of Sindre Bjerga and Jan Iversen has been quite prolific in 2005. This is hardly a bad thing as their "Lighthouse Tapes" series has continually offered memorable moments that explore varying styles and influences. On this wonderfully packaged CD-R from the Carbon imprint, the duo slows things down with a soft, disjointed electronic swim in the ice-cold polar seas.
"Burning the Light at Both Ends" is one single, 36 minute modern sea shanty. Low level drones keep this long piece together and constantly moving. It's hypnotic reverie for the freezing tides that surround the southern tip of their native Norway leaves no stone unturned. This steady descent into the dementia of being lost at sea, with no hope of survival is undaunting. As it begins with it's rolling waves of watery electronics, you can see the storm clouds forming off in the distance. There's a determination in these tones to face down your gravest fear and continue pushing forward. A stunning build-up of tension twists the listener into a pretzel of nerves.
Just over the midway point is when the delirium starts to set in. Through the careful use of orchestral and opera (I think) samples, the duo creates a real-time look at someone losing it in the face of insurmountable odds. This is what it sounds like to have voices in your head. By the time the pulsing electric guitars come into the mix, you are already gone. You are lying on your back, staring into the sun laughing at your own demise. These shambolic tones haunt you and mock you, never letting up until your brain finally explodes into a caustic mash of flesh and bone. In your demise you are reborn.
Bjerga & Iversen are two highly talented individuals. One can only hope that their collaborative efforts continue well into 2006. "Burning the Light at Both Ends" is another wonderful and interesting sonic entry into their every growing discography. This is one ship I never want to get off. 7/10 -- (27 June, 2006) - Brad Rose

- Artist/Title: Bjerga/Iversen - Cascading Failures
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv026

- Artist/Title: Black Chalk - s/t
- 8
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv021
BLACK CHALK is the collaborative project between Ray Hare (Fossils from the Sun, Century Plants), Eric Hardiman (Rambutan, Century Plants) and Cory E. Card (Stone Baby). Established in the summer of 2009 and originally intended to be a one off performance at the UAG Gallery in Albany, New York, but due to the success of that performance the three decided to continue working together long distance. The premise of BLACK CHALK is for the performers to limit their sonic pallet to the use of vocals, effects and microphones. Contained on this tape are the results of their exploration: three of the tracks were constructed and mixed throughout the Fall of 2009 and into 2010, and the final two works are excerpts from the live performance. The results are a mix of dynamic, pulsating rhythmic loops, eerie feedback and ghostly voices.
Pro printed, hand numbered edition of 100.

- Artist/Title: Black Elk - Always a Six, Never a Nine
- 8
- Format: CD
- Label: Crucial Blast
- Price: $11
- Catalog ID: CarbonDist_CBR70
"Always A Six, Never A Nine is the second album and the follow up to the 2006 self-titled debut from Portland, OR aggro wreckers Black Elk, whose psychotic brand of crushing, noise-rock influenced heaviosity is a return to the unhinged underground rock force of bands like Jesus Lizard, Melvins, Black Flag and Hammerhead. This new album features ten songs of seething weirdness, with the dissonant, crushing riffage, lunging rhythmic push and awesome freaked out, Yow-esque vocals of singer Tom Glose that made their debut a fave among anyone who remembered the days when Amphetamine Reptile ruled the underground rock scene, but with some interesting new elements (bleak, blackened guitar ambience, a smattering of piano, skyreaching guitar harmonies, etc.) that add new shadows to Black Elk's ferocious sound. Always A Six, Never A Nine is packaged in a heavy four-panel gatefold jacket with an eight page lyric booklet. "

- Artist/Title: Blood Stereo - The Eight Thousand Hand Serenades
- 8
- Format: CASS
- Label: Ultramarine (Italy)
- Price: $8
- Catalog ID: CarbonDist_UM019
Undergrounds finest couple formed by Dylan Nyoukis and Karen Constance are here to delight us with a massive mind-hammering tape, originally out in a uber-limited 4xCS boxset on their own Chocolate Monk label. A fair where Muezzin Nyoukis will twist & pull your brains, a choir of voices praying, gargling & ooing, discomfort and unclear clatter all over. At some point you will find yourself in a damp swamp, two sticky beings calling each other (the mutant cricket here is Karen), a little slice of private green goo. Ringy drones so soft you can lie on, crunchy fingers, broken connections, magnetic liquid, confused contacts, tractors and concrete mixers 10 miles away, softly screeching its all here, every dye and every spice, what more can you ask?!
Pro-dubbed & imprinted PINK tapes with 3-panel double printed full color Jcards, artwork by Karen Constance. Edition of 100.

- Artist/Title: Blood Stereo - Hymn for the Crippled Mulato
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR90
10YR.Series.10 - the tenth (and final release) in the Carbon 10 year anniversary CDR series. 30+ minutes of a beast emerging from a swamp of static. or a seismic mic on the tail pipe of my brother's Harley. kicks ass! [Blood Stereo is Karen Constance and Dylan Nyoukis]

- Artist/Title: Bluetile Lounge - half cut
- 4
- Format: CD
- Label: Smells Like Records
- Price: $4
- Catalog ID: CarbonUsed_SLR024
- (This is a USED item)

- Artist/Title: bluetile lounge - lowercase
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1920
- (This is a USED item)
1995 Summershine/SubPop release. riyl Codeine

- Artist/Title: Body / Gate / Head - Glare Luring Yo
- 18
- Format: LP
- Label: Feeding Tube Records (USA)
- Price: $19
- Catalog ID: CarbonDist_FTR099LP
"In the spring of 2011, Michael "Powderfinger" Morley was in the U.S. for a short visit. There had been some talk of doing a Gate show or two, but when he visited Western Mass., Feeding Tube Records decided to put use to his collaborative talents. He played one night at the Yod space in Florence with Kim Gordon and Bill Nace, then at Feeding Tube with Spencer Yeh and Meg Clixby. Both sets provided jumbo pleasure, and Michael managed to record the Yod set for our presentation to you. Kim and Bill were at the beginning of their duo explorations at this point. Can't even remember if they'd started using the Body/Head name yet. Regardless, the instrumental sluice -- with occasional spirit-vocals by Kim -- is similar yet quite different from the duo tactics they've since evolved. Morley's presence gives the proceedings a bit of a grungy psychedelic smear, whereas their other recordings (at least as of now) have a rather more ethereal arc. The set occurred in front of a slowed-down screening of Catherine Breillat's gorgeous 1976 film Une Vraie Jeune Fille. Feeding Tube thinks you'll agree that the music here matches the sexy surrealist power of that film frame-for-frame, or your money back. The cover, by the way, is a beautiful silkscreen designed by Morley and based on an outtake from Susan Harris' NBC program, The Golden Girls. The image was based on Bea Arthur and Betty White's characters from a season five episode entitled "Break-In." The album title is a phonetic spelling of what Ms. Arthur's character keeps chanting while attending a Madonna concert. Now you know."

- Artist/Title: Bone Cure - Moonshadow / Where's My Muffins
- 4
- Format: 7inch
- Label: fusetron (USA)
- Price: $4
- Catalog ID: CarbonUSED_BONECURE
- (This is a USED item)
somewhat rare Fusetron single

- Artist/Title: bones of seabirds - subterranean lightsource
- 4
- Format: CDR
- Label: small doses (USA)
- Price: $8
- Catalog ID: CarbonDist_dosethirtyfour
"it seems that ryan mcgill is complete unable to cover the same ground twice. this is the fourth (i believe) bones seabirds release, and it sounds nothing like any of the others. this one foregoes the guitars (for the most part) and relies on ryan's handmade voice of saturn synth.the first nearly 35 minute track is intense and brutal - like being strapped into some sort of machine that's boring deeper and deeper into the earth only to slowly burn you alive. the second gives a bit of respite, but leaves you lost in a dark cave drone. it's not to be missed. packaged in a folded artwork by matt yacoub, with an obi and an insert. edition of 129 copies."

- Artist/Title: Book of Shadows - 777
- 8
- Format: CD
- Label: Ikuisuus (Finland)
- Price: $10
- Catalog ID: CarbonDist_IKU_BookOfShadows
"The Book of Shadows CD 777 on the label Ikuisuus is the bands seventh release. The band was formed in 1999 when ST 37 founder Carlton Crutcher and his wife Sharon began seeking a magical, improvisational musical outlet. The band has stayed true to this vision for 9 years of live shows, studio recordings and numerous musicians. All of the recordings on 777 were recorded in 2007 and represent a peak for Book of Shadows as a live band as well as a studio band. For this CD, Sharon on vocals and Carlton on keys, are joined by Eric Archer (Numbers on the Mast) on guitar/electronics, long time Book of Shadows guitarist/composer Aaron Bennack, guitarist Jonathan Horne (Plutonium Farmers), Johnny McCollom (Primordial Undermind) on percussion, Matt Thies (Numbers on the Mast) on keys/electronics, Greg Elliott (Spagirus) on dulcimer, and Vanessa Rossetto (The Mighty Acts of God, Bright Duplex, Pulga, etc...) on viola, bowls and bells!!!....You are the magic that you make...."

- Artist/Title: Bottomless Pit - Hammer of the Gods
- 6
- Format: CD
- Label: Comedy Minus One (USA)
- Price: $11
- Catalog ID: CarbonDist_CM0001
"Bottomless Pit was formed in the fall of 2005 by erstwhile Silkworm members Tim Midgett and Andy Cohen. Their longtime friends Chris Manfrin (Seam) and Brian Orchard (.22) complete the quartet. 2007 finds the group playing "their blues" - soulful, emotionally intense, and often transcendent postpunk that is as inviting as it is bracing."

- Artist/Title: Brekekekexkoaxkoax - we used to be such good friends
- 4
- Label: Hushroom Recordings (USA)
- Price: $10
- Catalog ID: CarbonDist_hushroom004
From Austin TX, an open-ended art music collective focusing on improvisational, indeterminate performances using sound, visuals and movement. Brekekekexkoaxkoax has been recently performing as a quartet with Jacob Green (oboe, organ, electonics), Josh Ronsen (guitar, clarinet, computer), Glen Nuckolls (guitars, banjo, violin), Genevieve Walsh (flute, drums, voice) and sometimes Jason Pierce (organ, cello, drums). Rick Reed, Travis Weller, Josh Russell, Brent Fariss, Alex Keller, Bill Thompson, Vanessa Arn and Elizabeth Warren have also participated in recent events. other releases on RRRecords, Beta-Lactam, phonography, and many more.

- Artist/Title: Brian Ruryk/Mabus(RIP) - split
- 8
- Format: CASS
- Label: Wintage (Canada)
- Price: $5
- Catalog ID: CarbonDist_WRT22
"Side A: Finds Ruryk busting up the joint full on Acusto-G-tar shred, tape warp melt, tuna can jam,sample-fizz, and Brian's wonderful sense of humur, add 1/4 cup of punishing assault + blend! Side B: Mabus(RIP) holds it down with bad splices, and D grade edits done with the pause+record. A slow-fi sound collage containing field recordings of Parkdale, Westinghouse MRC-13, early morning cable TV, and various audio masturbatory devices that biuld into a speed fueled death-raga. Ltd. Ed. 50"

- Artist/Title: Brokeback - Morse Code In The Modern Age: Across the Americas
- 4
- Format: CD
- Label: Thrill Jockey
- Price: $8
- Catalog ID: CarbonUsed_2
- (This is a USED item)

- Artist/Title: Bruce Springsteen - Devils and Dust
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_SPRINGSTEEN_DEVILS
- (This is a USED item)
2005 release. disc is double sided, CD/DVD
Add to CartSong Previews:
Take It For a Ride (excerpt)
Trying To Be Something Diffferent (excerpt)
- Artist/Title: Bruise Halo - +
- 12
- Format: CDR
- Label: Carbon Records
- Price: $10
- Catalog ID: CR199
nearly 30min of heavy dirty synth, buried beats, mumbling, effect-saturated vocals and other elements. this is the electronic/synth side of Joe Tunis (aka, Joe+N, member of Tumul, Tuurd, Crush the Junta and more, and former member of Pengo and Hilkka). [packaged with a 12"x12" piece of unique wooden artwork, layers of drywall compound, paint, sprayed, stenciled and splattered. limited to 96 pieces]

- Artist/Title: Brutum Fulmen / Dan Bodah / Noumena - massachusetts
- 4
- Format: CD
- Label: gameboy
- Price: $8
- Catalog ID: CarbonDist_GB35
three live tracks all recorded in the wonderful state of massachusetts. the first two recorded live at the infamous RRRecords, and noumena‘s is from UMASS student radio. brutum fulmen presents a noiser-than-usual tape piece that makes me really wish he‘d tour soon...dan‘s piece is starts off with a couple minutes of vocal wierdness that leads into a rather strong electroncs set...noumena rounds it out with an off-the-wall improv work of guitar, tapes, and electronics. mellow one second, screaming the next, riffing black sabbath the next. a fitting tribute to a beautiful state.

- Artist/Title: BRXTNLE / fleshghxst - Death Swank
- 5
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1945
- (This is a USED item)
Noisegood release

- Artist/Title: Burmese / Fistula - split
- 4
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR38
"Hyper destructive low-end violence from two of the American underground's most ferocious hate-sludge outfits. Available from Crucial Blast on August 1st, 2004. Crucial Blast regrets to announce the end of your hearing. The good news is, the cause of your deafening is the dual assault of feedback-warriors BURMESE and battle-sludge titans FISTULA. BURMESE annhilate everything before them with a lethal blast of low frequency skree tantrums, cough-syrup drenched blastbeats, WHITEHOUSE-worshipping noise, and demonic free improvised violence. Think KHANATE, DROPDEAD, EARTH, and MERZBOW in an earth shattering, widow-making basement deathmatch. Ohio 's FISTULA batter up with megaheavy sludge, blistering blackened thrash, diseased rock, and some incredibly infectious riffs . Hear these tarpit battle anthems, hail the low frequency berserker. BURMESE burn you down...FISTULA pisses all over the ashes. "

- Artist/Title: Burnt Hills - Alpha Seven
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR186
This is the eighth release in the Carbon 15YR.Series. 60+ minutes of psyched out jam vibrations from this Albany NY ensemble. [packaged with pro-printed covers in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Cadaver in Drag - Raw Child
- 12
- Format: LP
- Label: Animal Disguise (USA)
- Price: $8
- Catalog ID: CarbonDist_ADR084
THE DEBUT FULL-LENGTH ALBUM FROM KENTUCKY'S CADAVER IN DRAG IS AN EXTREMELY POWERFUL AND MISANTHROPIC CHUNK OF HEAVINESS THAT REACHES BEYOND ANYTHING THEY HAVE DONE BEFORE. THE COVER ART TELLS THE ENTIRE STORY BETTER THAN I COULD. FOR FANS OF TRUE KENTUCKY SCUM ROCK AND MAN IS THE BASTARD. ALSO FEATURES ROBERT BEATTY (HAIR POLICE, THREE LEGGED RACE) ON SYNTHESIZER AND MASTERING DUTIES.

- Artist/Title: Calliope - (in)organics
- 4
- Format: CD
- Label: Thick
- Price: $5
- Catalog ID: CarbonUsed_71
- (This is a USED item)

- Artist/Title: Calliope - i can see you with my eyes closed
- 4
- Format: CD
- Label: Thick
- Price: $5
- Catalog ID: CarbonUsed_16
- (This is a USED item)

- Artist/Title: Cama - demo #1
- 4
- Format: CDR
- Label: noise good
- Price: $6
- Catalog ID: CarbonDist_NG008
Careplace (Canada) and Mauder (Sweden) team up to bring you ultra loud harsh electronix to scrape away at your brain, and leave you a pile of flesh demanding more. Fans of Gov‘t Alpha, Guilty Connector, Taint take note!! Limited first pressing of 50 in slimline cases.

- Artist/Title: Cameron Wood - s/t
- 4
- Format: 3inch CDR
- Label: rhizome
- Price: $6
- Catalog ID: CarbonDist_rhcd15
completely overblown/saturated guitar(?) layers, with buried melodies. harsh but soothing.

- Artist/Title: Carbon Records - Carbon Emblem Design
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CarbonTSHIRT_CarbonEmblem
Black ink on solid gray shirt. Available in S, M, L, XL, and 2XL

- Artist/Title: Carbon Records - CR200 Poster
- 16
- Format: OTHER
- Label: Carbon Records
- Price: $10
- Catalog ID: CR200_POSTER
VERY Limited edition 18" x 24" poster. Hand sprayed, stenciled, and silkscreened. Each one unique. There were originally only available to Kickstarter backers. I have just a handful left. They ship rolled up in a heavy-duty poster tube.

- Artist/Title: Carbon Records - CR200 Wooden Print
- 16
- Format: OTHER
- Label: Carbon Records
- Price: $20
- Catalog ID: CR200_wooden_print
VERY VERY Limited edition print of the CR200 logo, on a 12" x 12" x 1/4" piece of sanded birch plywood. Will ship protected in an LP mailer.

- Artist/Title: Carbon Records - CR200 tshirt
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR200_shirt
Special edition tshirt commemorating the release of CR200. designs on both sides (back has new Carbon Records logo), blue (and some gray) ink on heather gray shirts.

- Artist/Title: Carbon Records - 2012 Skull Design - Black shirt
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: Carbon_2012_SkullTShirt_Black
The 2012 Skull design. 3 color design (gray, metallic-black, and white) on black shirt.

- Artist/Title: Carbon Records - 2012 Skull Design - (recycled) White shirt
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $8
- Catalog ID: Carbon_2012_SkullTShirt_White
2012 Skull design on recycled white shirts. These are not used shirts, but rather, overprinted (from Counter Fit Fest) shirts, with the back band listing from CFF remaining intact. Slum it up! These have a special 3 color version of the skull design, burgundy, black, and metallic gold.

- Artist/Title: Carbon Records - headphones design
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CarbonTSHIRT_headphones
Various random colors, VERY LIMITED QUANTITY. You can try requesting a color, but it can't be guaranteed. Trust me, they are all great.

- Artist/Title: Carbon Records - Fall 2011 - Black Hoodie
- 20
- Format: TSHIRT
- Label: Carbon Records
- Price: $25
- Catalog ID: CarbonHOODIE_Fall2011_Black
50%/50% poly/cotton black pullover (w/pocket) hoodie with gray/silver ink design. i used an older worn screen to distress the logo a bit.

- Artist/Title: Carbon Records - Fall 2011 - Black
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CarbonTSHIRT_Fall2011_Black
100% cotton short sleeve black tshirt with gray/silver ink design. i used an older worn screen to distress the logo a bit.


- Artist/Title: Carbon Records - Fall 2011 - Dark Blue
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CarbonTSHIRT_Fall2011_DarkBlue
100% cotton short sleeve dark blue tshirt with gray/silver ink design. i used an older worn screen to distress the logo a bit.


- Artist/Title: Carbon Records - Fall 2011 - Light Blue
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CarbonTSHIRT_Fall2011_LightBlue
100% cotton short sleeve light blue (manufacturer calls it Indigo) tshirt with gray/silver ink design. i used an older worn screen to distress the logo a bit.


- Artist/Title: Carbon Records - Summer 2011 TSHIRT
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $8
- Catalog ID: CarbonTSHIRT_Summer2011
very small run of custom made shirts to kick off the Summer of 2011. each is different, each is silkscreened, sprayed and stenciled, and an utter fucking mess. you need one!

- Artist/Title: Carbon Records - 2007 flower design (Youth sizes)
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $8
- Catalog ID: CR164b
Youth Sizes - flower design (pictured at left), 2 color design of flower and text (blue and gray) on 100% cotton white tshirt.

- Artist/Title: Carbon Records - 2007 flower design (Infant size White sweatshirt)
- 12
- Format: TSHIRT
- Label: Carbon Records
- Price: $12
- Catalog ID: CR164c
Infant Size Sweatshirt - flower design (pictured at left), 2 color design of flower and text (blue and gray) on 50/50 cotton/poly white sweatshirt.

- Artist/Title: Carbon Records - 2007 flower design (white onesies)
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $8
- Catalog ID: CR164d
baby onesies - flower design (pictured at left), 2 color design of flower and text (blue and gray) on 100% cotton white onesie.

- Artist/Title: Carbon Records - 2007 flower design (Infant size Black sweatshirt)
- 12
- Format: TSHIRT
- Label: Carbon Records
- Price: $12
- Catalog ID: CR164e
Infant Size Sweatshirt - flower design (pictured at left), 2 color design of flower and text (gray and black) on cotton/poly blend black sweatshirt.

- Artist/Title: Carbon Records - 2007 flower design (grey on white)
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR164g
flower design (pictured at left), flower and text in gray and black ink, on 100% cotton white tshirt.

- Artist/Title: Carbon Records - 2007 flower design
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR164
flower design (pictured at left), flower and text are two shades of grey, on heavy 100% cotton black tshirt.

- Artist/Title: Carbon Records - Carbon VINES design
- 10
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR110
if you're familiar with Keith Fullerton Whitman's label Entschuldigen label, this is the font he used for his official logo (i loved the logo so much, i had to use that font. i pretty much wear my Entschuldigen hoodie everyday). it looks like vines growing in and out of the letters, which are an old-english looking type. these shirts are light brown (almost drab-green) with cream ink.

- Artist/Title: Carbon Records - Lies
- 4
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CRT_LIES
Black shirt with white ink. Front has photo of Clinton and reads "He lied to you about sex." Back has a photo of Bush Jr and reads "But he lied to you about war!" Yeah yeah, i know, Clinton lied about war as well (bombing of Iraq, Afghanistan, Sudan, etc), but he didnt get impeached for it.

- Artist/Title: Carbon Records - Phi-Phenomena on Wheels
- 4
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CRT_PHI
white on black, double sided with diagram of Phi-RV on front and list of touring bands on back

- Artist/Title: Carbon Records - red and yellow lines
- 4
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CRT_CARBONLINES
White shortsleeve shirt with red/orange and yellow ink, including Carbon C logo and glitchy lines

- Artist/Title: Carbonic - Forest Creatures
- 5
- Format: CDR
- Label: Ghost Woods Records (USA)
- Price: $7
- Catalog ID: CarbonDist_carbonic_forest_creatures
"Carbonic is Benoit GuerrouĂŠ, who spent most of his life in Brittany, France, but moved in 2003 to the US, to Rochester, NY. âForest Creaturesâ is already his 8th album.
The style on the 12 songs with improvisations are a mixture of simple, recognisable, natural (say also : as if living in the woods and thus creating its mood) dreamy moody psychfolk excursions and instrumentals build around a basic collection of songs (vocals, vocal harmonies, harmonica, acoustic strummed guitar, flutes, harmonium, hand percussion, and a few other instruments like piano,..) giving the impression they celebrate the quietness of a life near or in a house in the woods, perhaps dealing with cold now and then but always surrounded by something which is beautiful, because it gives an inner condition that makes us more peaceful inside, in a natural way. Besides, there still is the human person who has to deal with his own ghosts and realities with the surrounding real persons. So in this case, Benoit also sings, more clearly, about that, as a human being, finding his own place within this space, while the forest cures most easily most of the spinning thoughts. Although most of it is recorded on his own (?), more than once, the songs sound as if performed by a duo/trio, even by two vocalists (with some cello on two tracks by Ian Downey). Makes for a rewarding repeated listen, from start to finish." - PSYCHEDELIC & ACID FOLK MUSIC

- Artist/Title: Carl Kruger - sound takes
- 4
- Format: 3inch CDR
- Label: TIBProd (Norway)
- Price: $6
- Catalog ID: CarbonDist_TIBCD87
"The short press text for these new Tibprod releases rave about the 'typical Carl Kruger-style', but since I never heard the mans music, I can't say wether that is false or true. On 'Sound Takes' he presents a couple of pieces that were previously released on various websites. Kruger shows an interest in technoid rhythms and the world of digital cut-ups. Cut and paste instruments, no doubt lifted from obscure sources on the internet, with some dance rhythm in the background. I don't think I describe it very well, but the result is not bad at all. Not startling new either, but nevertheless quite nice." - Vital Weekly

- Artist/Title: Carlos Giffoni - 9 hours with Jim and the Greatful Dead
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR54
[Recently found inventory from record store. 1 copy back in stock!]
"9 hours with jim and the greatful dead is a 30+ minute improvisation using guitar, amp and a few guitar modulation effects that I find unique and necessary to express through certain sounds, and is a one take 30+ minute "jam". when I first planned to record it it was meant to be a joke on a long and strange conversation I had with Jim Dunbar and Don Fleming at a show the night before about The Legendary Greatful Dead jams in the west coast that supposedly lasted sometimes up to that long and that apparently Jim saw more than once. I wanted to make something with enough variation of sound and mood so that it felt like it was 9 hours compressed in a much shorter "jam", steal some interesting moments from the eternal dictation and crunch them all together in one piece. When I started playing the guitar, the piece evolved into something else and I just let it go. for 30 minutes +, what I consider a long time for 1 "jam". maybe I am to young and have a short attention span, or maybe I just wasn't there. You can ask Jim about it, Jim was there, for 9 hours, more than once. I really couldn't be there, I wasn't born at the time and currently I am still trying to finish college." [color stickers attached to sealed white cd folders. edition of 75]

- Artist/Title: Century Plants - s/t
- 16
- Format: LP
- Label: Tape Drift (USA)
- Price: $12
- Catalog ID: CarbonDist_TapeDrift_CenturyPlants
"Century Plants deliver the goods here with a one-sided live LP (limited to 100 copies) that is a tribute/homage to British hardcore legends Discharge. A heartfelt and very sincere love letter to the punk spirit of 1982 if you will. Its a fitting concept, given that Century Plants member Ray Hare was part of that original era, as the lead singer for Washington DCs Deadline. In fact, Hares deep roots in the punk scene (he appears on the seminal Flex Your Head LP) make his vocal homage to Discharge even more appropriate. Musically, Century Plants have updated the sound of 81/82, with a fully improvised approach, fuzz-drenched feedback, and lyrics that draw on several different Discharge songs. Most importantly, the spirit of blistering political dissent and anti-authoritarianism shines through, with Hare snatching Discharge concepts and phrases at will. It all captures the energy and sonic assault of punk, yet filtered through modern-day noise, drone, and DIY strategies as well. A unique item in their catalog, this is the second vinyl appearance for Albany, NYs Century Plants, following a split LP with Locrian. Usually a duo (Eric Hardiman and Ray Hare), Century Plants are joined for this record by drummer Phil Donnelly. The three also play together as part of the singularly sprawling improv psych rock unit Burnt Hills. Rather than continuing the ominous dronescapes of the split with Locrian, in this live recording Century Plants offer an intensely rockist track, melding several of their core influences (psych rock, punk, noise, and even dub) into one seething, energetic track. Upstate Violence/Upstate Control? PLAY LOUD!"

- Artist/Title: Century Plants - Copper Visions
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR184
This is the sixth release in the Carbon 15YR.Series. 32+ minutes of dirgy space jams from this amazing duo out of Albany NY. like lost transmissions from deep seated roots. Ray and Eric are also members of Burnt Hills, Transcendental Manship Highway, Rambutan and Fossils From the Sun. [packaged with pro-printed covers in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Chad Oliveiri - Pathetique
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR98
40min+ of top-notch electronic performance/composition from this musician/writer from Rochester NY. this release includes pieces based on live collaborations with various individuals throughout as well as solo pieces, recorded between 2001 and 2005 . the tracks range from static-driven compositions to organic pastoral drones, including guitar, piano, voice, electronics, etc. Chad also has a collaborative release with Brannon Hungness (also featured on this release) coming out on Entr'acte (UK) this spring (2006). [heavy duty vinyl cover, with full color insert and "prism" overlay. factory-colored CDR]

- Artist/Title: Chad Oliveiri - enduser
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR36
RE-RELEASE: from chad... "reveals kind of a different side compared to my more recent stuff, which tends to be more "song" or "music" oriented. these were really experiments in the strictest sense. me just feeling my way." - Original Desc: manipulated and processed/glitched works, built from tape recordings Chad made throughout the 90‘s. feels right at home along side releases from labels such as Mego, Meme, and Touch, not to mention, our own Bobo.

- Artist/Title: Chad Oliveiri - express yourself
- 4
- Format: CDR
- Label: Carbon Records
- Price: $3
- Catalog ID: MP3.03
an amazing collection of pieces culled and manipulated from his on-going weekly radio show/performance (WRUR 88.5fm). and just cause he uses a laptop, don‘t expect the usual glitch-fest. this is really an amazing collection of moving experimentations. [pre-assembled version of MP3.Series release, which is also free to download]

- Artist/Title: Chad Oliveiri and Figure - the complete detachment
- 4
- Format: CDR
- Label: Audiobot (Belgium)
- Price: $12
- Catalog ID: CarbonDist_BOT191
"A complete brain submission that detaches your head, captures faces and rewires them into an undefined human-hybrid. Like falling asleep under an alien radar-post and losing track of all earthly life around you while analog-synth fumes drag your lungs into the zone. Puzzle solving mode with no solutions. Both Oliveiri and Figure love drinking strange fluids and further exploring the mysteries of life. Packaged in full color fold-out covers by none other than Carlos Pitchphase, in an edition of only 65 copies. File under = alienating upheaval."

- Artist/Title: Chad Oliveiri and Figure - Celest
- 4
- Format: CDR
- Label: Entr'acte (UK)
- Price: $16
- Catalog ID: CarbonDist_entracte32
"Chad Oliveiri and Brannon Hungness (Figure) are friends from Rochester, upstate New York. Their sounds are improvised, and some of them are recorded. Celest is a collection of a few recent bits Brannon painfully edited together in his bedroom." [packaged in a sealed anti-static-type package. must destroy to open]

- Artist/Title: Charles Balls - less difficult to hard water / progressive furniture totemic
- 6
- Format: CDR
- Label: Bennifer Editions (Cananda)
- Price: $10
- Catalog ID: CarbonDist_bennifer_charles_balls_less

- Artist/Title: Charm Farm - sick / dear Laura Jones
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_CHARMFARM
- (This is a USED item)
on PRA Records - 1996

- Artist/Title: Cheapmachines - diagrammene
- 4
- Format: CD
- Label: Entr'acte (UK)
- Price: $10
- Catalog ID: CarbonDist_entracte18
"Two long tracks, recorded live in Norway: Oslo, Dans for Voksne, 16 April 2005: Bergen, Kunsthall/Landmark, 17 April 2005. Five inch CD packaged in a 5.25 inch floppy disc case"

- Artist/Title: cheapmachines - com. ver.
- 4
- Format: CDR
- Label: Carbon Records
- Price: $3
- Catalog ID: MP3.05
xperimental electronic recordings since 1997. Com. Ver. = Common Version (common) - ... widely known and notorious, considered by the speaker to below-class, vulgar, or coarse. (version) - ... a variant form or type... a translation from one language to another. -- (Collins English Dictionary, Millenium Edition.)

- Artist/Title: chefkirk - MODULAR JAC PLAT
- 5
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR131
repeating and scratchy glitches, tones and drones made with who knows what else. 10 tracks named after Chefkirk's favorite birds to watch, listen and lear, woodpeckers and nuthatches. "chefkirk is Roger H. Smith. Working under the inclusive category of experimental noise, chefkirk creates distinctive compositions of sound by combining together improvised drone and harsh electronics forced from a minimal arsenal of glitchy instruments and feedback loops. Being a socially and politically conscious citizen of the world, chefkirk illustrates his deep concern and love for all living things through the artwork, titles, and modest messages on his numerous releases. The whole of his work will unquestionably carry his personal message loudly: animals are not ours to eat, wear, experiment on, or use for entertainment, GO VEGAN!" [CDR with full color insert, spray-painted cdr in slim case]

- Artist/Title: Chefkirk - The Earth is Mostly Ocean
- 4
- Format: CD
- Label: Entr'acte (UK)
- Price: $10
- Catalog ID: CarbonDist_entracte17
"This CD contains 9 tracks, totally 32 minutes and 10 seconds. Desalination, oxygenation, and purification by Roger H Smith. The packaging of this CD is based on the percentage of ocean covering the earth. This is officially calculated as 71%."

- Artist/Title: Chen Santa Maria - Jefferson Chopper/Great Society
- 8
- Format: 7inch
- Label: Zum (USA)
- Price: $5
- Catalog ID: CarbonDist_ZUM030
The duo of George Chen and Steven Santa Maria document another phase in their half-decade collaboration of improvised sonic experiments. This co-release with 333 (7" single series that has worked with Deerhoof, Girltalk, Crack: We Are Rock) captures the band playing with rhythmic elements recorded with Brian Tester (Bulbs, Triangle) in pastoral Berkeley, CA. The pedals and effects used for this recording were stolen shortly afterward so this is the last of this type of sound, not by choice but necessity. Having toured Europe and UK in Spring 2010 (opening for Mount Eerie, High Places, Talk Normal, and Weasel Walter), CSM continues its California campaign. Numbered edition of 250.
"The surprise of the evening was Chen Santa Maria who hail from Oakland, CA (Oaktown represent!). With just a suitcase-encased synth, a drum machine, guitar and bass, Chen Santa Maria put on a set that was somewhere between Black Dice, Best Coast and Keith Fullerton Whitman. If that means nothing to you, their set began with some synth and guitar loop doodles, that progressively became more composed and rhythmic. Gradually it became fuzzier and fuzzier and ended up with an occasional 4/4 beat. While noise music can sometimes be very in your face and/or annoying (read for: tapped out modes of confrontation), Chen Santa Maria created a thoughtful space that allowed the listener to enter slowly and with pleasure." Carpe Berlin

- Artist/Title: China PIg - auf Zehenspitzen durch die Bruthammer
- 8
- Format: LP
- Label: Moodswing Records (USA)
- Price: $10
- Catalog ID: CarbonDist__MUUD_ChinaPig

- Artist/Title: Christopher Reeg - el borracho
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR139
el borracho is Christopher Reeg's first solo full-length release, showcasing Chris' skills on double bass, keyboard/synth, guitar and melodica, as well as other random instruments. with help from some of his Blood and Bone Orchestra band-mates, Jim Colby, Ed Downey and Darren DeWisperlaere, Chris lays down 8 perfectly crafted pieces (28+ min) ranging from abstract drone/textural scapes, melodic instrumentals, to outsider keyboard/sampling/bass/sax improv, and finally rounding things out with a angular rock gem. [packaged in a kraft Arigato folded sleeve with 2 color artwork by Chris and silkscreened by Alex Schmidt] (Chris also plays in Blood and Bone Orchestra, The Years, Ada le O, Entente Cordiale, Crush the Junta, and a couple other offshoots)

- Artist/Title: Cock E.S.P. - greatest dicks 3
- 4
- Format: 3inch CD
- Label: Sunship
- Price: $6
- Catalog ID: CarbonDist_SUN42
The best and worst of Cock E.S.P. from 2001-2003. The material has been layered, refined, edited and enhanced over a period of two months, making this the most complex and multidimensional Cock E.S.P. release to date. Includes special guest appearances by Crank Sturgeon, PrairiePusher, Eugenics Council, Rotten Piece, Panicsville, Newton and Burning Star Core. Co-released with Breathmint, Deadline and Little Mafia.

- Artist/Title: Cock E.S.P. and Suffering Bastard - split 10"
- 10
- Format: 10inch
- Label: Freenoise (UK)
- Price: $10
- Catalog ID: CarbonDist_Freenoise666
"Suffering Bastard = Brutal grindcore featuring a dual-bass assault of the highest gain and lowest frequency, complete with brain-rattling vocal violence and remorseless drumkit abuse. Cock E.S.P. = Ugly and unlistenable shrieking noise overload inspired by Duran Duran and a pure unadulterated hatred of humankind. Together at last, in a beautiful green and silver cardboard jacket."

- Artist/Title: Cock Robot - electric young men
- 4
- Format: CDR
- Label: radio shock
- Price: $8
- Catalog ID: CarbonDist-CRobot01
electronic and guitar based deconstructed... rock?

- Artist/Title: Coffee - dik mik rabbit ear antennae
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR86
10YR.Series.06 - the sixth in the Carbon 10 year anniversary CDR series. almost a full hour of Coffee magic. consists of two live recordings from 1997 and 1998. includes the Coffee core of Dave Cross and Tim Poland, along with Brian Shafer (Nod), Phil Marshall, John Olsen (Wolf Eyes), Sticky Foster, Neil Campbell and Nuuj.

- Artist/Title: Coffee - pissing contest loser
- 0
- Format: DIGITAL
- Label: Carbon Records
- Price: $6
- Catalog ID: CR138
At some point QBICO mentioned to Dave Cross that they were interested in putting out a Coffee album. Dave Cross gave me two cassette tapes that were recorded years earlier. One had a spacey synth jam that he wanted me to change from Stereo to Mono and spruce up a bit. The other was a four track practice jam tape of Dave Cross, Tim Poland and Joe Sorriero playing some sort of noisy free jazz or something. Dave told me that he liked how bits of it sounded, but did not like any particular chunks as songs. His direction to me was to use this as source material and make it sound like Harry Pussy.
I transfered the four tracks individually from the tape, listened to each and then selected short sections that seemed the most appropriate and mastered them individually. I then dumped all the snippets into a multi-track program and started to arrange them. Mostly I stuck similar bits together and sort of constructed songs, that overlapped. At some point I also got the idea that I should give each player a short solo section, to make it seem more like one long, organic, free jazz piece. The result was "Pissing Contest (Loser Version)". It did not sound like Harry Pussy. For some reason it reminded me of This Heat. I then had an idea that I should make a more chaotic version by simply looping every track after it made its appearance in my constructed recording. Afterwards I made several different mastered versions of both versions and gave them to Dave. Dave told me had a hard time picking as he liked both versions, but the second version came closer to his original concept so that's what we sent to QBICO to get pressed as "Pissing Contest". If one listens closely, one can hear this first version underneath the official version. Also included in this release is a Stereo version of "Space 1988".
r.nuuja 2011

- Artist/Title: Coffee - presents: muddy waters...electric mud
- 4
- Format: CDR
- Label: Pirate Scheme
- Price: $10
- Catalog ID: CarbonDist_PS001
on the mysterious Pirate Scheme label. unknown source. mixed-mode CDR (audio and data) containing recording of live Coffee set, and remix of set (and other goodies on data portion of CDR).

- Artist/Title: Coldcut - More Beats and Pieces
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_COLDCUT_MOREBEATS
- (This is a USED item)
1997 release from Ninja Tune with hybrid disc containing Quicktime video

- Artist/Title: Coldcut - Atomic Moog / Boot the System
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_COLDCUT_ATOMICMOON
- (This is a USED item)
2000 remixed release on Ninja Tune

- Artist/Title: Colin Andrew Sheffield - in between
- 4
- Format: 10inch
- Label: Elevator Bath (USA)
- Price: $8
- Catalog ID: CarbonDIst_eeaoa08
recordings by colin andrew sheffield
in between is an atmospheric new piece in two parts. It is possible that Colin's work is best listened to peripherally, perhaps while writing or (as is the case with in between) while reading....
front cover text by ilex fenusova
The evocative writings which grace the record's jacket come provided by this acclaimed poet from Texas.
On transparent vinyl with lovely text-only jackets, in an edition of 295 copies.

- Artist/Title: Colonel Parmisan - Ziggurat
- 5
- Format: CDR
- Label: No Label
- Price: $5
- Catalog ID: CarbonDist_ColPam_Ziggurat
34+mins. at times, dense instrumentation and other times, very airy and sparse with lots of room. consists of electronics, strings and percussion.

- Artist/Title: Colonel Parmisan - Retaste
- 6
- Format: 3inch CDR
- Label: Carbon Records
- Price: $6
- Catalog ID: CR161
20 minutes from this solo Rochester arist - Brian Blatt. also plays in Gaybot, Dufus and No, among others. this is two tracks. one short studio piece, synth/textural warbly-ness. and a longer live synth/drone/noise/voice piece. amazing repetition of melody in the noise context, with hiss, static and air/fog mixed in. [cdr is wrapped in a cardstock insert, inserted into a vinyl sleeve, affixed to a (roughly) 5x5" piece of plywood, which is painted with various layers/colors, and then stenciled with more colors. CDR is also stenciled]

- Artist/Title: Connie Archer - spray me down
- 8
- Format: CD
- Label: Flipped Out
- Price: $8
- Catalog ID: CarbonDist_FOR23
"amazing grace and beauty abounds on this fourth full length recording by connie acher....this time around strawberry is the foil and he sweetens her stew with precise production and virtuosic instrumentation....connie gushes forth streams of magic honey that slide right down to the sweet spot of the soul....full cover covers....edition of 500 copies"

- Artist/Title: Contagious Orgasm - From the Irresponsible Country Sounds
- 4
- Format: CD
- Label: PacRec (USA)
- Price: $8
- Catalog ID: CarbonDist_PACREC105
long-running japanese electronic/experimental/sound collage artist with releases on Ant-Zen, Groundfault, & more.

- Artist/Title: Control - The Cleansing
- 4
- Format: CD
- Label: PacRec (USA)
- Price: $8
- Catalog ID: CarbonDist_PACREC103
Aversion Online: "I wish more experimental noise projects would release CD's like this, because it's just impossible to keep up with every limited release, compilation appearance, etc. from artists in such a vast scene that is expanding at all times. This collection displays over 45 minutes of rare material from one of the finest American power electronics acts out there right now, including the contents of "The Cleansing" 3" CD-R (Frozen Empire Media), one track from the "Bitmapping" compilation (Objective/Subjective), two tracks from the "Field Tales" compilation (Hospital Productions), and the excellent "Praying to Bleed" 7" (LSDO). The songs from "The Cleansing" have a good balance of styles involved and to me are reminiscent of sort of a classic death industrial sound with obscured samples and vocals against dark ambient undercurrents and perfectly integrated harsh layers. The heavy flanging and reverb on the vocals in "Cleansing" lend a UK sort of vibe to the piece, whereas "Elite" is the most subdued and minimal of that bunch. In fact, many of these tracks are a bit less harsh than I was anticipating. Of course there are some scorching vocals in compositions like "Praying to Bleed", but I'm pleasantly surprised by just how effective and fluid all of these songs are when listened to as a complete release. Pretty much all of the recordings are on the raw side, but in a manner that makes sense, so everything is ultra thick and a little rugged, but not sloppy, and any muddiness that's involved feels intentional. Like the other new PACrec releases thus far, the package consists of a matte black and white slipcase, here with largely abstract artwork and clean text. Very well done. I hope other such acts with extensive and somewhat scattered discography appearances will follow this lead. This one's limited to 500 copies as well, making it another potential rarity in and of itself in a few years' time, but for now you shouldn't have a problem tracking down this excellent set of recordings."

- Artist/Title: Control R Workshop - missing
- 15
- Format: LP
- Label: control r workshop
- Price: $12
- Catalog ID: CarbonDist_CONTROL01
Missing was recorded a full year before being pressed. The title of this record is in reference to past contributors. The LP captures a live performance originally part of a broadcast on KDVS on 6/28/01, during the trio period spanning 5/01 to 4/02..... Control R Workshop is a sound arts collective operating in Oakland California. Formed in 6/99 Control R Workshop has been performing steadily in the bay area in addition to self-releasing home packaged audio media. Control R Workshop exists as a forum in which self-discipline, group collaboration and individual contribution is embraced and put forth to perform works.

- Artist/Title: Corduroy / The Meices - split
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_CORDUROY
- (This is a USED item)
on Volta Records

- Artist/Title: Core of the Coalman - 2/3(r4)
- 6
- Format: CASS
- Label: Zum (USA)
- Price: $7
- Catalog ID: CarbonDist_ZUM_TTT009
c47
Jorge Boehringer heavy insomniac beehive cluster one long piece
"New Cassette from George Chen and Steve Santa Maria's label Two Thousand Tapes features a variation on a continuous sound structure performed by Core of the Coalman many times in concerts in Oakland and San Francisco as well as in Czech Republic. Here, heavy, physical sounds drone and rub against one another in a crushing geological sexuality. New minerals are born here. This is something of a sequel to the very well recieved cassette Carnasie released by Custodian Color Zoo Containers a few years back.
(2/3)r to the 4th power"

- Artist/Title: Core of the Coalman - Spirograph / End Grain
- 4
- Format: CDR
- Label: Zum (USA)
- Price: $6
- Catalog ID: CarbonDist_ZUM_Core
"New recordings from Core of the Coalman, the solo works of Oakland's Jorge Boehringer (Treehugger, Brown Bunny Ensemble, Peloton, 7Central and Mountain). Song structures and viola experiments mix with electronic textures and warbly vocals, a deep dig into the carbon fields and nature's edges."

- Artist/Title: Courtis / Kiritchenko / Moglass - s/t
- 6
- Format: CD
- Label: Carbon Records
- Price: $10
- Catalog ID: CR122
Collaboration album by Anla Courtis, Andrey Kiritchenko and the Moglass. Co-released by Carbon Records, Nexsound, Gold Soundz, Tibprod and 1000+1 TiLt. tracklist: (1-3) by andrey kiritchenko (sound sources by anla courtis, bandura, objects and field recordings by andrey kiritchenko), (4-6) by the moglass (sound sources by anla courtis, guitar and synth by the moglass), (7-11) by anla courtis (sound sources by the moglass). Alan Courtis (a.k.a. Anla Courtis, Alna Courtis, Courtis, etc.) was born in Buenos Aires, Argentina on february 22nd, 1972. He studied classical guitar, piano, theory and composition. He holds a degree in Communication Science from the University of Buenos Aires, where he currently runs an annual music workshop. He played electric guitar in diverse bands and in 1993 he co-founded the group Reynols. With this group he has released more than one hundred CDs and vinyls worldwide in labels like Trente Oiseaux, Digital Narcis, Drone Records, Locust, Sedimental, Beta-Lactam Ring Records, Celebrated Psi Phenomenon, RRR, Audiobot Records, Roaratorio, JDK, Reverse, Matching Head, American Tapes, The Last Visible Dog, Carbon Records, etc.
Andrey Kiritchenko is a person known as an author of projects like Critikal, Sidhartha, NEX(Nihil Est eXcellence), founder and co-runner of Nexsound records, musician who has largely contributed into the development of electronic music scene in Ukraine and already considered as one of the premiere experimental artist from Eastern Europe. Being involved mostly in experimental electronic and electroacoustic music for the last few years, Andrey is now gaining recognition among the musicians and followers of this style all over the world. His activities range from glitch with blurred beats to electroacoustis experiments, from improv to musique concrete, from drones to microsound.
The group under the Moglass came into being in 1997, preceded by five years of home projects that were never released in public. The Moglass widely used the latest technical achievements of the time such as sampling and postproduction of all kinds, hereat gaining a reputation as post-rock musicians and performing at fashionable discos on repeated occasions. Spellbound with the aesthetics of freeform music, the musicians of the group gradually turned away from glossy sound of their early records and began to decline invitations to fancy discos thus gaining freedom of creating music at home and communicating with a bunch of soul mates scattered all over the world. Up-to-date records of the Moglass are spontaneous improvisations, mostly live records, that by no means always can be called free-noise because sometimes they are very gentle and melodic.
Reviews (3):
Foxy Digitalis
I have no idea why it took five different record labels to put this disc into my grubby paws, but I’m certainly glad it got here. This amazing three-way split is pure teamwork; sounds sourced from one amazing artist become fodder for the creative manipulation of another equally brilliant collaborator. Ukrainians Andrey Kiritchenko and The Moglass and Argentinean Anla Courtis take turns weaving masterful tapestries from threads of sound provided by the other participants. Kiritchenko is widely regarded as a pioneer of experimental music in Eastern Europe and is the head of the adventurous Nexsound label. Courtis is probably best known as a founder of the inimitable Reynols, but his excellent solo works have garnered him recent appreciation. The Moglass are a trio who extract dreamy soundscapes from the outer reaches of the atmosphere. Each of these relatively well-known artists lends their distinct flavour to the compositions, and the resulting document resembles a cohesive whole rather than the work of three disparate entities.
Kiritchenko begins by combining the sounds provided by Anla Courtis with his own bandura, guitar and field recordings. These three tracks showcase Kiritchenko’s skill in combining sources generated both organically and electronically into complex textural works. Dense drone build-ups melt into static-filled clouds of electronic dissonance; coruscating guitar fragments pierce rumbling waves of sound. Urgency is implied, as if catastrophe is imminent.
When The Moglass mix their unique style with that of Courtis, the results are both soothing and unnerving. Each of their three tracks travels a unique path through outer space. What starts out as an alien lullabye soon devolves into shredded strings and guttural scat vocalizing (possibly in Ukrainian). The third, and strongest, track could be the perfect soundtrack for an astral voyage.
Courtis closes out the disc by dicing up the sounds provided by the other two participants. The first three tracks find him rubbing elbows with The Moglass, creating the perfect accompaniment for prenatal amniotic stasis. Courtis fabricates crystalline structures from the malleable material provided, resulting in a construction that collapses in upon itself only to be rebuilt in an entirely different way. All rhetoric aside, it’s a heady yet engaging listen. His treatment of Kiritchenko’s work is slightly more organic, as the source material is mainly acoustic. A thousand wind-up toys engage each other in battle before being drowned out by a sea of bells on varispeed. You can almost see the wizard Courtis smiling gleefully over a pile of spliced tape (or maybe a computer full of samples).
This rather seamless collection of tracks is definitely the work of people who are at the top of their game. Creating sound art that can hold a listener’s attention is no easy feat, and this recording definitely succeeds at doing just that. I’m definitely going to search out more work from all three of these amazing contributors, and I know there’s a lot out there for me to find! 9/10 - Bryon Hayes
Cracked
Anla Courtis provides sounds for Andrey Kiritchenko to work on. Anla Courtis also provides sounds for The Moglass to work on. And both provide sounds for Anla Courtis to work on. Obviously, this three way global interchange of sounds and noises has Anla Courtis at the centre (this time), though Kiritchenko starts off followed by the Moglass and ended by Anla Courtis. So much for the basics of this release. What is missing to fill the matrix are the interchanges between The Moglass and Andrey Kiritchenko, but there are no reasons to fill a matrix aside purely formal ones and formality is something that you should forget about completely when confronting this release. Or any release on Nexsound for that matter, because they are all challenging your senses, your hearing restraints and the status of fringe music.
What combines the three artists is that they tend to take on sound as something physical, elevating it to a tangible level that works not only through the auditive sense but also via the skin. Even though The Moglass are the most “song-oriented” of the lot from their history onwards, they also step into the chaotic-dynamic lines of this animated soundforgery. They seem to work with sound like a lion tamer works his wild animals, teasing them and teaching them, but always on the lookout for they might break out and wound someone. They are also very eclectic in their work, splunging into all kinds of ambients and sounds which were neatly divided by journalist types and collectors and with a wave of their hand mixing them all together again. And in the end all three have long careers, discographies and impressive biographies to show for them.
Andrey Kiritchenko’s tracks are like a wave, but no tsunami but a slow motion wave that surrounds and embrazes you, tightly and densely, and starts to drag you down. His processed field recordings and noises (the notes say guitar but it is hard to believe and anyway wouldn’t be recognizable from something else in this mix except for some parts in his third track) are dynamic and frantically changing while remaining massive and powerfull throughout. When they start to fade out your brain starts to breathe again and you wonder if the crackles of fire in your head are for real or still coming from the CD. But what did you expect from on of Eastern Europe’s foremost proponents of noise and electroexperimental music? This adds very nicely to his growing and recommended discography.
The Moglass start off almost atmospherically with waves of almost new age sounds and synths. The stress lays on almost, as almost always. The band is know to prefer being led by the sounds than to lead the sounds, so this time the sounds first lead them to a really quiet and peaceful place and afterwards to more rocky and rough terrain, which still has a lot of good echo. They also add spooky and tripping vocals to great effect and with lots of echo and sustain, though it has to be said that I like their current release “sparrow juice” (also on Nexsound) some more than the big walls and monumental sounds they build up on here. On the other hand, the finely carved and worked out songs on their album wouldn’t really fit here.
Anla Courtis has adopted many names during his long career, which started off in Buenos Aires when he studied classical guitar, piano and composition, then threw all of that away to play a very early form of free rock with another guy and a third guy, one of which was a mongoloid who sang and played the drums, under the name of The Reynols. Believe it or not, before Courtis called it quits for The Reynols the trio released more than one hundred CDs and vinyls worldwide almost everywhere and, which is much more important, has connected to likeminded musicians in every town of the world possibly. Here he connects on a completely different level. He actually flies off in various directions during the course of his four tracks, and sometimes he flies into different directions at the same time. A combining element of his contribution is wild creativity and a sense for being “out there”. I have no better words to describe it. He dares to use gentle tone and to fall into more softer paces at times where his cooperators might have chose power and volume in favor of subtlety or microsounds, for instance when he lays softly swaying yet deftly distorted guitar chords over a bass-heavy basis of crackling industrial noise.
All in all this three way cluster is a great and powerful invocation of the liberating spirits within noise and experimental electronics. I don’t believe anyone reading the reviews on Cracked regularly has never heard of any of these three artists, but if so, let this be an introductory guideline for you.
Vital Weekly
The Moglass are also present on a three way compilation, together with Andrey Kiritchenko and Anla Courtis (of former Reynols fame). A release by Nexsound, but also on Gold Soundz, Tib Prod and 1000+1 Tilt. This compilation presents various works by each artist/band, but each of them uses sounds from the others. The Moglass pieces are a bit heavier than on 'Sparrow Juice', dwelling more distortion and psychedelic sound effects. The result is nice, but doesn't match up with their own full length CD. Anla Courtis has three tracks in which he works with the sounds of The Moglass, but fails to set a difference with the group's own sound. Quite spacey and cosmic sound. In the two pieces using Kiritchenko's material, things are also spacious, but less closed. The best pieces are by Kiritchenko, who takes the various sources from Courtis and The Moglass into the world of the computer treatments and processing, creating with their sounds, a music that bears similar markings, but then entirely in the digital domain. Ambient and glitch related, but both at it's very best. - Frans de Waard

- Artist/Title: Craig Colorusso - Strap Parts
- 8
- Format: 10inch
- Label: Moodswing Records (USA)
- Price: $10
- Catalog ID: CarbonDist_MUUD042
"I have always been fascinated by the way music and sound alter the way we perceive time and space. We organize all experiences in these terms. The motivation behind my musical compositions and installations over the past several years has been the exploration of the conventions that determine the way we experience time and space, and thereby our world. These pieces seek to expose such conventions by giving the listener the chance to become familiar with unfamiliar tonalities and rhythms, as well as to register the divorce of space and sound made possible by contemporary audio technology. And they sound good" For fans of such labels as Table of The Elements, Edition, etc. etc."

- Artist/Title: Crank Sturgeon and Gastric Female Reflex - live at radio centraal
- 4
- Format: CDR
- Label: Bennifer Editions (Cananda)
- Price: $10
- Catalog ID: CarbonDist_Bennifer_gfr_crank_cdr
"beniffer editions cordially invite you to take a whiff of the soggy tour panties of crank sturgeon and gastric female reflex who in the midst of poor hygiene and everlasting sunday morning sentiment bring you their first collaboration. these psychic emanations of pedal gazing, pause button cliff-hangers and haphazard button compressions were recorded on dennis tyfus' radio show and edited down to the bare essentials by charles balls. art works by sekitani in tri-silkscreened splendor by thee benifese retions! "

- Artist/Title: Crawling With Tarts - Ludiques Manifestes
- 8
- Format: CDR
- Label: Lunhare (Italy)
- Price: $8
- Catalog ID: CarbonDist_Lunhare_zzz01
"Three live recordings from concerts held in Oakland in 1991 and 1992. Intended to be released on cassette in 1999, but kept in the drawer until now, this work is published for the first time. Improvisation sketches on percussive patterns, self-constructed instruments, and even a punky, fast and furious song. Different sides of a group always different from the rest. " part of Lunhare's Lethargy Series - "New releases of recordings dating back to the last millennium"

- Artist/Title: Crawlspace - melbourne cabbage ratio
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR85
10YR.Series.05 - the fifth in the Carbon 10 year anniversary CDR series. always expecting great things from this veteran noise/out-rock group, and as usual, they deliver with this jam packed release. over 67 minutes full of non-computer aided electronic, out-rock, noise and even a little comedy thrown in.

- Artist/Title: Crawlspace - Law Where Prohibited By Void
- 4
- Format: CD
- Label: gulcher
- Price: $10
- Catalog ID: CarbonDist_GULCHER416
Rockin‘ with toys & amps & guitars & stuff--fried boogie, flyin‘ fancies, rock trance, out grooves, kartoon rawk-- ‘lectronic wheeze--records & VHS loopin‘--Sabbath as folk-jazz hoedown.

- Artist/Title: Crawlspace - the roaring winds of louie louie
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR51
"Today‘s Whether Report: You done found the eye o‘ the storm right here ‘tween sleepwalk ‘Space and static comin‘ outta the Blower Coast." an amazing work of playground sampling, guitars, percussion, blank tape, radio, video, etc. part 2 of the "trilogy" which started with Crawlspace Slept Here (OutsideTheAntHill) and will conclude with Static on the Blower Coast. [hand-packaged in recycled LP covers. each hand painted and uniquely illustrated. edition of 100]

- Artist/Title: Crawlspace - s/t
- 4
- Format: CDR
- Label: outsidetheanthill
- Price: $8
- Catalog ID: CarbonDist-OTAH08
Guitars-‘n‘-drums improv comin‘ on strong; toys shakin‘ and eekin‘ ‘tween the cracks; ambient mics for birds and aeroplanes and ice-cream trucks; the blimps are still risin‘. This was gonna be a sorta fill-in disc, constructed randomly of recent (late 2001) recordings, but it turned out to be such a nice listen that we‘re givin‘ the world an edition bigger than the originally projected 30 copies (96 is the plan). Front cover of each package is different; most are photographs chopped down to fit into a jewel case.

- Artist/Title: Crawlspace - the rain, the park, and other things
- 4
- Format: CDR
- Label: outsidetheanthill
- Price: $8
- Catalog ID: CarbonDist-OTAH05
Mix-collage 4-track cassette and dubbing-deck cut-and-paste fuck-up done by Eddie in ‘90/‘91. Featuring snippets of ‘88/‘89 and ‘90/‘91 Crawlspace line-ups, many unknowing "guest stars," XXX-rated humor, spoken word with bass, and solo Eddie insanity (partly while tripping). Numbered edition of 30 in hand-assembled map/envelope-in-jewel-case sleeves.

- Artist/Title: Crawlspace - ...slept here
- 4
- Format: CDR
- Label: outsidetheanthill
- Price: $8
- Catalog ID: CarbonDist-OTAH07
Eddie & Greg start loopin‘ the turntable. Joe‘s layerin‘ on ‘puter. A little "live" percussion but not much. Is that calypso or heavy meddle? Is this Phase 1 of The Roaring Winds? What the fug‘s goin‘ on!? Ever-changing laser-printed sleeves in colored jewel cases. 100 copies.

- Artist/Title: Crawlspace - birds of the southern regions
- 4
- Format: CDR
- Label: slippy town
- Price: $8
- Catalog ID: CarbonDist-SLIPT01
"Walk Away Slowly" (4:26) rock-slip; "Birds of the Southern Regions (33:06) layers of ‘Space improv; "Short Thing April 1" (5:13) a bit o‘ blimp; "McKeever" (31:40) takin‘ it to the street. Handmade torn-cardboard-in- jewel-case package.

- Artist/Title: Crawlspace - static from the slowdown
- 4
- Format: CDR
- Label: slippy town
- Price: $8
- Catalog ID: CarbonDist-SLIPT13
The "trilogy" (?) is completed (??). 16 bite-size "tunes" done with turntable, blank tape + EQ, CD loops, acoustic guitars, trumpet, bird call, jaw harp, percussion, guitar amp, voices, & mac. Ssssss . . . kraaaang! Cover art by Greg circa 1975. 100 copies.

- Artist/Title: Crazy River and Sindre Bjerga - black stained songs from silver spines
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR172
recorded live at Sound of Mu in Oslo Norway, this nearly 25min piece slowly builds into a drone/tone/static throb with periodic blasts of heavier tones, thuds and feedback. always quality sounds from this duo. [packaged in 5x7 chipboard stay-flat with silkscreen and splattered artwork. includes sprayed cdr]

- Artist/Title: Crazy River and Sindre Bjerga - Everything We Know is Barely Being Held Together
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR148
2 live tracks recorded is Oslo and Stavanger Norway in 2005. scratchy drone-transmissions from the north. this is some quality throb/drone/heavy sounds. another feather in Sindre's frozen cap. [packaged in heavy vinyl sleeve with handmade green paper, sprayed with silver. veluum cover for liner notes on back and sprayed CD]
Reviews (1):
Crucial Blast
The duo of Bjerga and Iversen have been prolific recorders of heavy free-drone and guitar/electronics based psychedelic improv over the past two years, and many of their releases have been finding their way into Crucial Blast. Using electronic noise, found sounds, and heavily distorted guitar drones, the duo consistently deliver slabs of evocative, weighty drift that at times sound like a trippier, FX-drenched version of Sunn O))). But the musicians are also busy outside of their core collaborative project, as we find Sindre Bjerga teaming up with a project called Crazy River for a massive 33 minute drift jam split across two tracks on this handmade disc from Carbon. The group open with "Black Forests Of The Mind", a live improvisation recorded in Oslo, Norway in 2005, and it's a massively heavy zoneout punctuated by weird noises and voice samples. The sound of revving engines and small machines is fed through a thick wall of delay and released to float over a thick amplif ier hum that builds in volume and heaviness over the course of the set until it becomes a buzzing black roar of ambient drone-metal swirled with druggy FX and whirring noises, like Sunn O))) mixed with Nurse With Wound or something along those lines. Nearly eighteen minutes long, the jam finally winds down into a hazy, muted hum.
The second track "Brusied But Not Broken" was captured in Stavanger, Norway in 2005 and is another epic improvisation, this time composed from random percussion, squelchy tape manipulations, and hushed riffing. It's a dense soundworld of scraping textures and sampled piano concertos, unnerving stereo panning that send monstrous chewing sounds and snarls spinning around the room, metal scraping and digging sounds, and heavily distorted psych-rock riffing that's buried under it all. A really creepy free-noise jam that sounds like the audio soundtrack to some demented slasher flick.
A really nice handmade package as usual from Carbon, with a green paper sleeve sprayed with silver paint and layered with a vellum insert that's printed with the track info, and slipped inside of a heavy plastic sleeve.

- Artist/Title: Creation VI - Pantheophania
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv031
Add to CartSong Previews:
Your Brother, My Brother
- Artist/Title: Crush the Junta - your brother, my brother
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR191
This is the fourteenth release in the Carbon 15YR.Series. 3 pieces from a live set recorded at the Bug Jar in July 2010. The heavy, loud low-end-heavy free-rock you've grown to expect from this 3-piece. [packaged with pro-printed covers in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]
Reviews (1):
Crucial Blast
The latest chunk of lava-like improv-rock from Crush The Junta, that towering trio from Rochester, NY that features members of Entente Cordiale and Transcendental Manship Highway. Yep, we love dark, heavy free rock, and Crush The Junta deliver that in spades with this three track full length that documents a live performance at the Bug Jar in Rochester from earlier in 2010, released as part of Carbon's sprawling 15YR. Series. Think loud, bass-heavy riffage wandering through pounding saurian rhythms, wailing noise guitar freak outs, lumbering slow-core; this'll be right up your alley if you are into the likes of likeminded freeform riff monsters like Rakhim, Burnt Hills, Skullflower, Heavy Winged, Ultrabunny, and Grey Daturas.
First up, "Driving Forward" hangs suspended guitar notes among the slow outward wheeze of feedback, introducing their set with a thick foggy drone, a stream of feedback slowly beginning to swell, then recede; the band gradually cranking the volume as the drums enter in a storm of crashing cymbals, and the song strengthens into a pounding drone-rock jam with a powerful melodic riff forming within the bashing, overloaded rock drone, a monstrous single-chord pounding that becomes infused with rumbling, buzzing machine noises that fade in and out, then veers off into jazzier, noisier territory in the latter half of the track. Then the title track comes in with crushing Codeine-esque slowcore based around a droning repetitious riff and slow heavy drums that tread into oblivion, splattered with drugged howls and gusts of amplifier noise. Finally we come to the massive seventeen minute "Clausius", starting with a minimal percussive rhythm and the buzz of a cranked amp, then introducing a lone guitar playing a simple, almost jazzy figure, the drums alternating between shuffling snare and heavier pounding, the guitar beginning to work itself into circular shapes; after several minutes of this, the band finally lets loose, erupting into a brutal squall of Fushitsusha-style feedback and powerful drumming and mangled guitar skronk, and then around halfway in, it turns into a rumbling, zonked out feedback drone jam, waves of garbled guitar noise and bending feedback notes rippling through the air, forming a thick atmosphere of amplifier electricity that gets pretty hypnotic as it stretches out for several minutes. Then the drums crash back in, hammering out a slow, ponderous dirge, while the simple droning guitar begins to bloom into a simple moody riff that repeats over and over, the whole thing morphing into a super heavy droning slowcore crush, getting noisier and more atonal and more distorted as it goes on, screaming high end guitar dropping in sinister howling leads, the sound going from trancey and mesmeric into this darker sludge assault that finishes out the set.
Comes in a full color cardboard jacket in a thick vinyl sleeve.

- Artist/Title: Crush the Junta - the disappeared
- 6
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR151
45 minutes of improv noise-rock heaviness. ranging from full-on overblown jams, to thick drones, to even some melodic pieces. includes lots of guitar, bass, synth and drums, with some vocals sprayed here and there. similar at times to Grey Daturas, Heavy Winged, Alasehir/Bardo Pond and Codeine. check out ctj.carbonrecords.com for more info. [packaged in a heavy vinyl sleeve with pro-printed card-stock cover. cover artwork by Andy Gilmore - birdbrid.blogspot.com]

Reviews (1):
Crucial Blast
The Rochester, NY free-sludge trio Crush The Junta first came to my attention last year with their crusher of a debut, the Curse Of Abraham CDR on Carbon. Featuring members of Entente Cordiale, Blood And Bone Orchestra, SQ, Pengo, and Hilkka and taking huge open chord riffs and syrupy, slow moving tempos and using them as the foundation for extended improvised jams that are filled with heavily textured feedback and amplifier noise, Crush The Junta's sound fell somewhere in between the Grey Daturas and Gravitar at their most psychedelic and the austere slowcore of Codeine. Massive and expansive, the trio uses synthesizer and electronic drones along with their core drums/guitar/bass lineup, their music is almost entirely instrumental (save for the occasional howl of ecstasy rising up above the dirge), and their first 'real' CD release The Disappeared further expands upon their trippy metallic jamming. "The Mist Rolls In" opens the album with a series of thu nderous, distorted open chords and saw toothed drone, somewhat Western in feel, almost like a rougher version of the newer Earth stuff crossed with Codeine's Barely Real. But the following track "Skull Against Stone" shifts the album into the abstract, a loop of guitar noise spinning off above guitar noise and buzzing cables and an quasi-krautrock beat until it starts to sound like a riff from the The Who stuck on repeat. "Steps Of The Temple" is one of the only tracks to feature any sort of vocal accompaniment, a few lines of spoken word poetry delivered over slow, sludgy dirge riffing. The rest of the album explores similiar territory, huge blown out psych-sludge jams, thick amplifier drones, pretty indie rock tunes played at glacial tempo, all of it surrounded by a vague sense of political unrest and dystopia. Check 'em out if you're a fan of high energy, distortion laden improv/psych/dirge rock like Heavy Winged, Alasehir, and Grey Daturas. Packaged in a cardsto ck jacket that comes in a heavy plastic mylar sleeve.

- Artist/Title: Crush the Junta - the curse of abraham
- 8
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR156
two live tracks, totally 42+ minutes. ranges from the stoner/heavy riff-n-drive that live CTJ audiences have been experiencing, to some more deconstructed, almost US Maple-influenced jitters. [packaged in kraft chip-board envelope with full color artwork affixed and dual-color spray splatter. disc is also sprayed. also includes color insert.]
Reviews (2):
Foxy Digitalis
Made up of two tracks “Curse of Abraham” is the first full length CDR by Crush the Junta; a trio that bring forth a blend of pounding doom-inflected sludge with hints of math and indie rock weaving their way in and out of the mix. To lay it out simply this trio really knows how to lay it all flat out and show no mercy with their sonic assault.
The first track starts out with some guitar swells and ambient drum noises slowly but surely coalescing into a lumbering monster. What really sets this track ablaze is the rumbling undertones of Chris Reeg’s stand-up bass, as it forms a foundation for the drums and guitar to play over as well as maintaining its own directional clarity. As the first track trudges forward a sudden silence is reached until a quickly strummed guitar moves in and out and then explodes into more extreme heaviness. But the real clincher comes in the third movement of this track where the guitar becomes the rhythmic foundation, laying it down with a jazz infused math-rock swing, while the bass and drums find their way in and out of its simple repetition.
The second track, another live effort continues on with similar energies, beginning a bit more melancholy than before, invoking the desert airs of Earth’s latest forays. Slowly the beast reappears moving forward with its single-minded energy to destroy, littered with some melodic leads that soon explode into all out chaos only to recover and find a new path to trod down, before making a half tempo return to the main riff that got the set going in the first place and eventual return to a (slow) full speed accompanied by the faintly heard cries of someone screaming vocals over the din and finally chaos takes us out. 9/10 -- Cory Card (26 September, 2007) - Cory Card
Crucial Blast
Just found out about this new trio from Rochester, NY, which includes Joe Tunis somewhere in it's lineup. When the fuck does this guy sleep? In addition to running the massive avant-noise label and mailorder Carbon, doing one-day tours where he performs short, fast sets of his solo experimental electronics at various locations around Rochester, collaborating with a million different artists, and playing in the amp-cranking free-rock unit Entente Cordiale, Tunis apparently also operates this killer group alongside Dennis Mariano (also of TIger Cried Beef and Hungness) and Chris Reeg (Blood And Bone Orchestra, The Years). Reeg and Tunis are actually both in Entente Cordiale, and that group's hazy, droning noise rock improv is sort of the starting point for what Crush The Junta are doing. But this outfit however definitely gets more raucous, combining formless guitar riffs and feedback, meandering basslines a la The Dead C and likeminded rock deconstructionists, electronic textures, synths, and freeform percussive splat into waves of amorphous rock action that crest with loud and burly bursts of psychedelic sludgery that come close at times to Grey Daturas-levels of sonic muscle. The Curse Of Abraham is one of the group's first recorded works, a document of two live tracks that each toe the twenty-minute mark, and which run the gamut between brooding, pummeling krautrock workouts, spidery meandering math rock jams, and punishing metallic sludge dripping with woozy, detuned guitars and howling screams. One of the heaviest releases from Carbon to date - keep it up, Joe! I'm looking forward to hearing more from this band. The spraypainted disc comes packaged in a hefty, hand-assembled chip-board envelope similiar to that Pengo disc we carried last year, with full color artwork glued to the front and splattered in dual-color paint, with a color insert.

- Artist/Title: Crush the Junta - hanging design
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR157_RED
the Crush the Junta "hanging" design. brick red shirt with gray and white ink and wrap-around design.

- Artist/Title: Crush the Junta - hanging design
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR157_BLUE
the Crush the Junta "hanging" design. muted blue shirt with gray and white ink and wrap-around design.

- Artist/Title: Crystal Syphon - Family Evil
- 16
- Format: LP
- Label: roaratorio
- Price: $18
- Catalog ID: CarbonDist_ROAR25
"Crystal Syphon, one of the greatest lost groups of the West Coast psych scene, came together in Merced, California in 1965. Originally a Beatles / Byrds-influenced unit called the Morlochs, they soon shed their original moniker and moved in a more psychedelic direction, becoming a fixture on the ballroom circuit from 1966-1970. Although their music may nod in the direction of the New Tweedy Brothers and Quicksilver Messenger Service at times, its imbued throughout with a distinctive sound that arose from practicing up to six nights a week. The band entertained offers from various labels during their existence, but as they insisted on complete artistic control and ownership of their music, no deals were struck. Now, some 44 years after its creation, Roaratorio is proud to make the music of Crystal Syphon available for the first time ever. Drawn from studio tracks, rehearsal tapes and a live recording from the Fillmore West, Family Evil is released with cover art by Norman Orr and extensive historical liner notes in an old-style tip-on jacket. Digital download included."
8/10 : "...unlike many of the scene's almost-rans, Crystal Syphon had great songs on their side, borrowing the best moves from primitivist garage energy, adding the glass-spun guitars and the warp and weft harmonies of The Byrds, and then dosing further with just the right amount of psychedelics. Particularly staggering are several longer cuts, like "Fuzzy And Jose" and the live "Winter Is Cold," where the quintet stretch the songs with sinuous organ and needlepoint guitar solos that are period-piece perfect." - Jon Dale, Uncut
"This is amazing. I'm way past believing that everything of worth has already been mined - I've been surprised too often. However, Merced, California's Crystal Syphon represents a true lost West Coast gem...I'd hate to curse the disc with over-enthusiasm, but you really should own this." - Paul Martin, Shindig!

- Artist/Title: Cyrus Rego - s/t
- 4
- Format: CD
- Label: Emperor Jones
- Price: $8
- Catalog ID: CarbonUsed_149
- (This is a USED item)

- Artist/Title: D9 - s/t
- 6
- Format: CD
- Label: Heart and Crossbone (Israel)
- Price: $10
- Catalog ID: CarbonDist_HCB021
"Named after one of the most imaginative and infamous key roles in the Israeli occupation, D9 is as merciless as this monstrous bulldozer, ramming reality in its' forehead with their post apocalyptic hectic predictions, directed towards the Israeli state and the worlds' systematic moral corruption, fueling their fury with an offensive portion of old school hardcore punk, and generating this boiling wrath into an original crushing blend of sly grindcore and bare boned power violence hostility, with a fair amount of devastating sludgy riffage and obscure electronic noise intervals to make their squashing sound even more quirky and disturbing.
Recommended if you like Dropdead, Pig Destroyer, Man is the Bastard, Burmese, early Facedowninshit, Capitalist Casualties, Dystopia and Siege."

- Artist/Title: Dakota - i go called a teenage on the 10 o'clock news
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_DAKOTA
- (This is a USED item)
on Twistworthy - 1998

- Artist/Title: Dan Melchior und das Menace - Catbirds & Cardinals
- 12
- Format: LP
- Label: Northern Spy (USA)
- Price: $16
- Catalog ID: CarbonDist_NS011
"Catbirds and Cardinalsis the latest psychedelic album lobbed in to New World shores from Dan Melchior und das Menace. Coming down slow with a clear vision, its a sure hit. Since the late 90s, Shepperton, England native Dan Melchior has consistently delivered an avant-pop that is off-kilter and literate, with a sense of menace and a stronger sense of play. Hes a new Jesus of Cool, riding just about the underground like the antipodean Chris Knox. The sound of Catbirds and Cardinals is clean, lo-fi, deeply-engaging, and guaranteed to pull in new legions of fans. Its a clever garage pop set that will lick your pate clean.
On Catbirds and Cardinals, Dan Melchior und das Menace successfully meld a hodge podge of disparate elements into a cohesive whole, bringing to mind veteran UK and US underground bands like The Swell Maps, Andrew Klimek, Chrome and Alternative Television more than they do old blues men or the tweedy garage rock conservatives of Dans past.
Catbirds and Cardinals is probably the most overtly poppy Das Menace release, with songs like Poison Petes Holiday and English Shame lodging in the cranium like carpet warehouse jingles. The recordings retain the overdriven quality Melchior is known for but push the envelope sonically into some unexpected places, with the dream like synths of Crow Radio number 1′ showing a marked departure from the overall guitar grime."

- Artist/Title: Danny O'Really - And Evening With...
- 6
- Format: CD
- Label: Solitude Records (Netherlands)
- Price: $10
- Catalog ID: CarbonDist_Solitude_Danny
a solo album of guitar manipulations from this long-time Dutch noise/rock guitarist

- Artist/Title: Dark Inside the Sun - Chattanooga
- 6
- Format: CDR
- Label: Drama (Belgium)
- Price: $12
- Catalog ID: CarbonDist-DRAMA_DARK_INSIDE
"Ever wondered how albino rats playing jazz funk greats, would sound ? Second street to the left and you're halfway out there... Dark Inside The Sun bark primitive in the pure songwriter rattling bone style. A crackling array of wounded instruments that jump like ants out of the pants. Smelly drumsticks, broken casio and a delirious craftmanship of hysteric love songs. Even lower than the whale turd at the bottom of the sea...
Strongly affilitated with Western Mass psychos Yeay!. Packaged in phat silkscreened fold-out covers by none other than Drama chief Jelle Crama. Limited to 150 copies, if memory card still works..." - carlo steegen

- Artist/Title: darph/nadeR - the green album
- 5
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1942
- (This is a USED item)
2002 Samsa Records release

- Artist/Title: darph/nadeR - the red album
- 5
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1943
- (This is a USED item)
2001 Samsa Records release

- Artist/Title: Darryl Norsen - Sublime Frequencies Films tour poster
- 4
- Format: OTHER
- Label: Carbon Records
- Price: $6
- Catalog ID: CarbonPosters_sublime_frequencies
Designed by Darryl Norsen (www.dnorsen.com) for the Rochester NY tour stop of the Sublime Frequencies Film viewing and lectures featuring Robert WIllis and Ian Nagoski. This is an 11x17 pro-printed poster on heavy glossy card stock. not many copies left, so hurry.


- Artist/Title: David Kendell - Triumph of Individuality
- 4
- Format: CDR
- Label: gameboy
- Price: $9
- Catalog ID: CarbonDist_gb97
"The title for this one is most appropriate as Mr. Kendall's work and vision rest in a realm all his own. Working with digital noise in a time when the genre titans are dusting off their analog gear again, Kendall's intense programming stands out, but it stands tall.
Combining elements of improvisation, composition, field recordings and pure noise, Kendall's work is both sharp and vivid. This one is crisp. Analog purists beware.
CDR edition of 100."

- Artist/Title: Dead Machines - mystery of the fall off islands part two
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR84
10YR.Series.04 - the fourth in the Carbon 10 year anniversary CDR series. more amazing handmade electronics and tape manipulation from John Olson (Wolf Eyes) and Tovah OâRourke, otherwise known as The Dead Machines...
Reviews (1):
Weirdo Records
One big slow stream of speckled, fritzing electronics from Olson & Tovah, made back before the spray paint had dried. Bubbles up crude like the Beverly Hillbillies striking oil.

- Artist/Title: Dean and Thodi - Stories and Statistics
- 4
- Format: CDR
- Label: Expanding Pegasus (USA)
- Price: $6
- Catalog ID: CarbonDist_ExpandingPegasus001
"Stories and Statistics Dean & Thodi is a space opera miniature with epic/intimate reverberations. Created entirely by Brandon Herford (of Pegacide infamy), Laptopish lo-fi effects combine with innocence and unlikely croons to make a unique, oddly moving patchwork of moments.
Originally conceived as an adventure story revolving around the space travelling boy Dean, and the princess Thodi, the album became something more like a companion peice to a childrens book from another time, than a linear story told through song. The songs are short and sweet, (the album clocks in at 16 minutes) and waste no time in hitting all the notes and themes needed to pull the listener within Brandons warm, bluesy cosmic aura.
The cynical music nerd should beware however, Stories and Statistics has the ability to sneak under pre-conceived barriers of what genres one likes and dislikes. Is this bedroom-space-indie-pop? Ambient-blues-noise-folk? Before you have the chance to sort it out, you are reliving childhood dreams that arent your own. Confused yet? So am I, but Im loving the soundtrack.
Stories and Statistics Dean and Thodi is presented on a handpainted cd-r in a smooth cardstock gatefold sleeve with printed cover and interior. Each record includes a unique piece of art, torn from Brandons lengthy portfolio. Limited to 50 copies."

- Artist/Title: DEL - No Escape From the Valley of the Cannibals
- 8
- Format: 7inch
- Label: Killer (Norway)
- Price: $2
- Catalog ID: CarbonUSED_DEL
- (This is a USED item)
super heavy vinyl

- Artist/Title: Delarosa / u-sheen - split
- 6
- Format: LP
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_DELAROSA
- (This is a USED item)
split 12" on Fluid Ounce Records 1997

- Artist/Title: Demons/THAMES - split
- 8
- Format: CASS
- Label: Wintage (Canada)
- Price: $10
- Catalog ID: CarbonDist_WRT30
"Part of the ongoing Wintage Tape Subscription Club Side A: Demons create a totom of Psychodelic Brain-wash, the proto-prog travelouge for the psychonaut in all of us. To Jupiter and beyond..set the controls for the heart of the yada yada yada... hands down favorite release to date, only Black Monoliths & Tracers remain! Side B: THAMES hail from Montreal and create wasted walls of Psychodelic scum. Blake Hargreaves(Dreamcatcher, Cousins of Reggae) & Alexander Moskos(Drainolith,Unireverse) kick you in with a bucket full of Brain-skunk, obliterating and Phat! Ltd. Ed. 100"

- Artist/Title: Derek Rogers - Relative Quiet (C32)
- 6
- Format: CASS
- Label: Bathetic (USA)
- Price: $5
- Catalog ID: CarbonDist_BATHETIC043
"With Relative Quiet, Derek Rogers offers us 6 tracks of shimmering ambiance. Tremulous tones flirt with the sensitive areas of your psyche while the bass coos you into slumber. This cassette drifts into areas not too removed from the likes of Tim Hecker, Jefre Cantu-Ledesma, or Grasslung. "

- Artist/Title: Destructro Swarmbots - Clear Light
- 8
- Format: CD
- Label: Public Guilt (USA)
- Price: $10
- Catalog ID: CarbonDist_PG011
"Destructo Swarmbots has carved a unique niche for themselves over the past 4 years. Their live shows consist of chaotic walls of white noise, improvised textures and battered instruments. Their recordings are delicate, at times meditative, washes of ambience constructed from countless piles of tortured sounds. Influenced heavily by 200+ needle-dropped, out of print psyche records, "Clear Light" is their strongest effort yet and the next step on their journey to artistic isolation."

- Artist/Title: Disguises - Weaponizer
- 5
- Format: CDR
- Label: Wintage (Canada)
- Price: $8
- Catalog ID: CarbonDist_wrt12
"Debut full length by Toronto's noise/punk barfers. Nine tracks of harrrd sci-fi, total wasted psych. During recording sessions for the album, the group developed a lean, muscular physique. A garunteed punch in the sonic plexus."

- Artist/Title: Diving Bell - s/t
- 4
- Format: CD
- Label: Moodswing Records (USA)
- Price: $9
- Catalog ID: Diving Bell
"The appropriately titled, Diving Bell, is the collaboration between Craig Colorusso (guitar, field recordings) and Joel Westerdale (drums), both formerly of China Pig, and their self-titled record is nothing short of breathtaking. A diving bell is a large bell shaped container made of a combination of glass and metal. The bell can be large enough for multiple people to stand in, and it is placed in the water, allowing individuals to stay underwater for a long period of time, a perfect description of the feeling you get when listening to this band."

- Artist/Title: Dixie Prix - Le Tombeau de Dixie Prix
- 4
- Format: CDR
- Label: Pirate Scheme
- Price: $10
- Catalog ID: CarbonDist_PS002
The ideal thing for club owners to clear the place out when it‘s closing time. No matter what kind of show, be it Pop, Jazz, Punk or Extreme Noise, this disc will have everyone out in no time.

- Artist/Title: DJ QBert - wave twisters
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1922
- (This is a USED item)
1998 Galactic Butt Hair release

- Artist/Title: DJ Scud and Christoph Fringeli - Bodysnatcher 12" single
- 8
- Format: LP
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_DJSCUD
- (This is a USED item)
on Ambush. 12" single.

- Artist/Title: DJ Soul Slinger - upload: a continuous mix
- 4
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_DJSoulSlinger_upload
- (This is a USED item)

- Artist/Title: DJ Soul Slinger - missing time : the abducted remixes
- 4
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_DJSoulSlinger_missingtime
- (This is a USED item)

- Artist/Title: DJ Soul Slinger - Don't Believe
- 4
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_DJSoulSlinger_dontbelieve
- (This is a USED item)

- Artist/Title: DJ Spooky and Totemplow - kaotik : transgression
- 8
- Format: LP
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_DJSPOOKY
- (This is a USED item)
on Manifold Records. illbient techno.

- Artist/Title: DJ Thumper / Vankmen - split
- 6
- Format: CASS
- Label: hatestate (USA)
- Price: $8
- Catalog ID: CarbonDist_HS015
"both sets recorded live at the Ravesploitation festival in Los Angeles, in complete hi fidelity by Jonathan Snipes. Gabber power and spirit of punk."

- Artist/Title: Dogbox - s/t C62
- 8
- Format: CASS
- Label: 905 Tapes (USA)
- Price: $6
- Catalog ID: CarbonDist_905.107
"i got a package in the mail about a month ago that looked as if it was sent by a four year old. barely legible scribble on the envelope and a letter inside (click here to check it out) which read "dear 905 tapes, we saw your review and liked it. here is a tape. put it out on your music label. thank you. dogbox". the review they were talking about is one that i wrote on tabs out last year for a tape of theirs on scumbag relations. it was a total fuck-up, garbled mess and i loved it. this jam is just as exquisite. confused, bong ripper sounds from two 7-11 employees. the return address on the package is actually a 7-11. did i mention that? how perfect is that?! this must be a joke. these dudes can't exist"

- Artist/Title: Dolores Dewberry / Origami Genitalia - split
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR109
Split CD featuring two of the snizziest experimental music projects to emerge from Minneapolis since Snizzy McSnizzerton and his Band of Snizz.
Dolores is known well for her appearance on Susan Lawly's "Extreme Music from Women" CD, and is here in full power-electronics mode, complete with porn samples.
Origami Genitalia is an electro-acoustic soundtrack collaboration between Eric Hofferber (Gentle Tasaday) and E.W. Hagstrom (Cock E.S.P.)
Co-released with Apop, Sunship, Gold Soundz, Little Mafia and Nihilist.

- Artist/Title: Drive the Pieces Together - Ethnography
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR182
This is the fourth release in the Carbon 15YR.Series. "Drive the Pieces Together was a band that existed for one performance only. Actually, now that I think about it, I'm not sure if it was a band or a composition....Peter Warren, a guitarist, had composed a piece of electronic music with significant silences in it. The group, consisting of Steve Norton (a sax player who would, for this project, only play a turntable), Vic Rawlings (amplified cello), Erik Carlsen (tuba), Dave (reeds), and me (Howard Stelzer) (cassette tapes), would improvise along with Peter's recording, which would function as a sort of score." [packaged with silk-screened logo over a unique "sampled" page in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Duf Davis and The Book Club - Shut Up and Detune Your Guitar
- 4
- Format: CDR
- Label: USED
- Price: $3
- Catalog ID: CarbonUsed_DUF
- (This is a USED item)

- Artist/Title: Dum Dum TV / Wire Hippo - split
- 4
- Format: 7inch
- Label: fever pitch
- Price: $3
- Catalog ID: CarbonUSED_DUMDUM
- (This is a USED item)
transparent red vinyl

- Artist/Title: DurĂĄn VĂĄzquez - Ghetto, Borghetto
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR108
"It is a work that arose from the experimentation with software effects, and in a very intuitive way." DurĂĄn is a Spanish noise artist, with releases on Alg-a netlabel and CrĂłnica. transmissions.... contact?.... responses.... contact? parts of this almost sound like the tribute release(s) Sub Rosa did years ago for philospher Gilles Deleuze. [packaged in spray-painted slim jewel case with spray painted cdr]
Reviews (1):
Modisti
Distorsion processed electronic sources progressively give way to denser texture of various other materials featuring all maner of idiomatic, mediatic, music samples and instrumental processings that contribute to the weaving of this accretion of assorted noise. Constant disruption comes to mind as a common denominator of these busy sumperimpositions of unrelated, chaotic materials, thus illustrating an illuminating portrait of present day relevance. The internal logic of the accretions obey its obvious lack of coherence, thus drifting in a careful manner if totally devoid of aim, purpose or message. It is merely a portrait in its recurrent, relentless insistence and merciless precission of development.

- Artist/Title: Dylan Nyoukis - The Curious March of the Goat Faced
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR187
This is the ninth release in the Carbon 15YR.Series. 1 second under 60 minutes of vocal experiments, field recordings, sound collage, synth space effects, string arrangements and more. [packaged with pro-printed covers in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]
Reviews (1):
Weirdo Records
A rather outdoorsy feel to these recordings from then-recent touring around the continent. Some background growling that makes it seem like you're Jane Goodall traipsing down a misty mountain, but at the bottom, instead of gorillas there are a bunch of tiny aliens landing in thousands of miniature spaceships, beeping as their engines swoop down. Plenty of contact mics rustling, dogs & birds & cow imitations, daughter Elka laughing like she just got a good one over on you, a cello sawing back & forth, whispery shudders of some sorta footpump (played by Chris Corsano no less), wet ploppings, unidentifiable brapps, and so on. I hear my favorite brand of duck call in there too!

- Artist/Title: Dyn@mutt - a handbook for young scientists
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonUsed_farrago
- (This is a USED item)
on the Farrago label.

- Artist/Title: Ed Chang - marble / latch
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR106
here's an amazing drone guitar release from Ed Chang, the man behind NYC-based Quodlibet label. member of Spin-17, and all around free-improv, experimental, out-there musician. this showcases his softer, more subtle drone-infestations/incantations. [packaged in heavy vinyl sleeve with b&w photo by Ed on the front, and veluum back cover. cds are spray painted]
Reviews (1):
Modisti
A careful work exploring the possibilities of continuous electric guitar drones developed over extended periods of time. Featuring smooth transitions between the different sound masses, the static character is the result of a careful mastery; the balance involved in handling feedback being akin to that of high-tension wires. Quite subtle in its approach, the materials are displayed with a certain Indian tanpura quality in the slow unfolding of overtones. Other tracks present harsher surfaces, with noise elements that emphasize rougher textures and larger doses of processing.

- Artist/Title: Electric Annihilation - Issue #01
- 4
- Format: ZINE
- Label: Electric Annihilation (USA)
- Price: $3
- Catalog ID: CarbonDist_electric_annihilation01
EA is a 20-page music publication, b&w on tabloid-size (11 x 17 pages) newsprint. Circulation of 5,000 copies. The first issue includes interviews with: Thurston Moore Henry Rollins John Olson (Wolf Eyes/American Tapes) Emeralds Sun Araw Wet Hair Nomen Dubium
Plus scene reports from Gothenburg Sweden (written by Matthias Andersson of Release the Bats), Cleveland (by Sam Goldberg) and Iowa City (by Shawn Reed). Also an article by Jon Isaac. There's a centerfold poster too. Cover artwork and border/frames by Zachary Fleming.

- Artist/Title: Electric Mono River - No sunlight down here
- 4
- Format: CDR
- Label: Dead Sea Liner (UK)
- Price: $8
- Catalog ID: CarbonDist_deadsealiner019
"Live mini-album of mono spectral meditations and caveman incantations from Norwegian supergroup of Sindre Bjerga, Per Gisle Galen and Martin Powell."

- Artist/Title: Eleventh Day Dream - eighth
- 4
- Format: CD
- Label: Thrill Jockey
- Price: $8
- Catalog ID: CarbonUsed_109
- (This is a USED item)

- Artist/Title: Emil Beaulieau - live in WNY
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR115
two 30+min live performances by "America's Greatest Living Noise Artist." first set is from July 2003 recorded at the Visual Studies Workshop in Rochester NY. in the middle of the set, Emil instructs all the visitors in the space, that they MUST enter the performance area before he continues on with his set. YES! the second track is from a performance in August 2003 at Hallswalls in Buffalo NY. Mr. Beaulieau getting melodic towards the end of the set, completely annihilating an orchestral moment. [second in the Carbon Recycled.Series. cover is a "recycled" LP, cut down to 5" x 5" square]

- Artist/Title: Entente Cordiale - life underground
- 8
- Format: 2CDR
- Label: Carbon Records
- Price: $10
- Catalog ID: CR167
This is a set of studio and live Entente Cordiale recordings. disc 1 consists of a studio session at the Bunker in Rochester NY, recorded by Nuuj (of Pengo/Asthmatic/Tuurd). three pieces varying from the EC guitar pattern/drone approach, and ending with an on-the-edge of falling apart secular mantra before diving into the most uncharacteristic EC sounds to date (channeling the then future direction of Tumul). disc 2 consists of a long live set recorded at Soundlab in Buffalo NY, when EC (accompanied by Nuuj) opened for the Yellow Swans. a marathon blast of loud guitar riffs, drones and deep synth action. [sprayed and silkscreened 5x7 chipboard stay-flat kraft envelopes with sprayed discs]
Reviews (1):
Foxy Digitalis
I know that Im not the only wholehearted advocate for Rochester, NYs most excellent Carbon Records imprint, but I feel like there just isnt enough love being broadcast throughout this worldwide web of ours for this high-quality label. I cant say enough how consistently these guys (guy, actually) issue quality recordings. Carbon Greatness Exhibit A: this latest double CD-R of guitar goodness from Entente Cordiale a trio consisting of Chris Reeg, Will Veeder and Carbon boss man Joe Tunis. These guys specialize in slow-motion shredding and extended feedback wrangling. The two discs that comprise Life Underground demonstrate the two unique faces of the EC oeuvre. The first disc is a home studio recording, while the second disc documents a single live show from a few months prior to the studio session. Both discs amply serve as platforms for the groups relaxed approach to improv, but each contains a unique cache of treasures befitting the specific recording environment.
In the studio, EC showcases their sense of balance: melody is played off of dissonance, and quietude begets commotion. On the first track, a short guitar line repeats ad infinitum underneath a slowly-building web of textured guitar noise. The second and third tracks are lengthy feedback-laden sludge feasts whose landscapes are littered with the debris of ruined guitars. The live disc is a demonstration of the drone-to-chaos aspect of the EC sound. What starts out as a manageable slow-burning ember of sound erupts into a frenzied blaze, with furious waves of feedback cast to and fro. A churning cascade of deep-end drone pierces the madness, reeling in any stray frequencies.
There is almost two hours of music on Life Underground, enough to satiate the hungriest of out-guitar fans. After this, do we need any more evidence that there is quality music coming from the bowels of post-industrial America? I think not, but I welcome it anyway. 9/10 - Byron Hayes

- Artist/Title: Entente Cordiale - the recognition of common interests
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR150
nearly 48 minutes of sometimes sparce, sometimes dense, guitar work by this trio consisting of Will Veeder (Hinkley, Torpedoes, formerly of Muler), Chris Reeg (Blood and Bone Orchestra, Crush the Junta, Ian Downey is Famous, DvsC, Ada le O, The Years) and Joe Tunis (Joe+N, Crush the Junta, Tuurd, SQ, DvsC, Ada le O, formerly of Hilkka and Pengo). other instrumentation includes heavy synth, droney melodica and homemade pipe chimes. co-released by Phantom Limb Recordings. [packaged in a heavy vinyl sleeve with pro-printed card-stock cover]
Reviews (2):
Foxy Digitalis
Entente Cordiale is a three-piece unit whose work revolves mainly around string drone. “The Recognition of Common Interests” is their third full length offering, as well as there most accomplished and satisfying work to date. Starting off with “an understanding is met” the trio create a wonderful space that merges pure simple melodic beauty with dissonance in such an elegant manner that one almost always wants to begin the album over again as soon as the track comes to completion with its final trails of drifting smoke.
When one is finally placated enough, for the time being, with the strange beauty of the first track and decides to move onward, one is greeted with a complex array of deep drones, heavy slow-ass riffs, odd repeated and shifting noises, and enough space augmented with the correct use of silence to keep the air filled with an almost uncomfortable and engaging tension. This music of Entente Cordiale is complex and deeply satisfying on many levels. These three players are really expert at creating and manipulating sounds and their interaction with one another displays that they really no how to listen to one another as well. 9/10 - Cory Card
Crucial Blast
Rochester free-rockers Entente Cordiale return with their first "real" CD after a couple of CD-R releases that were well received over here at Crucial Blast HQ. Exploring themes of alliance and collaboration, Entente Cordiale (named after a historical agreement created between the English and the French at the dawn of the 20th century) craft a nearly 50-minute jam that while broken up into seperate tracks, seems to flow together as one huge organic piece. At first, this feels like the quieter side of members Joe Tunis and Chris Reeg, whose other band Crush The Junta just came out with a hefty new CD-R of improvised free-rock sludge that buried me beneath a heavy blanket of distorted goop. Here they are joined by Will Veeder (also of Hinkley, Torpedoes, and Muler), and the first track, "An UNderstanding Is Met", is a fragile, drifting tangle of folky guitar strum and clanging pipe chimes, almost like the Dead C lazily playing on the backporch of some country farm, idyllic and folky and dreamy. But when the second track "Roots" emerges, the guitars take on a darker hue, the strings suddenly detuning and coiling up like serpents, scraping fretboard growls sliding across the neck of the guitars, fluttering heavy synthesizer electronics buzzing ominously beneath Entente Cordiale's deformed blues licks and buzzing amplifiers. The following tracks continue in a similiar vein, sparse guitar lines repeated ad infinitum over buzzing synths and droning melodica, distorted mangled riffage clawing it's way through clouds of thick feedback, quietly pretty passages of amp hum and simple strummed chords, occasionally dipping into pools of Earth-y guitar rumble and raucous skree. It's the last five minutes of the album, however, on the last track "How Long Can It Hold", where the band cuts loose and whips up a scorching tempest of noisy guitar racket and reverberating speaker float. While not as "heavy" as their previous CD-Rs, The Recognition Of Common Interests still occupies that hazy realm between Iversen/Bjerga's trippy guitar-based improv, The Dead C at their most formless, and occasionally, the deep rumble of Earth's 2. Simple but effective packaging in a heavy mylar sleeve that holds the disc in a professionally printed card sleeve.

- Artist/Title: Entente Cordiale - 100 yrs
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR102
a little over 34min of triple-guitar damage and drone. 2 tracks. not too far from their first release, 1904, at first. but the second track, ends with a crushing 10+min drone and dual-drummer action. even took us by surprise ; ) [original covers were hand-silkscreened, edition of 102. 2 color print job. about 30 of them are silver and gold, while the rest are silver and dark blue, on heavy watercolor paper (textured). re-release is a simple color-printed cover. folded into a plastic sleeve.]
Reviews (1):
Crucial Blast
More formless, heavy amp-drone jams from the Rochester-based group Entente Cordiale. 100 yrs is made up of two long, untitled tracks...the first features a gradually building storm of shambling free-guitar-noise, lots of mangled, howling feedback, and loud vibratory drones emitting from the amplifiers. The second track works up some great, shimmery feedback textures into almost My Bloody Valentine style blobs of wobbly, melodic pink noise before lumbering into a crushing horizontal dirge with two drummers pounding away under waves of amplifier chant. I love it when formless guitar noise and feedback rock creeps into that sugary territory between mid-90's Skullflower and MBV's Loveless, and this track delivers. Loud, lo-fi, melted drone-rock with three guitars that draws from the whole amp sludge/Skullflower/Earth 2 legacy...I can never get enough of this stuff. 34 minutes of pure guitar damage. Comes packaged in a heavy watercolor paper sleeve with blue and silver artwork screenprinted onto it.

- Artist/Title: Entente Cordiale - 1904
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR80
a 22+ minute experiment in guitar drones, swells and even some melodies. 3 guitars, multiple (distortion) pedals and some very loud amps. think Gate, Earth, Vibracathedral Orchestra, etc.
Reviews (3):
Crucial Blast
This single-track, 23 minute disc contains some excellent, gluey, guitar-based improvised drones that sort of bridge the gap between Earth 2 and the celestial sludgy krautrock of SKULLFLOWER's Orange Canyon Mind, with thick rumbling feedback dripping slowly over swells of repetitious chords and peals of strangled guitar strings. ENTENTE CORDIALE rarely employ any actual melodies in this recording, but those that do appear, surface only momentarily before they are dragged back down beneath the mighty amplifier hum. The Rochester, NY based group uses 3 guitars and an army of distortion pedals to erect 1904, and it's a solid monument of amp worship along the lines of early EARTH, VIBRACATHEDRRAL ORCHESTRA, FULCI, and SKULLFLOWER. The unmarked disc is packaged in a minimal but nice looking cardstock wallet in a resealable plastic sleeve.
Modisti
[ Entente Cordiale - 1904 CDR ]
A collective approach to the development of extended drone textures created by means of electric guitars. Featuring a dense flow of pulsating, transparent veils, the superimposition of overtones and processed fabrics creates a complex dome of continuous noise. The vault’s nerves become increasingly close, layers getting thicker, their continuous character contributing to add to the density of the whole although the careful process of addition unfolds according to a calculated plan. The immediate reminiscences of the materials –such as harshness and protest- are here counterbalanced by the extreme subtlety with which the sounds are handled. More importantly, they subtly hint at the fragility beneath the complex veil of abstract noise, which simultaneously states an almost trance-like recurrence of rhythmic statements of collective celebration/cry.
Foxy Digitalis
1904. 100 years ago. I can't imagine anyone back then thought the advancements in music technology that have happened in that time would have ever been possible. Entente Cordiale are another new addition to the fantastic Carbon imprint. This short release contains only one track that clocks in at just under 23 minutes. From what I can tell, there is nothing here other than two, distorted, improvised guitar tracks. It's simple, but there is still a lot happening. There are some other minimal effects as well like reverb (and possibly some subtle tremolo), but they aren't very important. What makes this release good is how the guitars play off each other so well. Because of this, the track is dense, sucking in all the sounds of the space in which it was recorded. Each takes its turn at the forefront as well. While one will play something more melodic, perhaps higher on the fretboard, the other will continue laying down thick layers of distorted goop below. Keeping this low-end constant allows the track to sound more full. I feel like this is one, really short moment stretched into 20 minutes. It unfolds so slow that, at times, it feels like it's not unfolding at all. It's like you're just sitting there having your ear drums massaged by sound. Like I said, it's simple, but in that simplicity is something quite beautiful. As a short debut, Entente Cordiale definitely have my attention. I can't wait to see where they go next. - Brad Rose

- Artist/Title: Estasy - s/t
- 6
- Format: CDR
- Label: Ikuisuus (Finland)
- Price: $6
- Catalog ID: CarbonDist_IKU_Estasy
"black velvet mask, golden wigs, untied shoes, candle flames & beautiful trickling of wax, vine leaves, powder puffs.
mystery is the word. all tracks recorded in darkness. its about spiritual evol love emotion....its not the pills...oh oh whatever" - emi estasy

- Artist/Title: Eugene Carchesio - Garden of Souls
- 4
- Format: 3inch CDR
- Label: Kindling
- Price: $6
- Catalog ID: CarbonDist_KIN13
solo release from this collaborator of Leighton Craig and also member of G55 with Leighton and Simon Ellaby.

- Artist/Title: Euphone - The Calendar of Unlucky Days
- 4
- Format: CD
- Label: Jade Tree
- Price: $5
- Catalog ID: CarbonUsed_4
- (This is a USED item)

- Artist/Title: Euphone - Breaking Parole
- 4
- Format: CDEP
- Label: Hefty
- Price: $5
- Catalog ID: CarbonUsed_5
- (This is a USED item)

- Artist/Title: evapori / [-hyph-] - bewegungen /fragmentation itself
- 4
- Format: CDR
- Label: Anti-information (Germany)
- Price: $11
- Catalog ID: CarbonDist_ AICdisc001
split cd-r 60min, 1st ed/100

- Artist/Title: everlasting the way - long-stretching-motorcycle-hymn-highway
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1932
- (This is a USED item)
2000 Monitor Records release. this is Sean Meadows of June of 44, Lungish, etc fame.

- Artist/Title: Extreme Noise Terror / Cock E.S.P. - split
- 6
- Format: OTHER
- Label: Little Mafia (USA)
- Price: $5
- Catalog ID: CarbonDist_LM068
THIS IS A 5" VINYL RECORD.
EXTREME NOISE TERROR needs no introduction; the legendary British crust/grind band has spent 25 years building a reputation for uncompromising aural brutality as well as genre-crushing experimentation. Presented here is an alternate recording of "Human Waste" - a track from the band's recent "Law of Retaliation" album on Osmose Productions. http://www.extremenoiseterror.co.uk http://www.myspace.com/extremenoiseterroruk
COCK E.S.P. was born from the American cassette undergound in 1993, producing extreme and unlistenable electronic noise. Over hundreds of releases and dozens of chaotic live shows, the group has distanced themselves from their avant-garde peers with their aggressive attitude and absurdist sense of humor. Presented here are three brief tracks unreleased elsewhere, which appear to be somehow inspired by Mötley Crüe. http://www.cockesp.com http://www.myspace.com/cockesp

- Artist/Title: Exusamwa - Excusez-Moi!
- 16
- Format: LP
- Label: 100% Breakfast! (USA)
- Price: $14
- Catalog ID: CarbonDist_100percent01
"Careening from strange pop highs (as in mouthpiece Angela Sawyers piercing vocal shred) to noisy ear shattering lows (as in the madly distorted bass guitar, and bass synth rumble spread throughout the record) Exusamwas new full length vinyl only output, titled EXCUSEZ-MOI!, is a forceful and brief exploration of the world of underground sounds ranging from hardcore, to psych-folk, from chip-tune to small group compositions for the likes of violin and sousaphone. In this record we have an ambitious album art concept on our hands. The always pushing themselves Exusamwa (they wear handmade costumes every time they perform, but never the same costumes) not only give you a record full of spastically challenging sounds when you purchase their new release but also a fully playable role playing game replete with a 36 page rule book and full color pieces to cut out and play with. My copy even came with special dice. What more can you expect from the person behind Weirdo Records and a member of the legendary Fat Day. At one point on the record we overhear a snippet of a conversation between bandmates where directions are given to turn the Marshall all the way up to 10. And that is just what this gang has done. Sometimes literally as on The Face: Eyes 1 minute of noise rock sludgery, but all over the record its clear that the band is going all out in every different direction. I Mow You Down is post-punk gone hardcore. Vulcan Formed Them strange psychedelic folk and broken drum machine. Thank You Teachers a hardcore blast, and The Face: Ears an 8-bit blipping electronic stew. This record should be famous." - Boston Hassle

- Artist/Title: failsafe - about time
- 4
- Format: CDR
- Label: sijis
- Price: $8
- Catalog ID: CarbonDist_sijisep01
"here‘s a question. you‘ve grown up loving dance music, slowly disolving your spine twisting the night away, getting home and playing midi until it‘s time to call in sick at work. everything‘s great. then suddenly one day you notice it‘s been nearly ten years since you left the house, let alone went to a club, but the machines are still there, getting smaller every year, looking at you. Sound familiar? of course not, otherwise everybody would have made this wonderful ep. an ep that says above everything, "take a fish out of water for long enough and you might be able to explain to him what water is." this is music for those happiest dancing in a sitting position. you have been warned."

- Artist/Title: Family Treasures + Hunted Creatures - split C20
- 8
- Format: CASS
- Label: 905 Tapes (USA)
- Price: $6
- Catalog ID: CarbonDist_905.104
"d. moore appropriates the outer limits synth/electronic mind wipe on the family treasures end. serious layers of sharp bites and wavering tones build and build and build. r. emmett brings the soothing, glacial chill-out moments blending mega deluxe drones with market place percussion and ultra slim, glitchy rhythms. it's like your brain is stuck in a rainbow. taste the rainbow."

- Artist/Title: Family Underground - Salt of the Sun
- 6
- Format: CD
- Label: Ikuisuus (Finland)
- Price: $15
- Catalog ID: CarbonDist_IKU_FamilyUndergroundCD
"New minimal full-length album from Family Underground that abandons the drug-hit-sally-inside feel of early Velvets jags for the sound of the last gasp of Lou Reed's long-suffering amp in the final seconds of 'Black Angel's Death Song' extended to oblivion. Comes in a fold-out four panel digipak." - Volcanic Tongue
"An oozing sprawl of malevolent drone and thick buzzing electricity from Denmark's Family Underground." - Boa Melody Bar

- Artist/Title: Far Out Fangtooth - Pure and Disinterested
- 12
- Format: LP
- Label: Siltbreeze
- Price: $15
- Catalog ID: CarbonDist_SB149
Existing in the musty shadows of the Philly scene, Far-Out Fangtooth have built a most unique foundation of sound, mixing early Cramps swamp / garage blackout, nascent Bauhaus post-punk / quasi-goth bleakness as well as an uncanny nod to the witchy, ethereal leather glam of first-generation Blue Öyster Cult. Their debut LP, Pure & Disinterested, follows a limited-edition 7-inch for local label Ian! Records. In recent months, Far-Out Fangtooth has seen live action on bills with the likes of Times New Viking, Circle Pit, Blank Dogs and R. Stevie Moore. The band intends to launch a full-scale US tour to coincide with the release of Pure & Disinterested, so keep your eyes (and ears) peeled. Limited to 500 copies; features free download card.

- Artist/Title: Fear Konstruktor - Mirror
- 8
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv018
Listening to Fear Konstruktor's Mirror can easily compare to the experience of staring at an iced over pond on a bright midwinter's day... blinding white light and cold, murky indecipherable depths infinitely repeated into dark black spots of nothing. Yet somehow, somewhere with all that cold there is the promising fleck of warmth lingering deep below the surface.
Pro printed, hand numbered edition of 50.

- Artist/Title: fervent - conjestion
- 6
- Format: CDR
- Label: more mars (Greece)
- Price: $10
- Catalog ID: CarbonDist_mm02
"fervent is a solo project by a.m., who lives in larissa (greece). This is his first release. Guitar, numb keyboards, ackward field recordings, silly talks and extensive editing comprise this almost 60 minute album of (that should be thought of according to his own words as) 'meta-emo'."

- Artist/Title: Fields of Gaffney / Pernath - split
- 4
- Format: 7inch
- Label: Morc
- Price: $6
- Catalog ID: CarbonDist_morc28
four new songs bringing the lofi-era back to life. Fields of gaffney is the new band of Eric gaffney, co-founder of sebadoh. though his releases over the past ten years have been very rare, he has lost nothing of his songwriting talents: these songs can easily stand the comparison with the songs he wrote for the critically acclaimed albums III and bubble and scrape. this is his first single since his contribution to sub pops singles club in 2000. Two new Pernath-hits as well. songs about mad cows and saying goodbye in spanish - for fans of swearing at motorists. a welcome follow-up to their split single with bingo trappers,wio and mongrellreplica louis vuitton handbags

- Artist/Title: Finkbeiner - lucky scorpion
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR11
Scarey outsider freak stays up for 48 hours straight and concocts a demented classic. Kinda sounds like John Fahey at the end of a week long Alcohol and prescription pill binge. This record is not recommended for small children or anyone recovering from acute psychosis.

- Artist/Title: Finkbeiner - the challenge
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR16
Completely damaged outsider strum and wank. Seriously overamped, distorted and making no apologies. If every young aspiring guitar player had to listen to this record instead of overdone crap like Joe Satriani, the world would truly be a better place. Finkbeiner‘s guitar abuse is in the similar realm as Rudolph Gray, Alan Licht and Kenji Hano. All of those guys should be on the cover of Guitar Player Magazine. And in a perfect world they would be. Also, all beer would be free. "Can you face the Challenge?"

- Artist/Title: Finkbeiner - washed up
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR19
Deconstructed instrumental pop songs and expansive higher key head benders. "You‘ve got yr chocolate in my ratweed!" this is the first finkbeiner recording of non-solo material. here, he‘s joined by c.dugan on bells, and also backed up by his bandmates charles and jona on a couple of the songs.

- Artist/Title: Fistula - Goat
- 6
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR84
"Ohio is rotting. Fistula once again team up with Crucial Blast to deliver another heavy dose of their septic, filthy, lumbering death-sludge in the form of Goat, a five-song Ep of low-fi and low-end nihilistic filth and rabies-laced caveman thrash with songs based on the ghoulish discovery and subsequent investigation of the eleven decomposing bodies found in the Cleveland home of Anthony Sowell in the Autumn of 2009. This new disc delivers more of the pulverizing, slime-covered sludge and primitive death metal rot that these Buckeye barbarians have been carving out in the back of Medina garages over the past ten years, continuing to follow in the coagulated blood tracks of Frost, Autopsy and Winter, but filtered through Fistula's uniquely mangled and inebriated scum-haze and utterly negatory worldview. "

- Artist/Title: flea apparitions and lame prey - split
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $5
- Catalog ID: CarbonDist_dosethirtysix
"this is the first in a small doses split personality series. lame prey and flea apparitions are both products of the same mind, that of lorne zeman. lame prey starts the disc off with a long piece that mixes up huge, harsh sounds that tend towards power electronics with feedback laced calms in the storm. the flea apparitions portion takes a similarly harsh but more relentless approach built from tape loops. edition of 66 copies."

- Artist/Title: fluf - Mangravy
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1918
- (This is a USED item)
Headhunter Records release

- Artist/Title: Flycatcher - Pee single
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CabonUSED_FLYCATCHER
- (This is a USED item)
on Chunk Records - 1995 replica rolex

- Artist/Title: Flywheel - s/t
- 4
- Format: 7inch
- Label: Carbon Records
- Price: $3
- Catalog ID: CR02
Flywheel is a catchy 3-piece pop band. The band consists of 2 girls on guitar and drums, and an ever-changing male lineup on bass.

- Artist/Title: Foot and Mouth Disease - Evila
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv029

- Artist/Title: Foot and Mouth Disease - Shiva Knows
- 4
- Format: CDR
- Label: Cornsilk
- Price: $8
- Catalog ID: CarbonDist_CORNSILK010
another self-release by the ever prolific, Rochester legend, Larry J Patti. minimal synth and noise guitar pieces, dark transmissions from somewhere.

- Artist/Title: Foot and Mouth Disease - Restop
- 4
- Format: CDR
- Label: Cornsilk
- Price: $8
- Catalog ID: CarbonDist_CORNSILK011
another self-release by the ever prolific, Rochester legend, Larry J Patti. (sometimes-broken-up) synth noise, sampling and drones.

- Artist/Title: Foot and Mouth Disease - Conservative Puke '77
- 4
- Format: CDR
- Label: Cornsilk
- Price: $8
- Catalog ID: CarbonDist_CORNSILK009
Foot and Mouth Disease is back, this time with an increasingly omninous sound. heavy noisy synth and effectedness.

- Artist/Title: Foot and Mouth Disease - Not So Real...
- 4
- Format: CDR
- Label: Cornsilk
- Price: $8
- Catalog ID: CarbonDist_CORNSILK008
sample/damage/drone/noise solo project from Rochester native and no.1 noise-fan Larry J. Patti.

- Artist/Title: Foot and Mouth Disease - Clear III
- 4
- Format: CDR
- Label: Cornsilk
- Price: $6
- Catalog ID: CarbonDist_CORNSILK007
sample/damage/drone/noise solo project from Rochester native and no.1 noise-fan Larry J. Patti.

- Artist/Title: Foot and Mouth Disease - Two Sicilies
- 4
- Format: 2CDR
- Label: Cornsilk
- Price: $10
- Catalog ID: CarbonDist_CORNSILK06

- Artist/Title: Foot and Mouth Disease - don't kill animals - urban noise
- 4
- Format: CDR
- Label: Cornsilk
- Price: $6
- Catalog ID: CarbonDist_CORNSILK005
another release from F+M (Larry Patti). recycled cdr covers, HARDCORE DEMO SCENE IS NOT DEAD!!

- Artist/Title: Foot and Mouth Disease - ...but what ends when the symbols become schtick?
- 4
- Format: CDR
- Label: Cornsilk
- Price: $8
- Catalog ID: CarbonDist_CORNSILK002

- Artist/Title: Foot and Mouth Disease - santa muerte
- 4
- Format: CDR
- Label: Cornsilk
- Price: $8
- Catalog ID: CarbonDist_CORNSILK004

- Artist/Title: Formatt - extended
- 4
- Format: 3inch CD
- Label: ROBORECORDS
- Price: $8
- Catalog ID: CarbonDist_ROBO004
The very matter of sonic microscopy, pulling found sounds out of context to fully explore and adjust their hidden characteristics, never exposing light on their unpresuming origin, has become the driving vessel for investigating the extrems of auditory perception. His sound never stays silent till the last, yet squeamishly evoking timorous phrases that gradually coalesce around the subtle treasures of the soil. Fractured breathy analog injections, titled from a scarcely asserted sonic palette, are decidedly adjustable, hovering forward yet peeling their modulated delays fully into the arctic backbone of resonating hollowness. Providing a few flirtations with fuzzy pulses and fluctuating watery plops, the frictional rhythmic resistance that comes drifting onto the surface is suspiciously dark in its corners of scooped out complexity. As if the stark subtlety and finesse has fallen into the clutches of a hypnotic state of mind, mysteriously paying homage to imminent dub techniques, that fight like Kilkenny cats over evaporated sinewaves. Formatts work tends to emphaze a schizophrenic structure, infusing the sound-clusters with highly deliberate analog patterns hence any potential sound grown to the surface gets seemingly restructured into the core of its faceless vessel.

- Artist/Title: Fossils From the Sun - BLOOD 08
- 8
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv019
Blood 08 is a series of four dark, throbbing postindustrial hymns from Ray Hare's (Century Plants, Burnt Hills) ongoing solo investigations in sound and voice, Fossils from the Sun. The title track is a focused and evocative 19 minute meditation comprised of low register pulses accompanied by subtle feedback and Hare's mumbled and stuttered vocal incantations. The flip side contains three divergent studies that work off aspects of the main theme to create compelling sonic investigations of their own.
Pro printed, hand numbered edition of 100.

- Artist/Title: Fossils From the Sun - Somebody's Gotta Lose
- 6
- Format: 3inch CDR
- Label: Abandon Ship (USA)
- Price: $5
- Catalog ID: CarbonDist_ASR040
"The latest release from Ray Hare's (Century Plants, Burnt Hills) Fossils From the Sun is a 19 minute sonic geography where fuzzed guitar propulsion buckles into static beats and shaken vox damage. Think Omit's desolation, Spacemen 3's nod and Alan Vega's terrorism. Refract that through the brutality of Century Plants Bloodrise and Somebody's Gotta Lose appears on the horizon a dub of the sun"

- Artist/Title: Fossils From the Sun - From Another Sun
- 6
- Format: CDR
- Label: Tape Drift (USA)
- Price: $8
- Catalog ID: CarbonDist_TD06
"Monster solo debut from Ray Hare of Century Plants and Burnt Hills. Ranging from meditative guitar mantras to blissed out noise to hazy melodic riffage, and covering most of the points in between, this release has fast become a favorite here at Tape Drift headquarters. A very tight and driven set, this has the conceptual purity that only a debut can have, as it represents years and years of preparation and inspiration. Get on the train early - there's much more to come and you won't want to have missed out on the beginnings. Edition of 50."

- Artist/Title: Found Magazine - issue #3
- 12
- Format: ZINE
- Label: Found Magazine (USA)
- Price: $5
- Catalog ID: CarbonDist_Found_03
"(March 2004, 96 pages) Kick His Heart's Ass - The Love And Heartbreak Issue! "For Sale. Set of his & hers gold wedding bands. (Never used) $50.00." The best, most heart-wrenching finds yet, coupled with interviews with The Trachtenburg Family Slideshow Players and Popcorn Pete- The World's Greatest Finder."

- Artist/Title: Four Fifty Six - 1, 2 and 3
- 4
- Format: 7inch
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_FOURFIFTYSIX
- (This is a USED item)
on ActionBoy 300 (Chicago)

- Artist/Title: fourier - remixes
- 4
- Format: CDR
- Label: sijis
- Price: $8
- Catalog ID: CarbonDist_sijisep05
"we apologise for the lack of commercial sucess inherent in above releases. as a means of compensation here are some free pop remixes. help yourself."

- Artist/Title: Friction - hours of operation - discography 1991-1994
- 4
- Format: 2CD
- Label: Polyvinyl
- Price: $8
- Catalog ID: CarbonUsed_132
- (This is a USED item)

- Artist/Title: Further (AUS) - the crow read
- 4
- Format: CD
- Label: Comrade
- Price: $5
- Catalog ID: CarbonUsed_12
- (This is a USED item)

- Artist/Title: Further (AUS) - infinite space
- 4
- Format: CDEP
- Label: Comrade
- Price: $5
- Catalog ID: CarbonUsed_9
- (This is a USED item)

- Artist/Title: Future Guru - funeral for bucky
- 4
- Format: 3inch CDR
- Label: sound-o-mat
- Price: $8
- Catalog ID: CarbonDist_SEANCE03
5min piece on rectangular CDR in a cellophane-wrapped and decorated paper box {edition of 50]. the cdr is the ouija board, comes with literature on using the baord, etc. amazing packaging! part of the Music for Seances series (http://austere.org/oracle/seances.shtml)

- Artist/Title: G3 - s/t
- 4
- Format: 3inch CDR
- Label: White Flag (USA)
- Price: $6
- Catalog ID: CarbonDist_whiteflag04
featuring Tim Albro and Jesse Kudler from HZL, and joined by Ben Stanko. each playing various forms of guitar, electric, acoustic and harmonics, respectively. and each also using other devices such as rebab, contact microphone, synthesizer and electronics.

- Artist/Title: Gang Wizard - 4515 Thesis: A Series Of Split Pots - 2007 Tour CDr
- 6
- Format: CDR
- Label: tanzprocesz (France)
- Price: $10
- Catalog ID: CarbonDist_ tzpCD19
"GW in europe in february 2007 !!! teddy bear noise, blast rock, invocations."

- Artist/Title: Gays in the Military - People is Beautiful
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_GAYSIN_MILITARY
- (This is a USED item)
Gulcher release from 2005

- Artist/Title: Gays in the Military - People is Beautiful
- 4
- Format: CD
- Label: gulcher
- Price: $12
- Catalog ID: CarbonDist_Gulcher602
"Cover art by Peter Bagge! 1. Firepigs: A Tribute To America's Heroes 2. Hips Or Lips? 3. Evil Physician/Evil Position 4. Tiger Cage 5. AIDS Team (The Dirty Version) 6. Beverly Hills Cock Part Two 7. A Message"

- Artist/Title: Gaze - 2
- 6
- Format: CASS
- Label: Zum (USA)
- Price: $5
- Catalog ID: CarbonDist_ZUM_TTT015
"Electronic collaboration from Collin McKelvey (Orbless, Slaughtering Dolphins, Liminal Planes), Ned Meiners (Eat Skull, Hospitals), Corey Hucks Two side long tracks of synth and drum machine abuse. Side A recorded under the guidance of LSD. C18 Edition of 100 "

- Artist/Title: Geisha - Die Verbrechen Der Liebe
- 8
- Format: CD
- Label: Crucial Blast
- Price: $11
- Catalog ID: CarbonDist_CBR68
"This hour-long, six track monolith follows Geisha into a psychedelic black storm, their blown-out and raw rock infused with a bone-rattling recording and covered in a thick sheen of white noise and gritty distortion. As with their previous album, the spirit of seminal noise rock / sludge rock (think Cherubs, Melvins, My Bloody Valentine's Isn't Anything for coordinates) is combined with violent, chaotic NOISE and tainted with blurred VHS cassette visions and vague allusions to BDSM, and then jammed through an orgone accumulator, forming a ferocious, crushing rock beast that reveals it's powerful hooks and melodies underneath the churning distorted bass rumble and sludgemetal riffage , blasts of psychedelic drone-noise and corrosive skree, percussive pummel, and deranged singing. The sound is immense, and the first five tracks on Die Verbrechen Der Liebe deliver Geisha's in-the-red heaviness and hooks in surplus. "Prelude To Amber Pays The Rent", "A Wilderness, Except By Sight", "Sportsfister" - every one is a crusher. But then Geisha pull out the monstrous thirty-minute, thirty-five second closer "Theme From Diana", and the tone changes completely. This track is a re-working of a "metal percussion" set that Geisha originally performed live several years ago, and it begins as a slowly building fog of voices and effects and shimmering metal that blooms into an expanse of droning, fx-heavy guitar, looping samples, cosmic effects, and improvised percussion. It's a kind of rumbling industrial dronescape that stretches out forever, until suddenly in the last few minutes the drifting drones and psychedelic guitars and sampled voices suddenly explode in an immolating nuclear blast of overdriven, speaker-annhilating noise and the track immediately, terrifyingly changes shape into a monstrous lumbering noise-metal dirge that bulldozes out of your speakers, whooshing Hawkwind effects swooping overhead, the band knotted together into a white-hot blast of ultra heavy riffage, distortion, and a wall of percussive force. "Diana" is one of the most crushing pieces of music that I have ever heard from Geisha, like some majestic and brutal conglom of Swans, Skullflower, Merzbow, and Burmese forged into a destructive space-metal supernova. Crucial Blast is releasing the CD version of Die Verbrechen Der Liebe in a limited edition of 1,000 copies, packaged in a full-color gatefold jacket. "

- Artist/Title: Geisha - Mondo Dell'Orrore
- 4
- Format: CD
- Label: Crucial Blast
- Price: $12
- Catalog ID: CarbonDist_CBR52
"Devouring/rebirthing the concept of "noise rock" into something frighteningly beautiful and brutally heavy, GEISHA deliver crushing blasts of impossibly hyperdistorted rock baked in massive frequency overload and massive hooks and melodies and sinister crushing riffs, all of it slathered in filthy throbbing feedback and white noise horror holocaust, like the early 90's alt rock of Isn't Anything-era MY BLOODY VALENTINE and DINOSAUR JR. mashed together with the most brutal sort of Unsane/Am Rep style racket and distortion-drenched psych/noise into a sludgy metallic mass, jamming with a small army of pedal-smashing harsh electronics troglodytes playing awesomely catchy/crushing pop songs buried beneath a hellish storm of skree and amp-blowing fuzz. Terrifying. Beautiful. Licensed for North America by Crucial Blast."

- Artist/Title: Gentle Jones - Let's Be Friends
- 16
- Format: LP
- Label: Little Mafia (USA)
- Price: $12
- Catalog ID: CarbonDist_ LM093
"Gentle Jones sits comfortably atop the Mason-Dixon line in his home state of Delaware, performing frequently as a Hip-Hop MC and DJ, though he's done stints as the front man for a Ska band and a Punk band as well, winning local awards and international acclaim. His newest album "Let's Be Friends" is a playful conglomerate of live musicians and studio wizardry which showcases Jones breathtaking vocal range, moving easily from singing, to screaming, to intricate rhyming cadences.
Honing his craft on stages from California to Ireland, Gentle Jones has delighted concertgoers beside music legends The Wailers, Murs, Condemned 84, Murphy's Law, The Pietasters, Cappadonna, Trombone Shorty, Brother Ali, The Slackers, and Bad Luck 13. This newest album is the first record to capture the many facets of this phenomenal songwriter with working class roots and space age chops."

- Artist/Title: George Cartwright and Davu Seru - Rag
- 12
- Format: LP
- Label: roaratorio
- Price: $19
- Catalog ID: CarbonDist_ROAR19
"Rag captures the best from a series of freely improvised meetings between saxophonist George Cartwright and percussionist Davu Seru, recorded at various Minneapolis venues over the course of 2009. Cartwright longtime leader of Curlew, and owner of a musical c.v. which includes Ornette Coleman, Half Japanese, Alex Chilton and Loren Mazzacane can be restlessly melodic or jaggedly guttural on the reeds, although his bedrock lyricism is never far from the surface. Serus playing is a trompe loreille marriage of forward motion and suspended stasis; over the past decade, hes performed with Milo Fine, Paul Metzger and Evan Parker, among others. From the anthemic opening of Titus to the miniature coda of I Think Eudora Knows, Rag is a lively dialogue between two masters of their craft. Released in an edition of 300 copies on colored vinyl, each with a unique cover print by Anne Elias and a digital download coupon."

- Artist/Title: Gert-Jan Prins & Anla Courtis - <+>
- 16
- Format: LP
- Label: Little Mafia (USA)
- Price: $12
- Catalog ID: CarbonDist_ LM095
Collaboration between Argentinian experimental musician Courtis (of Reynols) and sound artist Prins of the Netherlands.
"Born 1961 in Ijmuiden, the Netherlands, Gert-Jan Prins has been known for twenty years as one of the most challenging sound artists in the Netherlands and established himself as one of the central electronic performers in improvised music. His unique self-developed live-electronics make use of radio and transmitter technology, and create sounds with great physical energy. Prins focuses on percussive and environmental noise creating a music that's characterized by pure rawness in volume and sound, but also utilizing subtlety in color through specific use of scraping, rasping and other noise sounds. "
"Argentinian experimental musician, born in Buenos Aires, Argentina (February 22, 1972). Co-founded the band Reynols in 1993."

- Artist/Title: Giant Claw / The Cats' Orchestra - split
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_014
"Paired here on our first split release is Russias The Cats Orchetsra with Ohios Giant Claw. Each of these artists have had some significant releases this past year and this one works to solidify them each with the highe echelons of experimental analog composition.
Giant Claws Righteous -Injustice- HellEarth is a vlissed out suite of warbling tapes and swooping phases colliding with wild oscillations that ecolve into a Riley-esque dervish. On the flip, The Cats Orchestras Tail Tale invokes the spirits through a séance for organ and ghost percussion; a welcome meditative calm following the hyperactivity of the former.
Hand numbered limited edition of 100, pro printed on heavy card stock."

- Artist/Title: Giantschair - Purity and Control
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_GIANTS_CHAIR
- (This is a USED item)
braille embossed cover. on Caulfield Records (Lincoln NE)

- Artist/Title: glimr - south dakota logic mechanism
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_glimr
- (This is a USED item)

- Artist/Title: Gnaw Their Tongues - All The Dread Magnificence Of Perversity
- 8
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR78
"Picking up where 2008's An Epiphanic Vomiting Of Blood left off, Gnaw Their Tongues is back with nine new tracks of fearsome blackened orchestral chaos and abstract horror that still sounds like little else out there. On Dread, we're feeling an even heavier bass-assault compared to the other releases, and this is easily the heaviest Gnaw Their Tongues release yet. This monstrous, noxious bottom-end roar that skulks and slithers throughout the album suggests a foul fusion of Abruptum (which is still the closest reference point to Gnaw Their Tongue's black chaos) and Leonard Rosenman's most nightmarish film scores, piled in towering heaps of sadistic noise, warped orchestral strings, degraded samples, shrieking voices, and punishing lurching doom draped in suffocating atrmosphere. Hyper-abstract black metal sound-collage? Wagnerian avant-doom psychosis? That's one way of putting it, but Gnaw Their Tongues is ultimately impossible to pin down, defying simple categorization as this album plunges even deeper into a black pit of total cinematic horror, sexual perversion, and shapeless heaviosity. Once again, we've presented the cd version of this album in a deluxe heavyweight tip-on gatefold sleeve manufactured by Stoughton, exactly the same as the sort that we used for the cd release of An Epiphanic Vomiting Of Blood, and the package includes a six-panel full color booklet. Both the booklet and the gatefold features new artwork from Gnaw Their Tongues mastermind Mories, whose artwork continues to get more insane with each new release. Their are images of depravity, masochism, and sadistic enslavement captured here that we're betting are still haunting the poor saps who assembled these at the plant. And again, the song titles evoke total nightmare visions: "My Orifices Await Ravaging", "Broken Fingers Point Upwards In Vain", "The Stench Of Dead Horses On My Breath And The Vile Of Existence In My Hands", "Gazing At Me Through Tears Of Urine", "Rife With Deep Teeth Marks", and the whopping "The Gnostic Ritual Consumption Of Semen As Embodiment Of Wounds Teared In The Soul". The album opens with a sudden blast of pounding tympani-like percussion and roaring distorted bass, a massive blackened dirge wading through a swirling storm of metal smashing against metal, howls of anguish and terror, bursts of majectic brass fanfare and distortion and epic string sections struggling to emerge from the chaos, then turning into a sea of tense strings and choral voices spreading out towards the end that creates a less noisy but still totally evil atmopshere before becoming devoured at last by the bulldozing black industrial doom. Then it's on to "Verbrannt und verflucht", a mechanical black dirge filled with darkly beautiful orchestral strings and stumbling chaotic drumming, weaving back and forth between a crushing lopsided industrial groove and bombastic riffage that's shot through with brief sections of shimmering ambient drift and echoing chimes and harsh whispered vocals. The next track opens with an immense deep bassline, like the shuddering tones of a massive bowed cello rumbling through an underground cave system, then launches into another stumbling industrial groove, like a broken Godflesh track draped in harrowing Bernard Herrmann strings, dissonant riffage and some of the albums most overt black metal style vocals, a seriously pissed-off ripped-throat shriek soaring over the sludge. Halfway through, the song turns into a a gripping cinemtatic dirge, just heavy drums and looped strings and ominous bassline spreading out over several minutes, then sinking back into a morass of charred distorted drone, cello and weeping female vocals towards the end. "Stench" juxtaposes a reading of a poem from Gustave Flaubert over monstrous slow-motion doom, and " LAnge qui annonce la fin du temps" reveals a seething mass of murderous whispers and demonic black ambience, deep pounding kettledrums echoing through the pit, dissonant piano and Lustmordian darkness swirling with swarms of atonal strings and hovering drones. A heavy rhythmic orchestral loops opens "Gazing" and leads this track into one of the album's most "grooving" moments, a massive winding doom riff working its way across pitch-black film-score strings and later joined by scathing blackened vocals. "Rife" starts off with a full minute of granular black noise before dropping in to a chaotic lurching off-time riff and a churning maelstrom of distorted electronics and looped orchestral stabs, but evolves into dreamy dark ambience laced with piano and hushed female vocals in it's second half, then exploding into a monstrous speaker-shredding bass-heavy drone at the end. And then as if things couldn't get any more terrifying and nightmarish, the title track appears, opening with a distant female voice screaming for help (a sample I recognize but can't place off of the top of my head), her frantic screams repeating over and over and over as the vicious black doom riffage and industrial percussion pours forth, massive blasts of brass fanfares and dense strings piled on top, the sound absolutely suffocating. But then four minutes in, the doomy heaviness and strings drop out suddenly and we're left with minimal fluttering drones and slow dissonant chords being smashed out of a piano for a minute, a brief moment of almost-calm, and then the drums begin to pound and the orchestral sounds and distorted riffage crashes back in with an epic final hook that's one of the most majestic moments on the album, almost sounding like My Dying Bride but drowned in noise and filthy buzzing bass and psychotic strings. Finally, "Gnostic Ritual" closes the album with a simple two-chord bass riff over pounding, heavily echoing drums, a blackened dubby doomscape filled with super distorted shrieks and harsh noisy ambience, slow and crushing and utterly depressing, and as the track continues the stripped down industrial dirge is slowly joined by waves of rumbling orchestral percussion, distant warning sirens, murky strings and suspended high pitched drones that builds in intensity until finally fading out on a smoking trail of crackling feedback and distorted bass."

- Artist/Title: GOD - Anti-Sex Anti-Wiretapping (made in Taiwan)
- 4
- Format: CD
- Label: Little Enjoyer (USA)
- Price: $8
- Catalog ID: CarbonDist_le02
"Mysterious Portland, OR duo. This here is heavy. Cables coming apart and shit." - The SNSE

- Artist/Title: Goh Lee Kwang and Tim Blechmann - DRONE
- 4
- Format: CD
- Label: Herbal Records (Germany)
- Price: $10
- Catalog ID: CarbonDist_HERBAL_drone
Goh Lee Kwang: prepared mixier and Tim Blechmann: laptop

- Artist/Title: Golden - super golden original movement
- 4
- Format: CD
- Label: Slowdime
- Price: $8
- Catalog ID: CarbonUsed_121
- (This is a USED item)

- Artist/Title: Gorilla - Deal With It
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1973
- (This is a USED item)
1993 Thrill Jockey release

- Artist/Title: Gorilla - meconium, the squid row daze
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1921
- (This is a USED item)
1993 Bag of Hammers release - compiles previous singles

- Artist/Title: Grand Ulena - gateway to dignity
- 4
- Format: CD
- Label: Family Vineyard
- Price: $12
- Catalog ID: CarbonDist_fv18
Debut of the St. Louis instrumental trio of bassist Darin Gray (also of On Fillmore, ex-Dazzling Killmen, Brise Glace) guitarist Chris Trull (Darling Little Jackhammer) and drummer Danny McClain (Johnny Angel, Arrmy of Robots). This is disjunct rhythms played at high velocity. Disjunct beats played under broken and jagged melodies. Repetition of the retarded. Complex structures combined with complete and utter failure. Failed soloing combined with rigid riffery. Extended instrumental techniques forged into song. Polyrhythmic, Polyphonic -- Damn Jim!, Poly-EVERYTHING! The success AND the failure of rock.

- Artist/Title: Greg Palast - Weapon on Mass Instruction (LIVE)
- 4
- Format: CD
- Label: AK Press (USA)
- Price: $13
- Catalog ID: CarbonDist_AKA039CD
64 minutes of what the muckraking journalist does best, live and uncensored. From the 2000 elections to the Best Democracy Money Can Buy, the Bush Family Frankenstein Factory, to Fatherland Security and the FBI, Palast lays it all out with wit,and verve. And yup, its an enhanced CD with some extra video footage goodies too!

- Artist/Title: Half Ice Half Wasted - MUDBOY BEATS (SERIES II)
- 6
- Format: CDR
- Label: Mudboy (USA)
- Price: $7
- Catalog ID: CarbonDist_mudboy_halfice
"Someone had the retarded Idea of attaching the inputs and outputs of the nations finest DJ of Freakcore smashedup with the stylings of mudboy Beats. As DJ Jassy Jesssss turns the twist hop up up up mudboy hotwires his openfaced drum machine live. A finely compiled collection from many hours of recording. 100% HITS! We promise to meet you in the future with this one."

- Artist/Title: Half Makshift - final
- 6
- Format: CDR
- Label: small doses (USA)
- Price: $8
- Catalog ID: CarbonDist_dosesix
"This new disc from Half Makeshift/Nathan Michael will serve as a bridge of sorts between his new release of 20BuckSpin and the new material he is working on for an upcoming release. Finalâs deconstructed guitar and dark piano melodies provide the soundtrack to the quiet after the storm. Numbered edition of 151 split between two versions featuring different paper stocks and front cover images."

- Artist/Title: Happy Mother‘s Day, I Can‘t Read - s/t (ocean scene cover)
- 4
- Format: CD
- Label: freedom from
- Price: $8
- Catalog ID: CarbonDist_HMDICR001

- Artist/Title: Happy Mother‘s Day, I Can‘t Read - s/t
- 4
- Format: CD
- Label: freedom from
- Price: $8
- Catalog ID: CarbonDist_ff251

- Artist/Title: Harold Barclay - The State
- 4
- Format: BOOK
- Label: Freedom Press
- Price: $10
- Catalog ID: CarbonDist_ISBN-1-904491-00-6
The state is neither an inevitable, nor natural, phenomenon, but the creation of despots. Its history is a history of power, wealth and tyranny. The immortality of the state is the greatest myth of our society. Anthropologist Harold Barclay explains how a powerful elite has hijacked control of society. Through control of agriculture, warfare, trade, labor and other resources the state has seized complete power. Do we really need the state or should we organise society ourselves?

- Artist/Title: Hassu Pelle - s/t
- 6
- Format: CDR
- Label: Ikuisuus (Finland)
- Price: $6
- Catalog ID: CarbonDist_IKU_HassuPelle
Hassu Pelle (Funny Clown) from Tampere, Finland was active only a couple of years at the first part of 2000s. This hilarious quintet was formed by Pelle Eloton, Pelle Svanslös, Ulkomaan Pelle, Pelle Jätkä, and Apupelle who was involved with the recording session. Hassu Pelles self-titled first and only record was originally released by the band members themselves with the edition of approximately only 30 copies.
Hassu Pelle played some mind-boggling live shows for the handful of people mostly just in their home town. These small audiences were witness to the surprisingly fresh and thrilling musical happiness. First impression might be that Hassu Pelles music is just foolery, but hidden underneath the seeming simplicity these compositions carry true brilliance.
Eight catchy tracks were recorded at those mighty days when Hassu Pelle was dancing at the peak of their strength. At the recording session they used the simple one-take-style without overdubs. The result is extremely playful, yet confident, jagged with the taste of life.
Hassu Pelle played beautifully bittersweet, yet at the same time hysterically merry music, which could be described in this context as "circus music". Even the most hardened humourless person will get a smile on the face while listening to Hassu Pelle. There's no other ensemble which has reached such enchanting carnivalistic atmospheres like Hassu Pelle. This cultural achievement from Ikuisuus label saves these sounds of delight from the oblivion. Step into the circus, you won't regret!

- Artist/Title: Hatred / Demons - split
- 16
- Format: LP
- Label: Troubleman Unlimited (USA)
- Price: $15
- Catalog ID: CarbonDist_TMU201
"Reissue of the first signs of life from Demons and a particularly brutal Hatred. Recorded Fall 2005 in the old Wolf Studios. Thanks Simonetti! "

- Artist/Title: Haunted House - Blue Ghost Blues
- 12
- Format: LP
- Label: Northern Spy (USA)
- Price: $16
- Catalog ID: CarbonDist_NS012
"The blues has grown up a lot in the last ten years, since guitarist Andrew Burnes left New York for Georgia, bringing a de facto end to the powerful abstract blues of Haunted House. In the time since, a new generation sometimes referred to as Freak Folk or New Weird America and spearheaded by Tom Carter*, Jack Rose and Ben Chasny has followed in the footsteps of Loren Connors, John Fahey and a handful of others who have long maintained that the blues is something more than 12 bars and a backbeat.
After the demise of Haunted House, Connors continued preaching the gospel, often with his wife the enigmatic singer Suzanne Langille to anyone who would listen, playing a slow, distorted, reverb-drenched blues as slowly the world began to come around. Then, in the summer of 2010, the stars aligned just so: Burnes was in town for a few days, percussionist Neel Murgai was available, and the Brooklyns Issue Project Room was booking matinee concerts in their courtyard. The band had only existed for a brief two years and had been absent for a decade, but they picked up right where they left off with only a brief soundcheck as rehearsal. Another matter of months, and they were in the studio, recording at long last the follow-up to their 1999 Erstwhile release Up in Flames.
Looking back, maybe it isnt that the blues has grown up. Maybe it has reverted to its youth. After all, John Lee Hooker, Son House and Mississippi Fred McDowell werent beholden to any 12-bar fixity. Nor was Lonnie Johnson, whose song Haunted House gave the band its name. They all played it how they felt it. It wasnt until the 1960s and the British blues revival (its champion, ironically perhaps, being Connors beloved Eric Clapton) that the blues was codified into its current formula.
Haunted House is an unusual band. With Indian hand percussion and no bass, they dont look like a blues band and maybe theyre not. But they play it how they feel it. What more could you ask for?"

- Artist/Title: Heads of Pagans - Under the Tall and Darkened Arches
- 4
- Format: 3inch CDR
- Label: Ruralfaune (France)
- Price: $7
- Catalog ID: CarbonDist_rural_sab002
"Under the darkened arches the two ghosts of the damned stag preach. Playing a repetitive bleak suite, they bring us to the final punishment with a hidden depressive voice and crowleyfic guitarscapes. Magickal pain" limited to 66

- Artist/Title: Heathen Prayers - songs of moments
- 6
- Format: CDR
- Label: h-p imprint (Netherlands)
- Price: $10
- Catalog ID: CarbonDist_ hpcdr008
"most of the lyrics are poetry oriĂŤnted, decribing a single moment or social subject. references are made to environment and the lyrics often can be interpreted in different ways. the foundation of the music consists of slow structered rhythmic guitar and percussion, mostly folk derived, as we explore and make accessible odd bars. the whole is accompanied by improvised guitar that tends to disrupt the linear nature of the songs, as well as it adds depth. this was the initial setting for heathen prayers before we really started to explore improvised music. the tapes on which songs of moments were recorded therefore have been on the shelves for quite a while, but we will continue working in this setting and hopefully release a disc with songs once a year or so." [hand numbered disc in handmade plastic and paper sleeve, and insert sleeve with text and art]

- Artist/Title: Heathen Prayers - behind the patterns
- 6
- Format: CDR
- Label: h-p imprint (Netherlands)
- Price: $12
- Catalog ID: CarbonDist_hpr007
heathen prayers; bart jacobs & sander wildeboer - "dialogue between freely improvised persussion and guitar feedback playing. bart and i hadn't played together for longer than half a year but when we met again, it appeared that we share the same mind set about improvised playing. everthing we thought about and studied independently just fell in place during the sessions for this recording. i feel behind the patterns forms a strong foundation for our future playing. it is who we are right now." [ltd to 90 (available) - hand numbered disc in mailer envelope with picture on front and text on back]

- Artist/Title: Heathen Prayers - acoustics portrayed
- 4
- Format: 3inch CDR
- Label: h-p imprint (Netherlands)
- Price: $10
- Catalog ID: CarbonDist_hpr006
"heathen prayers; sander wildeboer with laurens karsten h-p imprint, hpcdr006, ltd to 48 (available) hand numbered cdr in paper sleeve with text attached to the back of one unique piece of a painting. tracks: a magnificent whole (4'44) / falling into pieces (3'28) / scattered all over (3'23) / impossible to retrieve (5'17). ---- first laurens made an improvised painting to recordings of acoustic guitar improvisations by sander. then the painting was divided into 48 pieces and the concept of the division of it, was then again musically improvised to using acoustic guitar, several wind instruments and other stuff laying around. the concept of this ep may be interpreted as the course of a social matter."

- Artist/Title: Hering und seine sieben Sachen - Nautical Twilight
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $8
- Catalog ID: CarbonDist_caesura_001
"Hering und seine sieben Sachen is the kosmische solo vehicle of one Daniel Voigt (Autistic Argonauts, Pawned Pajamas, Horzes, Phantom Limbo). Nautical Twilight is comprised of five compositions that submerge the listener deep under a gauzy surface of rippling bass frequencies and shimmering pulses that float their way to the ear as if transmitted from thousands of miles away from the dark recesses of the ocean.
Recorded in July 2010.
Hand numbered edition of 100."

- Artist/Title: High Castle - You're On Your Own Way
- 10
- Format: LP
- Label: Zum (USA)
- Price: $9
- Catalog ID: CarbonDist_ZUM026
[1 SIDED EP]
Hailing from different corners of the noisier spectrum of Southern California bands (Child Pornography, Duchesses, Woman's Worth, Work, Hips, and Saboteurs), we signed them not on the strength of their pedigrees but on the bona fides of a suckerpunch live delivery and one self-released CDR. High Castle is your older brothers' favorite band, assuming he grew up on a steady diet of '90s underground rock. They produce a viscous byproduct of the jams you grew up on dragged through a record collection's worth of sludge and muck. Once you decide to bring it, that's kinda the only way to go. The "You're on Your Own Way" EP is the debut record for High Castle, a culmination of songs road tested on summer 2008 US tour and written post New Years hallucinations. Songs about garbage strikes, astral projection, lonely security guards, hedonism, dropping out, meditation, injustice, misplaced hearts...and more. Seven short bursts of salvation, pressing of 500, mastered by Weasel Walter. Two color silkscreened covers by Paul Morgan (Club Sandwich, Business Lady)
"The new High Castle 12" EP is pretty brutal throughout, metal and HC tinged, but it still finds these weird little spazzy, jazzy grooves in spots. Maybe it's art rock? Whatever you want to call it, it's geting some turntable time, and with a song titled 'Are Fixed Gear Tricksters the New Rollerbladers?' I think you get an idea where they stand. It's on Zum Records, and I think it's the band's debut." -THRASHER

- Artist/Title: Hilkka - i can‘t hear my teevee! (early material)
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR67
a collection of very early recordings from Hilkka. includes some alternate recordings of previously released tracks, unreleased studio recordings, live tracks, as well as recordings from the very first rehearsal, and some collage re-works. a mix between math-rock and noise-textures. it‘s a mess! [packaged in a clear jewel case with a transparent tray card (liner notes), along with metal screen material in the tray.]

- Artist/Title: Hilkka - beautiful bare feet
- 4
- Format: 7inch
- Label: Carbon Records
- Price: $3
- Catalog ID: CR07
This is the third single by Hilkka, Rochester‘s answer to Chicago loud hard rock. This single shows the band‘s growth in song structures and catchy rhythms.

- Artist/Title: Hilkka - escalation/objective
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR23
What you‘ve got here is 14 tracks of post-Slint tuneage that‘s sure to get the backpack slinging crowds‘ glasses in a fog. With e/o, a perfect balance between monstrous crushing riffs and delicate pop hooks is achieved in a flawless manner. While Hilkka‘s patented claustrophobia inducing riffs are present in abundance on this release, the playing is a little looser and more open. This gives songs like "Sad Song‘s Say So Much" and "I Go Dental" room to breath and a way out of the over crowded ghetto called "Indie Rock Circa 2000". This release also establishes Hilkka as true craftsmen in the song writing field. You can tell these songs took time to compose. Face it kid, these three large men from Rochester New York show a range and depth both emotionally and cerebrally in their music that makes yr popular Midwest Emo of the month heros sound like the baggy pants wearing pussies that they really are.

- Artist/Title: Hilkka - the beautiful aesthetician
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR17
the first full length hilkka release since 1995. some math, some improv, some angles, some heaviness, some pop? "...off kilter, cyclical rhythms...electronics-laden groove or heading for headier pasture..."

- Artist/Title: Hilkka / Lift - in cooperation with gravity
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR03
Split release featuring short lived Rochester band Lift and Carbon Records stalwarts Hilkka. Can you really live without owning a CD that has songs with such great titles as Crackie, Bag of Dildoes, Cocksucker, 40lb. Bag of Shit and Blood Bath at the House of Death??? "Stop it!!! Your crushing me!!!!!!"
Add to CartSong Previews:
Lake of the Clouds
Hatchback
- Artist/Title: Hinkley - Heaven is High
- 8
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR190
This is the tenth release in the Carbon 15YR.Series. 14 tracks from Will Veeder and company. Hinkley is a departure from the usual Carbon improv/abstract/noise/etc releases, but if you're into song writing, and really great rock, sometimes country-ish, sometimes poppy, songs, then this is your bag. [packaged with pro-printed covers in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Hinkley - Elephant Roundup
- 6
- Format: CD
- Label: Carbon Records
- Price: $10
- Catalog ID: CR176
this is somewhat of a live record. recorded during a Dec 2007 show in Rochester NY. Hinkley then added some overdubs (more guitars, vocals, etc) and mixed and mastered it during the spring/summer of 2008 to arrive at this final product. Elephant Roundup is an incredibly strong representation of the "big band" form of Hinkley, complete with the usual guitars, bass, drums and vocals, but in addition, keyboards, misc percussion, violin, banjo, singing saw and baritone horn. the songs range from (alt) country to downer pop to full-on rock with a very strong emphasis, across the board, on song writing and meaningful (and usually story-telling) lyrics. [production CD housed in a heavy duty vinyl slip case with pro-printed full-color folded cover]

- Artist/Title: Hinkley - estate sale
- 6
- Format: CD
- Label: Carbon Records
- Price: $10
- Catalog ID: CR125
"In Spring of 2005 Hinkley started working on their latest CD, Estate Sale, with the help of Adam Lasus (Clap Your Hands and Say Yeah, Clem Snide, Yo La Tengo). Recorded in both Brooklyn and Rochester, the mixing and production duties of the record were split between Adam and Hinkley (Adam mixing half the record remote in Los Angeles and Hinkley mixing the other half in Rochester). Each mix was carefully constructed and well though out, in some cases changes to the arrangement or instrumentation occurred after all the tracks were recorded and mixing was well underway. This approach gives the record a unique feel.
Musically Estate Sale encompasses a wide variety of ideas weaving between country, 60's pop and indie-rock, while still grounded in the distinct sound that has given Hinkley its name." simply put, this is one of the best pop/rock records i've heard in quite some time, and hence, i was compelled to release this CD (joe).
Reviews (4):
Indie Pages
Other than the Goo Goo Dolls (ugh....ok, when they first started out they actually had a kinda cool Ramones sound but what the hell happened ???) Rochester, NY ain’t known for much (and if it is, will someone please tell me ). Then along comes Hinkley....named after either the guy who shot Ronald Reagan (or Jim Hinkley the goofball I went to high school with – I’m guessing the former). The band is led by main guy Will Veedder and ESTATE SALE is full of the kind of melodic Americana that most bands written about in the pages of NO DEPRESSION would kill for. The record starts off with the gentle acoustic of “Hanging Tree” then dives right into the more rockin’/ melodic “Casino” and the record goes back and forth mixing the quieter, gentler tunes with more driving pop tunes. I think my favorite cut is the amazing “Ballerina” with the bouncy piano , jangly guitars and out of nowhere comes this killer blasting trumpet ( some nice trumpet work will always sell daggerboy on a song). Go on and open your door for Hinkley, they might be the best company you’ve ever had. - Dagger
Miles of Music
Estate Sale coolly exposes a wide variety of musical styles, all or which flow gracefully amongst each other while still maintaining a sound to identify as a band called Hinkley. The Rochester, NY group is fronted by songwriter Will Veeder. This surprisingly sublime collection of songs was recorded with the help of Adam Lasus (Clem Snide, Yo La Tengo). Languid alt. country tunes, with traditional strains, fuse into a kind of highly melodic bruised pop that suggests an appreciation for The Beatles and The Beach Boys. Consider an indie-rock ethos, (ala The Shins and Built To Spill) coupled with an eclectic core of Americana, and its easy to hear how comparisons to Sparklehorse and Wilco might arise. -- Robinson - Robinson
Delusions of Adequacy
On their third release and second full-length, the Rochester musicians in Hinkley offer a brilliant album of perfectly produced, stylistically diverse pop music that is sure to find widespread appreciation if given the opportunity. If every city has its band of hard-working artists who cause locals to scratch their heads over why the band hasn’t reached worldwide acclaim, Hinkley is Rochester’s act. Almost an all-star cast of local talent – now with singer/songwriter Gregory Paul on guitar and backing vocals – Hinkley has proved with stellar live shows and the release of Estate Sale that there’s no justice in musical popularity.
Mixed in part by Adam Lasus (it-band Clap Your Hands Say Yeah, Yo La Tengo), Estate Sale shows the band’s penchant for diverse pop styles, adding melancholy country-tinged ballads to upbeat and insanely catchy pop songs. There’s hints of acts from Neutral Milk Hotel and Guided By Voices to Sparklehorse and Clem Snide, and what makes this album work is how well those styles mix. It doesn’t hurt that the five- or six-member line-up is present in each song, with stellar recording allowing even the most subtle of instrumentation to shine, while the focus still remains on frontman Will Veeder’s vocals and the band’s three-guitar approach.
The album opens with the softly strummed country-tinged melancholy of “Hanging Tree,” featuring hints of keys and harmonica to back up Veeder’s emotive vocals and guitar. It leads into one of the band’s most memorably catchy songs, the surprisingly pretty for being so upbeat “Casino,” which bounces along happily along with backing vocals by Stacey Ackerman. From there, the album does a nice job of mixing the slower, more melancholy ballads and the upbeat, catchy pop songs. “Party on the Sun” is a pretty song, with gently picked guitars and a country-styled rhythm, while it’s followed by the can’t-get-it-out-of-your-head “Ballerina,” one of those toe-tapping, head-bobbing pop songs that stick with you for weeks. Local artist Darren Dewispelaere (Veluxe) adds trumpet to the mix for a nice touch.
There’s a few timeless songs here that are sure to end up on some mix CDs. “Where the River Meets the Sea” feels like a timeless country/folk song given a more modern rock approach. “Mary Lincoln” is a pleasantly mid-tempo track, poppy but also nicely restrained and rich with deep bass, piano, and sweet backing vocals. Then you have the brilliantly up-beat and rocking “Build Me Something in the Sky,” filled with edgy guitars and a fast beat contrasted with a sweet chorus. It’s like a cross between Polyphonic Spree and Built to Spill, perhaps. The up-tempo “She Loves the Sun” takes a similar approach for perhaps the most rocking track on the album. And one of the album’s most memorable moments is the glorious “Horse of the Wood,” featuring gorgeous, booming drums, the album’s best vocals, and a deeply emotional feel. That being said, my favorite track here is “Memory in My Heart,” a staple of the band’s live shows, which is incredibly rich in sound and perhaps the band’s most catchy song yet. Even the “ooo-eee-ooo-eee-ooo” from backing vocals feels fitting to this sweet and bouncy pop song, which has surprisingly edgy guitars for being so poppy.
Previous Hinkley releases and incredible live shows convinced me that Estate Sale couldn’t live up to my expectations. I was wrong. This album has been on near constant rotation in my collection, and each listen gives me a new favorite song to hit replay or move into a new playlist. The band spent more than a year working on this release, and it’s evident in the recording quality, the tracking, and the perfect songwriting. This one’s sure to hold a high spot on my best-of lists for 2006, and I couldn’t recommend it any higher. - Jeff Marsh
City Newspaper
With the familiar, downtempo strum-strum-strum that opens Estate Sale, it appears as if Hinkley leader and principle songwriter Will Veeder is about to lead the band down the same melancholy path it explored with such lustrous results on the band’s 2004 release, Frail and Poker Faced. Anyone familiar with Veeder’s previous work in Hinkley and the now-defunct Muler can attest to Veeder’s unparalleled gift for wresting beauty from sadness. This time, as if sensing that lightning might not strike in the same spot twice, Veeder devotes about half the album to Muler-styled upbeat pop. The band --- a veritable all-star lineup of local talent --- switches gears between trademark Hinkley Americana and British mod rock with rubbery grace. One piece even delves into abstract jazz in a loose jam that nonetheless demonstrates the band’s cohesion. Honorable mentions go to recurring guests Stacey Ackerman on vocals and Darren Dewispelaere on trumpet. - Saby Reyes-Kulkarni

- Artist/Title: Hinkley - listening for the breathing
- 4
- Format: CDR
- Label: Carbon Records
- Price: $3
- Catalog ID: MP3.04
some great intelligent pop songs by some former members of Muler. [pre-assembled version of MP3.Series release, which is also free to download]

- Artist/Title: Hiroshima - east
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_Hiroshima
- (This is a USED item)
japanese rock/pop/world group from the 80s/90s

- Artist/Title: Hollowing + Major Applebaum - collaborating torture
- 6
- Format: CD
- Label: Heart and Crossbone (Israel)
- Price: $10
- Catalog ID: CarbonDist_HCB017
"Collaborating Torture is one of the last known recordings made by Matt Gibney AKA Hollowing, who died in January 2006. Gibney, a member of SOIHADTOSHOOTHIM who was also running the important Rectrix label and mail-order, was joined here by the prolific Maor Appelbaum (Grave in the Sky, Poochaltz and Maurizio Bianchi, to name but a few...) to create a brooding and massive 54 minutes track of dark pitch-black ambient of hypnagogic swirls and industrialized drones. Sometimes subtle, yet mostly haunted and delirious, this is highly recommended if you like Wilt, Murderous Vision, Brighter Death Now, Aidan Baker, Z'ev, Daniel Menche, The Caretaker and John Duncan."

- Artist/Title: Holly Hunt - Year One
- 19
- Format: 2LP
- Label: Other Electricities (USA)
- Price: $22
- Catalog ID: CarbonDist_OE032
"Year One is the debut full-length album from Holly Hunt, South Florida's acclaimed two-piece instru-metal behemoth.
Recorded by Jonathan Nuńez (Torche), mixed by Ryan Haft (Capsule) and mastered by Nick Zampiello and Rob Gonnella at New Alliance East, this 39 minute-long, 10-song suite is constructed upon sonic architecture ornate as a royal catacomb and stunningly epic, like an ancient city frozen in time under a heavy sheet of black, hardened lava.
In their first 365 days as a band, drummer Beatriz Monteavaro (Floor, Cavity) and guitarist Gavin Perry became the undeniable sweethearts of Miami's disparate music scenes. To paraphrase a description of 80s movie hero Ferris Bueller, "The punks, the metalheads, the art-rockers: they all think he's a righteous dude."
In the grand tradition of Monteavaro's previous musical endeavors, Holly Hunt champions heavy metal's potential to transcend genre and become a physical experience. Though stripped down to the most bare essentials, the duo's innate technical chops, strong dialogue, and incredibly deep relationship to their gear produces a sound and style far beyond rudimentary tags like "heavy," "hard," or "brutal."
Year One captures the band's brilliant signatures - the meditative power of repetition; the ecstatic joy of tempered variation; infinitely undulating riffage; psychedelic drone paired with rock n' roll rhythm - in full splendor.
Year One is a co-release with our friends at Roofless Records. It's available on double, 150g vinyl "
Note: All Carbon Mailorder copies have a slight bent corner.

- Artist/Title: Hollydrift - in these days of merriment
- 4
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_hollydrift2
- (This is a USED item)

- Artist/Title: Hollydrift - Study the Wilderness
- 4
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_hollydrift4
- (This is a USED item)

- Artist/Title: Hollywood Squaretet - Tet-Offensive
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_KAWAMURA
- (This is a USED item)
Gulcher release from 2005 featuring Kenny Kawamura, Todd Homer and Larry Copcar

- Artist/Title: Honcho Overload - smiles everyone
- 4
- Format: CD
- Label: Mud
- Price: $5
- Catalog ID: CarbonUsed_83
- (This is a USED item)

- Artist/Title: Howard Stelzer and the Cherry Point - Gross
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR89
10YR.Series.09 - the ninth in the Carbon 10 year anniversary CDR series. 46+ minutes of bi-costal, brutal, tape/electronic fabric. full, and right on!

- Artist/Title: Howard Zinn - You Can‘t Be Neutral on a Moving Train
- 4
- Format: BOOK
- Label: Beacon Press
- Price: $13
- Catalog ID: CarbonDist_ISBN-0-8070-7127-7
[paperback] - An autobiography from the great activist and historian - a personal history of more than 30 years of fighting for social change - from civil rights and the Vietnam war, to organized labor. A lively, engaging and vastly entertaining political memoir. Now with a new preface.

- Artist/Title: Human Quena Orchestra - The Politics Of The Irredeemable
- 8
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR76
"Human Quena Orchestra first took shape as a solo project from Ryan Unks, who had previously played guitar in the final lineup of the Pittsburgh metal band Creation Is Crucifixion. After moving from CIC, Unks began to work on a new project that would incorporate elements of black metal, crushing drone music, extreme psychotropic noise and psychedelic/krautrock influences into a sound that would be much heavier any of his previous projects. The first album from Human Quena Orchestra was released in 2007 on Daft Alliance; Means Without Ends was a disturbing, introspective slab of blackened industrial doom that stood out in stark contrast from the rest of the slow n' low extreme doom scene, utilizing layers of harsh textured distortion and electronics to create a caustic form of monstrous doom that shared as much of industrial music's cold, machine-like aesthetic as it did the ultra-slow riffage of the most extreme variants of doom metal. At the same time that the bands debut was taking shape, Unks was joined by another former member of Creation Is Crucifixion, Nathan Berlinguette (who was also a member of the dark ambient project M.Kourie and the deathdrone duo 5/5/2000). With the addition of Berlinguette's skilled application of dark ambience and expansive soundscapes, Human Quena Orchestra began to move into even more textured territory which has culminated with the second HQO full-length, The Politics of the Irredeemable, a series of apocalyptic visions and epiphanies of endtime realization, prophetic screeds that look to a future rendered pustulent and war-stricken by the failed machinations of the human race, presented as six chapters that enter your consciousness through a delivery system of extreme industrial dread. The Politics of the Irredeemable is crushing and oppressive, a crawl through abstract fields of low-end sound that move from punishing blasts of ultra-heavy machine-doom and earth-shaking tectonic riffs, to thick fogs of black electronic ambience that shimmer with subsonic pulses and celestial drones, the presence of malevolent electricity crackling in the air around the lumbering, nightmarish electro-sludge monstrosity of the Human Quena Orchestra. And at the same time, there are passages of immense beauty on this album that lurk at the peripheries of HQO's malevolent crush; the track "Aspirations" for instance, where pummeling slow-motion industrial percussions grinds in an infinite loop beneath a swirling nightsky of kosmiche synthesizers and heavenly, blissed-out ambience, the drums becoming like distant mortar blasts heard over the horizon as terrified screams ring out and stars fall dead from the skies. This is seriously apocalyptic deathmachine grind ambience. "

- Artist/Title: I Am Spoonbender - teletwin
- 7
- Format: LP
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_SPOONBENDER
- (This is a USED item)
12" on Little Army

- Artist/Title: I Love You But Ive Chosen Chosen Darkness - s/t
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1979
- (This is a USED item)
2003 Emperor Jones release

- Artist/Title: If, Bwana - I, Angelica
- 4
- Format: 2CD
- Label: Pogus (USA)
- Price: $16
- Catalog ID: Carbon_P21024-2
"Into tŘÖ?hackets are ya, punk?" "Yeah, that's my story and I'm sticking to it." "Get outta here, ya punk." I headed down the steps and out the front door. "!@#$%^&* nogood goddamn !@#$%^&* noisemaker," I heard them mutter behind my back. (wow - I always wanted to write one of these). Yeah, I'm one of them.
So there you have it. I, Angelica, the noisy loud new double If, Bwana cd - trying to clear a backlog of recordings out - at a not double cd price. I, Angelica should be played loud. Real loud. Works for computer, electronics, voice (?), guitars, synthesizers.

- Artist/Title: Ilium - paint by number
- 4
- Format: CD
- Label: Hefty
- Price: $3
- Catalog ID: CarbonUsed_heft015
- (This is a USED item)

- Artist/Title: Ilium - Plexiglass Cube EP
- 4
- Format: CD
- Label: Hefty
- Price: $2
- Catalog ID: CarbonUsed_heft007
- (This is a USED item)
broken jewel case cover

- Artist/Title: Infidel? / Castro? - Bioentropic Damage Fractal
- 4
- Format: 2CD
- Label: Crucial Blast
- Price: $14
- Catalog ID: CarbonDist_CBR41
"Undefineable, uncatagorizeable, INFIDEL? / CASTRO! return with Bioentropic Damage Fractal,a 14-part, 2-disc epic of electro-acoustic ambient metal destruction that travels the extremes of density and sparsity, speed and sluggishness, length and brevity, beauty and ugliness. Hyper-complex and hyper-epic, the band weaves an engrossing tapestry of spastic electronic carnage, sweeping melodic bliss, futuristic heaviness, and swirling, hypnotic walls of sound. Concepts of degradation and the inherent instability of the organic are thoroughly explored in this cohesive and focused double CD. For fans of Fantomas, Sigur Ros, My Bloody Valentine, Discordance Axis, and Scanner."

- Artist/Title: Insects with Tits - s/t
- 4
- Format: 3inch CDR
- Label: TIBProd (Norway)
- Price: $6
- Catalog ID: CarbonDist_TIBCD95
"Insects With Tits, a.k.a. Roger Smith and Kenneth Yates, do whatever they do best: play noise. Four tracks in twenty minutes. Loud, furious, but it seems to have a bit of progression from the previous work. A bit more structured and with more dynamics all around. Taking back the gear and building up again. That makes this actually quite allright. But perhaps it's also because it's short and to the point." - Vital Weekly

- Artist/Title: instruction shuttle - black citrus ep
- 4
- Format: 7inch
- Label: astromass
- Price: $4
- Catalog ID: CarbonDist-AM01
a nice little vinyl piece filled with: crunches, haunted melodies, drones, rings, squeaks, shimmers and various ambient textures. play loud, at dusk or night, at any speed...

- Artist/Title: Irene Moon - Pangolin Variations
- 4
- Format: CD
- Label: Begonia Society (USA)
- Price: $5
- Catalog ID: CarbonDist_begonia_pangolin
"music of Ergo Phizmiz and remix music from Irene Moon. Just who is Ergo Phizmiz? Have a look at his site and see for yourselfÖ He likes cows, curries and peas. Music for those that know better."

- Artist/Title: Irene Moon ++ - Triffles and True Trifles
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR181
This is the third release in the Carbon 15YR.Series. This is an amazing collection of various projects of Irene Moon, including Auk Theatre, Darker Florida, Collection of Late Howell Bend and solo Irene. Performance art/installations, meets science/entomology, meets weirdo noise-scapes. check out www.begoniasociety.org for more information on each group. [packaged with a full-color pro-printed folded card in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Irene Moon and ORTHO - split picture 7"
- 4
- Format: 7inch
- Label: Begonia Society (USA)
- Price: $5
- Catalog ID: CarbonDist_begonia_dentist_auk
"Split picture disk with ORTHO. Itís the first released recordings from the Auk Theatre 7 inch picture disc "

- Artist/Title: Iversen - Restituent L'atmosphère
- 4
- Format: CDR
- Label: TIBProd (Norway)
- Price: $8
- Catalog ID: CarbonDist_TIBCD45
hot new release from the man behind TIBProd - Jan-M Iversen.

- Artist/Title: izanami's labour pains - osorezan no itako
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $4
- Catalog ID: CarbonDist_dose68
"super harsh, cut-up electronics centered around the theme of the blind female shamans of Osorezan. fantastic harsh noise from germany. check the sample. edition of 66 copies."

- Artist/Title: Jack O' Fire - The Destruction of Squaresville
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_JACK_O_FIRE
- (This is a USED item)
Estrus release from 1994

- Artist/Title: Jason Loewenstein - at sizes and sevens
- 4
- Format: CD
- Label: SubPop
- Price: $8
- Catalog ID: CarbonUsed_114
- (This is a USED item)

- Artist/Title: Jawbox - s/t
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1915
- (This is a USED item)
release from 1996 on Tag Records

- Artist/Title: Jazkamer - Balls the Size of Texas, Liver the Size of Brazil
- 8
- Format: CD
- Label: Purple Soil
- Price: $15
- Catalog ID: CarbonDist_PULSEZEROFOUR
"The latest release from Norway's hungriest noise composers is comparatively a more subdued affair, and it is much more subtle than its boisterous title would have one to believe. John Hegre and Lasse Marhaug present a noteworthy combination of heavily controlled guitar feedback and studio treatments characterize the work as a whole, but each piece is very different from the next.
Opener "God Damn This Ugly Sound" is less an exercise in composition and more in locating, as it is a six-minute excerpt from a medical record documenting the sounds of various diseases. The rest isn't as obtuse, as it segues nicely into the looping guitar feedback and shrill squeal of "Blues for Sterling Hayden," which could easily be an exercise in sheer noise blast, but is instead a carefully controlled track that demonstrates just how subtle the duo can be, even under such 'extreme' conditions. Structurally similar is "A Bucket of Mayo," which is built out of feedback fragments and the warm crunch of vinyl surface noise.
Marhaug can't help but show his noise chops he has honed in his solo career, and "Not Half Bad to the Bone" demonstrates his penchant for explosive bassy blasts, yet lurking under the crunch are some subtle, melodic tones that the average band wouldn't have bothered with. The ending series of false starts from a live band is a nice touch as well. "Tentacles of Broken Teeth" is somewhat reminiscent of Marhaug's recent collaboration with Nils Henrik Asheim on Touch, all massive, cavernous reverbs and expansive metallic drones, but here a bit more harsh and distortion oriented.
The centerpieces of the disc are the two massive lengths tracksâthe aforementioned "Blues for Sterling Hayden" and the title trackâthe latter being a more controlled affair of synth tones feedback, and even a bit of dark ambience. The long tracks especially show this duo's flair for creating beautifully structured chaos.
Balls the Size of Texas, Liver the Size of Brazil cannot neatly be labeled as a 'noise' work, but it certainly has the elements that fans of Marhaug's solo work will enjoy, but enough compositional and structural elements that anyone who understands the appeal of esoteric music would love as well." -- Brainwashed.com

- Artist/Title: Jazzfinger/Culver and Fordell Research Unit - split 10"
- 14
- Format: LP
- Label: Blackest Rainbow (UK)
- Price: $18
- Catalog ID: CarbonDist_Blackest_Jazzfinger_CulverLP
"Brand new split LP featuring heavy hitting UK bleak dudes... A-Side is Jazzfinger's 'Killed In A Clear Sky', one solid slab of fucked up tapped guitar drone and distant errie whir... like a storm of electric feedback, slashes and cuts. Far out, and a real killer 20 odd minutes to make you lull out. B-Side is a collaboration between Culver and Fordell Research Unit, another side long piece, that starts off with some bassed up doom chugs and slogs that sound like fucking something that could lay down by some Southern Lord brutality, but then it punches you in the face with its distorted churning hell. Limited to 280 white label LPs in black sleeves with hideous brutal artwork by French."

- Artist/Title: Jeff Mueller - fold and perish
- 4
- Format: CD
- Label: Monitor
- Price: $8
- Catalog ID: CarbonUsed_130
- (This is a USED item)

- Artist/Title: jenks miller and nicholas szczepanik - american gothic
- 8
- Format: CD
- Label: small doses (USA)
- Price: $10
- Catalog ID: CarbonDist_dose92
"this disc is a landmark collaboration of two small doses favorites. jenks miller, perhaps best known for his work under the horseback moniker and nicholas szczepanik come together for an incredible recording that runs the gamut between lilting, minimal drones to dark, dense harsh soundscapes. the discs closer, cranberry sauce, was featured on the most recent wire tapper compilation from wire magazine."

- Artist/Title: Jeremy Enigk - return of the frog queen
- 4
- Format: CD
- Label: SubPop
- Price: $6
- Catalog ID: CarbonUsed_125
- (This is a USED item)

- Artist/Title: Joe Gilmore and George Rogers - Elseif
- 4
- Format: 3inch CDR
- Label: Entr'acte (UK)
- Price: $16
- Catalog ID: CarbonDist_entracte33
"Six computer music compositions using dynamic stochastic synthesis -- a technique developed by the Greek composer Iannis Xenakis, which uses probability fluctuations to generate the successive sample values in digital waveforms." [packaged in a sealed anti-static-type package. must destroy to open]

- Artist/Title: Joe McPhee and Chris Corsano - Scraps and Shadows
- 10
- Format: LP
- Label: roaratorio
- Price: $14
- Catalog ID: CarbonDist_ROAR26
"Scraps And Shadows is the second album by the dream pairing of Joe McPhee and Chris Corsano. A followup to Under A Double Moon, which featured McPhees alto saxophone, Scraps And Shadows finds him largely on tenor. Recorded live in Milwaukee in 2011, the album consists of seven dedicatory pieces, from the delicate balladry of For Adrienne P to the appropriately combustible For Han Bennink. Corsanos stupendously detailed drumming and McPhees free-soul love cries weave a master latticework together. Cover art by Judith Lindbloom. Download coupon included."

- Artist/Title: joe raglani/scenic railroads - split
- 4
- Format: CD
- Label: gameboy
- Price: $10
- Catalog ID: CarbonDist_gb75
after both putting in the cdr dues, joe raglani and scenic railroads decided it was time to take it to the pro-pressed level. raglani's 3 ambient compositions and scenic's 4 digital improvisations play excellently off each other creating a disc with a consistent, organic flow. 52 minutes of noise underground's prettier, lusher underbelly. if these dudes were european they'd be getting 1,000 euro guarantees by now. an edition of 500. co-released with raglani's pegasus farms records and printed at the infamous thumbprint press.

- Artist/Title: Joe Sorriero - time and time takes two
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR72
20+ min piece on guitar, manipulated through a homemade oscillator/filter with signature Scrappy Joe vocal wanderings. Some may know Joe from his full-time gig in Nod (Smells Like Records).

- Artist/Title: Joe+N - 6:55 now its 6:56
- 9
- Format: CASS
- Label: Carbon Records
- Price: $5
- Catalog ID: CR201
C-45, with each side containing the same material. Improv acoustic guitar and vocals songs, overdubbed with synth, electric guitar, and other sources. Cover is recycled wooden board with cassette attached with rubber band. Each cover is unique.

- Artist/Title: Joe+N - live at christchurch
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR81
10YR.Series.01 - the first in the Carbon 10 year anniversary CDR series. this is recording from a show at Christ Church in Rochester NY, which features Joe on solo guitar and later, feedback and piano. 17+min. [full-color cover in vinyl sleeve] - NOTE: check out the 10YR.Series page(http://www.carbonrecords.com/10yr_series/) for more info.
Reviews (1):
Foxy Digitalis
Joe + N is Joe Tunis, the mastermind behind Carbon Records and the 10YR Series. This is, as the title states, a live recording at Christchurch. Here Joe serves up a gorgeous slice of resonating solo guitar that rings out and basks the audience in a warm, misty glow. The guitar continues to ascend into the highest reaches of the atmosphere, like a stream of smoke rising and then dispersing into thin air.
This reverb-treated guitar passage is maintained until it begins to decompose and then gradually expands and progresses into a much more shadowy, heavy, piano-trodden piece. If the first reverb-led half covered the listener in a warm glow, then this is the cold, stark, solitary aftermath. It increasingly detaches itself from the original body, and embarks on a journey into the ominous unknown. Now becoming much more assertive, a high pitched ringing builds in strength, and the scattered piano keys develop into a thunderous pattern. From here, it turns into something much more sinister and destructive; the ringing drone growing louder and more dominant, then collapses under its own chaotic confusion. This slow recording ends up falling to pieces, but the perverse beauty still shines through the rubble. - James Clarke

- Artist/Title: Joe+N - oneyear
- 8
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR166
4 live pieces, spanning the course of one exact year. solo guitar, in the style of Loren Connors/etc, with the addition of some melodica, looping, vocals and more. [packaged in a heavy vinyl sleeve, with a full-color pro-printed cover and sprayed and stamped back cover. cdr is sprayed and splattered]

- Artist/Title: Joe+N - leaves fall
- 8
- Format: 3inch CDR
- Label: Carbon Records
- Price: $6
- Catalog ID: CR163
nearly 17min of solo electric guitar. three, almost equal length pieces. the middle, lighter one, is sandwiched in between two slabs of thick heavy guitar throb, ala Alasehir/Alumbrados, [3" CDR affixed to a 5" square piece of 1/4" plywood with twine. the plywood is sprayed and stenciled on one side. disc is also sprayed/splattered] limited to 25!!!

- Artist/Title: Joe+N - Day-Tours 2005/2006 - the best part of today was it wasn't yesterday
- 10
- Format: 3CD
- Label: Carbon Records
- Price: $15
- Catalog ID: CR96
this is a BOXSET containing 2 audio CDRs and 1 video DVDR. material culled from the 2005 and 2006 Joe+N Day-Tours. each of the audio discs contains 3 tracks around 20min long. the DVDR contains 7 videos, also each roughly 20min in length. [packaged in a 5" x 7" x 1" kraft box, each with a unique color image transfered onto the cover, along with spray paint, and each package comes with some variety of Day-Tour postcards, including this year's (2007). limited to 50 copies!!!]

- Artist/Title: Joe+N - head cold
- 4
- Format: 3inch CDR
- Label: Dirty Demos (UK)
- Price: $7
- Catalog ID: CarbonDist_dirtycdr_015
2 pieces recorded live at A|V in Rochester NY USA. loud guitar with distorted and looped melodica. almost sounds like a train at times. limited to 50. packaged in spray/splattered envelope. nicely done.

- Artist/Title: Joe+N - Opsy Delet Space Before Com
- 4
- Format: 3inch CDR
- Label: First Person (UK)
- Price: $6
- Catalog ID: CarbonDist_singuler039
a collection of pieces which are more layered and textured than the normal guitar work from Joe+N. still mostly guitar generated, but with more effects and even some vocals to boot. from the label.... "By day Joe Tunis runs Carbon Records, a project that began in 1994 as a means to release his own Joe+4=Poopie cassette. Located in Rochester, New York the label has since gone on to birth releases by such esteemed acts as Dead Machines, Cock ESP, Reynols, Blood Stereo, Tom Carter, Ming, Bjerga/Iversen, Emil Beaulieau and Yellow Swans among countless others. Carbon releases come on a variety of formats (clear 7â singles, triple CDâs, DVDâs etc) and usually come wrapped in meticulously rendered artwork or some form of tactile outer packaging, each aural/visual missive being a testament to ingenuity and good old fashioned hard work. In amongst this Mr Tunis also finds the time to release music under the name Joe+N and has built up an exhaustive and prolific back catalogue on Carbon and various other like-minded labels. For his FirstPerson disc we are treated to 5 untitled tracks of stream of consciousness vox and downer guitar scrabble. Those familiar with the work of Joincey, particularly in his Wagstaff/Coits mould of the early to mid 90âs, will recognise subtle comparisons specifically in approach and attitude that being music which burns bright with the white heat of creativity âin-the-momentâ. The âmessageâ and actual âdoingâ of the work overriding any technical aspects or peripheral logistics connected with recording âqualityâ or concessions to âcorrectnessâ. This is music borne of passion and a need to document that which lies incommunicable in the language of the everyday. "

- Artist/Title: Joe+N - introducing something to the system
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR39_reissue
Reissue of the long out of print release by Joe+N. in the original edition, each copy came in kraft envelope with unique artwork and hand numbered. this reissue is a scanned photo from my favorite copy (and also my personal copy). full color cardstock in heavy-duty vinyl sleeve. 5 tracks of field recordings and ultra-harsh electronics. no instruments were used on this recording. constructed entirely using a portable MiniDisc recorder, contact mics, Behringer mixer and patch cords.

- Artist/Title: Joe+N - Neither Painting Nor Sculpture - TSHIRT (YELLOW)
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR146_YELLOW
(mustard) yellow tshirt. very limited quantities. released in coordinatioin with the Joe+N art show at A|V (Dec 2006) and release of the Neither Painting Nor Sculpture CDR release.

- Artist/Title: Joe+N - Neither Painting Nor Sculpture - TSHIRT (GRAY)
- 8
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CR146_GRAY
gray tshirt. very limited quantities. released in coordinatioin with the Joe+N art show at A|V (Dec 2006) and release of the Neither Painting Nor Sculpture CDR release.

- Artist/Title: Joe+N - Neither Painting Nor Sculpture
- 8
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR140
same name as a previous harddrive release, which had the same original inspiration, this is the audio portion of a Joe+N art show (of the same name) at A|V in Dec 2006. the show consisted of 6+ pieces, and the audio consisted of 6 companion pieces. each building from the one before. mostly heavy drone guitar. dense, from simple to complex. [packaged in a 5x7 full color heavy cover with sprayed CDRs]
Reviews (2):
Modisti
(Joe+N - Neither Painting Nor Sculpture - CR145) Vast textural surfaces of abstract (sonic) materials unfurl upon large format canvases. Concerned with continuity and dimension, the actual sound sources have a secondary relevance, thus simply featuring a rusty red distorted electric guitar wall of sound. As we advance in time, the pieces begin to include a more complex, difficult aspect pointing at the progression –from construction to destruction- proposed in the visual work the sound pieces accompanied.
Foxy Digitalis
These are sound recordings designed to accompany guitarist (and Carbon mogul) Joe+N ’s first installation of visual art. The idea with both music and art is to show process, stages of destruction and creation, points at which, while not a final piece of “art” art is present as is in the state of being constructed.
Too theoretical? Not really, if you can picture the frame of a painting hung on a wall with not picture inside. Just by hanging that frame, to decide on its place on the wall, it becomes art, in the sense that the beauty and use of anything becomes deeper and more varied when isolated and contemplated. Here, joe+n’s music is a kind of example of the visual pieces, in construction. We can’t see the art, and yet we know that the music we are listening to is an accompaniment to art; the listener is constructing the installation for herself, given the involvement being only auditory. This in effect includes the listener into the process of creating the installation; all that is left is to see the visuals, and the music is the door into that. 7/10 - Mike Wood

- Artist/Title: Joe+N - The Non-Confidential Part of a Boring-Ass Meeting
- 4
- Format: CDR
- Label: Gold Soundz (Norway)
- Price: $8
- Catalog ID: CarbonDist_GS039
"New great album from the active Carbon man Joe Tunis + the "n" factor always present in his works.. Poisonous psych-guitar workouts smashing in & slashing up the atmosphere of high-corporate boardrooms.... Edition of 75."

- Artist/Title: Joe+N - lock32
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR12
a release inspired by the cyclical patterns of lock32 on the Erie Canal System. Joe+4 is Joe Tunis of Hilkkaâs solo joint. Covering mostly ambient and stark trajectories with guitar, static, found sounds and lots of effects. This release conjures up a brooding and unnerving atmosphere. Some tracks might bring to mind Jandek or Loren Mazzacane Connors at their most lonesome and desolate. The original edition came in deluxe hand made packaging incorporating actual pebbles from the Erie Canal. A compelling listen.

- Artist/Title: Joe+N - 35 trips around the sun
- 4
- Format: 3inch CDR
- Label: Carbon Records
- Price: $6
- Catalog ID: CR127
heavy-ass guitar piece, powering this hunk of rock around the sun, far too many/few times. sludging, burning up amp noise, with a glimmer of hope cutting thru the heavy dark matter. [comes with unique hand-painted covers by joe, cara and ella]

- Artist/Title: Joe+N - Day-Tour 2004 MP3 CDR - full-recording
- 4
- Format: CDR
- Label: Carbon Records
- Price: $10
- Catalog ID: cr107_cdr
This is the MP3 CDR version of the HDD release. aday-long recording of he Joe+N 2004 Day-Tour.
on June 26, 2004, i performed the fifth-annual day-tour in and around Rochester NY. the day-tour included 9 shows, each consisting of a 20-30 minute set performed from the back of my jeep (or thereabouts), starting at 11am and one occurring every hour, on the hour.
i recorded the entire day on both audio (with various devices) and video devices. what is contained in this recording is a (barely) uninterrupted recording straight to VHS (audio only) from my mixing board. i used a VCR to record the full-day audio, due to the length of tapes that are available. various inputs were plugged into the mixing board throughout the day, including guitar, contact mics (for various non-electric instruments), pzm mic, vocal/air mic, etc. on a couple occasions, i performed away from my truck, so i had to turn off the engine and lock it up, "losing" the recording. these locations include the All-Purpose Room, Court Street Bridge and Washington Grove Park. these sets were recorded using a digital video camera and are/will be available on other Day-Tour 2004 related releases.
[comes sealed in a white cd mailer with color sticker artwork.]

- Artist/Title: Joe+N - day-tour 2004
- 4
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CRT_DAYTOUR
3-color design (red, white and black) on solid grey shirt in the NYC subway series style, with a full route map of the 2004 Day-Tour on the back.

- Artist/Title: Joe+N - Day-Tour 2003
- 4
- Format: DVDR
- Label: Carbon Records
- Price: $12
- Catalog ID: CR95
This DVD-R release contains all the performance footage from the 2003 Joe+N Day-Tour. 9 performances in all. NOTE: this is a DVD-R, not a production manufactured DVD. similar to CDRs, they are burned on a computer, and like CDRs in their infancy, some DVD players do not support this disc format. Please see the Carbon.DVDRSeries page for more details, how to get info on your player, etc. Most players manufactured in the past year support this and other formats.

- Artist/Title: Joe+N - receipts and belt loops
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR77
i put on a coat i haven‘t worn in a while. and in a pocket i guess i haven‘t used in a longer while, i discover a receipt (for food, i believe). almost from 10 years ago to the date. it got me thinking about how quickly time passes, and how fragments can pull us back, mentally, to a previous time, place (physical and mental). a smell, a sound, a feeling. pretty neat stuff. the backdrop of this recording consists of an uneditted walk in the neighborhood right around sunset. at the beginning, you‘ll hear cicadas singing out loud. as the recording goes on, the sound slowly (almost imperceivably) transforms into crickets singing. somewhat showing the transformation of time without perception. there are overdubbed guitar pieces on occasion, showcasing nothing in particular (well, maybe something having to do with events that stand out, etc).

- Artist/Title: Joe+N - video works vol 1. (2002-2003)
- 4
- Format: DVDR
- Label: Carbon Records
- Price: $12
- Catalog ID: CR78
over 90 minutes of experimental video. this is a collection of 4 video pieces i‘ve created over the past 2 years for various purposes (shows, installations, etc). all contain the accompanying audio from the debut showing/using of the video, 3 are joe+n peformances and 1 is by chad oliveiri. NOTE: this is a DVD-R, not a production manufactured DVD. similar to CDRs, they are burned on a computer, and like CDRs in their infancy, some DVD players do not support this disc format. Please see the Carbon.DVDRSeries page for more details, how to get info on your player, etc. Most players manufactured in the past year support this and other formats.

- Artist/Title: Joe+N - cycles
- 4
- Format: CDR
- Label: Carbon Records
- Price: $3
- Catalog ID: MP3.01
running, birds, cicadas, cars, walking, birds, cicadas, cars... [pre-assembled version of MP3.Series release, which is also free to download]

- Artist/Title: Joe+N - experiments for ella
- 4
- Format: CDR
- Label: Carbon Records
- Price: $3
- Catalog ID: MP3.02
collection of piano and acoutic guitar experiments for my infant daughter ella. [pre-assembled version of MP3.Series release, which is also free to download]

- Artist/Title: Joe+N - like the back of my hand
- 4
- Format: 3inch CDR
- Label: Carbon Records
- Price: $5
- Catalog ID: CR60
"constructed from the sounds of test-tone cds and contact mics placed in various places on the cd player which played them. in addition, a contact mic was inserted into my mouth while i proceeded to narrate the accompanying video of my all-too-familiar drive from my home town of Scranton, PA to my current residence in Rochester, NY." recorded live at the <init.one> event held at Visual Studies Workshop in Rochester NY on January 19, 2002. this is the third in a series of releases from that event. [3" mini-CDR in mini-jewel case with color insert. edition of 23]

- Artist/Title: Joe+N - oil leaks and cicadas
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR63
from the liner notes... "82 billion photographs are taken every year on earth. School portraits, remarkable sunsets, birthday parties, catastrophic weather phenomena, and your girlfriend in her underwear all evoke a desire to take a picture. The most popular subjects for photographs are typically vacations. People travel on their vacations and see new things and snap as many photos as they can. Regular people that is. This recording is not the result of regular people taking a vacation. It is an example of people who take sounds not pictures. They experience new things and resist the natural urge to let vision dominate the sensory landscape, and instead choose to listen to the new things. These new things are recorded, reproduced, concocted, orchestrated - choose your own word here - into music for you. " [unlimited CDR version of out of print 12" lathe cut]

- Artist/Title: Joe+N - e+e (live)
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR28
2 live recordings from the exposure and experience day long tour that occurred on May 27th of 2000. "the notion of "moving" sounds from one location to another. That is, recording environmental samples of one location, and replaying them at another location. Juxtaposing them in a way where the listener wouldn‘t necessarily realize the sounds were "foreign" to the specific location. In fact, the sounds could possibly be naturally heard at that location, but on this occasion, were being introduced to the [eco]system by an outside force..." [limited edition of 100, hand-packaged and numbered in DVD cases. Also includes booklet describing the "tour" with block-printed design on cover.]

- Artist/Title: Joe+N - exposure and experience
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR24
exposure & experience continues the path of Joe‘s sonic evolution in a logical manner: by basically snipping all ties to the grounded world of rock and blasting off into the nether regions of improv, experimental, collage, you name it. It‘s really difficult to make blanket comparisons, as Joe+N draws creative inspiration from such a wide range of sources (witness the disparate dedications Joe makes); it‘s probably fair to say that fans of the Dead C., the Flying Luttenbachers, R. Toral, Nurse with Wound, Labradford, Current93 and other artists on the fringes of sound would all find something to adore in here, as long as they weren‘t holding on to such preconceptions too tightly.

- Artist/Title: Joe+N - patterns+space
- 4
- Format: 3inch CDR
- Label: Carbon Records
- Price: $5
- Catalog ID: CR44
miniCDR (3"), clocking in at 17+ minutes. contains field recordings of trains, space between trains, echos of trains and some guitar for good measure. an experiment in the (unintentional) patterns around us, day to day, and the spaces in-between. [limited edition of 75, each packaged in a mini jewel-case. 25 different images were used. numbered by design.]

- Artist/Title: Joe+N - post
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR29
a compilation of found tape experiments and field recordings from the past couple years. ranges from full-out drone guitar/reverb to underwater mic‘ing. [limited edition of 64, hand-packaged and numbered in recycled LP sleeves. Includes block-printed logo on cover and painted "vinyl art" inside (recycled LPs).]

- Artist/Title: Joe+N - selector:AM or...
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR52
"during one of my thrift-store stops, while searching for reel-to-reel tapes and 8-track cassettes to use during the Joe+N day-tour back in the spring, i came across a Don Rickles 8-track cassette. i had to buy it. Finkbeiner is a huge fan. weeks later, i finally got around to dumping it to a format which was a little more current. i borrowed an 8-track deck from cara‘s mom. but shortly after inserting the tape, something went "wrong." i pressed the track-select button a couples times, thinking that would do the trick. i then realized the tape had stapped and was being unwound inside the deck.so i yanked it out and for some reason, switched the channel selector to AM. browsed the airwaves a little, and noticed that the device had a mind of it‘s own. interjecting harsh noise in the middle of talk-show babble. i figured i‘d document the setup visually, so i took some photos. the flash on the camera also affected the signal being played. almost like a phaser or flanger effect. after a couple shots, i decided to let it go. this is a document of that late night experiment." [hand-packaged in slip-cases with full-color artwork. edition of 75]

- Artist/Title: Joe+N - driving thru the lehigh valley tunnel
- 4
- Format: CDR
- Label: slippy town
- Price: $8
- Catalog ID: CarbonDist-SLIPT14
One long (18:47) guitar thing by Joe Tunis (Carbon Records, Pengo, SQ, Hilkka). Feedback, hiss, and ambient buzz build into a simple modified blues lick that repeats for awhile--and then shifts into a more single-minded guitar-plucked drone--and then does some other stuff. Edition of 90

- Artist/Title: John Benson, George Chen, Brian Miller - s/t
- 6
- Label: Zum (USA)
- Price: $7
- Catalog ID: CarbonDist_ZUM_Chen
"October 15, 2005 jam session in the Club Short basement. JB (A Minor Forest, Hale Zukas, Creepign Death, Evil Wikkid Warrior), GC (7 Year Rabbit Cycle, KIT, Treehugger) and BM (Gang Wizard, Rose for Bohdan, Foot Village) mix acoustic instruments, electronics, percussion, voices, and mucus. Print gocco is to thank for the art...over 45 minutes of music"

- Artist/Title: John Charlton - Form Disruptor
- 8
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR165
this is quite the full-range package from John Charlton. from noise/texture guitar, to beat-driven and free, effect-laden noise rock blasts, to static transmissions from a visitor from another world/dimension. here to screw with us. "So I had this idea of this being who is sent throughout the galaxy as a Form Disruptor. He receives his orders from some distant civilization and carries them out with varying degrees of success to disrupt various forms in other civilizations for whatever reason. These songs represent transmissions we intercepted that which the Form Disruptor was sending back to his superiors. We have yet to decode them but we believe they are his reports on his completion of specific Form Disruption orders with regards to their effectiveness and suggestions for future action." - from John. [packaged in a heavy-duty vinyl sleeve with a pro-printed full-color cover. CDR is sprayed and splattered.]

- Artist/Title: John Charlton - Walking the Red Road
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR147
This is John's first full-length on Carbon, with, i'm sure, more to come. former member/cohort of TenTon (now in Chicago), John lives in the Boston area and records all sorts of sounds, guitars, tibeten bowls, cymbals, strings, etc. he was featured on the Carbon 3CD compilation I Don't Think the Dirt Belongs to the Grass and won this praise from Keith Fullerton Whitman: "thereâs something on here for everyone... and in fact you might end up, like myself, enjoying just about everything on this set, from the pieces by the names you know/trust to those by otherwise unknowns (for example; i didnât know john charltonâs name, but his acoustic guitar/tibetan singing bowls/wine glasses piece on here ended up being one of my favorite pieces.)". This full length is a study in guitar, from repetitive/looping acoustic and clean electric with incidental backgrounds, to busy hammering/drumming/droning on an acoustic, to warbly electric mood (ala LMC), to full-on saturated noise/drone. to mirror KFW's comment, something for everyone. [packaged in heavy vinyl sleeve with handmade red and gold paper and spray-painted CD]
Reviews (2):
Foxy Digitalis
Chicago area guitarist/sound artist John Charlton 's debut “Walking the Red Road,” is deep study into the very nature of the guitar; incorporating its past, present and potential future within a span of 40 minutes. The tracks range in style from delta blues numbers such as “Stephen Taukus Pharaoh,” and the opener “Flood” to more experimentally bent approaches to the instrument, as is the case with the track “Chelvdra” where he trends a similar path to Area C’s Eric Carlson or when the guitar is employed as a percussive instrument as on “Zhiishii.” The biggest shock is the albums closer, “The Montauk Project,” where your ears are suddenly engulfed in a dense swath of layered feedback and beautiful overtones invoking Michael Morley at his most ferocious.
As Charlton veers through guitar styles on “Walking the Red Road,” he maintains an almost baffling amount of clarity, allowing his voice on the instrument to really ring through, no matter what style he is playing off of. Each track is imbued with an expansive amount of space and layering that resembles nothing more than walking down some desolate dusty road. Though he may at times tread similar territory to some of the Takoma revivalists, Charlton manages to create a very distinct and refreshing approach that sets him far beyond the same old finger-picking that this writer has heard way too much of lately. Hopefully we’ll hear from him again very soon. 9/10 -- Cory Card (22 August, 2007) - Cory Card
Modisti
[ John Charlton - Walking the Red Road CDR]
Superimposed layers of acoustic guitar reminiscent of those extremely reverberant and static playing styles associated with vast plateaux, progressively lead to complex textures of increasingly processed sound. Departing from the original source and occasionally turning back, only to begin once more, the music is clearly influenced by rhythmical concerns, while subsequent developments include the use of a wider timbre palette and highlighted acoustic features. The use of processing greatly boosts the possibilities, clothing the instrumental with a nightmarish outlook and, at the same time, continuing to cling on to form which is by now almost inviable.

- Artist/Title: John Charlton and Joe+N - opposite ends of 90
- 8
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR155
the third in the Joe+N collaboration series (the first two being with Antony Milton and Sindre Bjerga). this release consists of three tracks totally 32+ minutes, this is a long-distance collaboration between John Charlton and Joe+N (aka Joe Tunis, Carbon label man). the two traded tracks over 2007/2008, John started the recordings with his range of guitars, drones and percussion. Joe then overdubbed more guitars and vocals (though usually not vocal-sounding). [packaged in a heavy-duty vinyl sleeve with a pro-printed full-color cover. CDR is sprayed and splattered.]

- Artist/Title: John Horner - s/t
- 8
- Format: CASS
- Label: Carbon Records
- Price: $6
- Catalog ID: CR207
2 sides, each around 12 minutes of heavy pummeling solo bass guitar excursions. [C24. limited edition of 51. Wood cut and stamped Stumptown press covers, with color copy inserts]

- Artist/Title: John Weise - Teenage Hallucination 1992-1999
- 4
- Format: CD
- Label: PacRec (USA)
- Price: $8
- Catalog ID: CarbonDist_TRO206
"Teenage Hallucination is a compendium of Wiese's initial recordings as a teenager to his seminal early vinyl appearances. From pure analog bedroom havoc to intense cut-up harsh noise blasts, Wiese steadily developed his highly personal and specific style of extreme music while trying to survive the St. Louis experience.
52 tracks in nearly 80 minutes of the best material from his Catwoman 7", split LP with The Haters, split 5" with Panicsville, collaborative tracks with GX Jupitter-Larsen (The Haters) and Corydon Ronnau (Sissy Spacek), and featuring many completely unreleased and unheard tracks of isolated midwest basement obscurity.
Full liner notes by T.Mikawa (Incapacitants/ Hijokaidan) and Seymour Glass (Bananafish). Limited to 1,000 copies."

- Artist/Title: Jon Dale - rotten sun
- 4
- Format: CDR
- Label: rhizome
- Price: $10
- Catalog ID: CarbonDist_rhcd24
"The follow-up to his amazing Son D'Or CD-R, Jon Dale's Rotten Sun is described by its creator simply as "the end of the hand-held fan obsession"." -- soundandfury.com

- Artist/Title: Jon Dale - son d'or
- 4
- Format: CDR
- Label: rhizome
- Price: $10
- Catalog ID: CarbonDist_rhcd16
"Jon Dale is the man behind Adelaide-based CD-R imprint The Rhizome Label. He has released several records as Moth, making desolate, haunting dronescapes. Son D'Or is his first album under his own name, and features guest guitar from Kynan Lawler juxtaposed against Dale's eerie, singular organ notes." -- soundandfury.com

- Artist/Title: Jon Eriksen / Sten Ove Toft / Utarm - Penumbra Booming
- 6
- Format: CD
- Label: Roggbif (Norway)
- Price: $14
- Catalog ID: CarbonDist_RR017
"A triple solo-split release from three of Scandinavias top noise acts. Spanning from Harsh-Noise by Eriksen, viĂ heavy industrial drones by Toft, to electronic doom metal by Utarm, this release has been praized by reviewers throughout the world."

- Artist/Title: Jos Smolders - textures and mobiles
- 5
- Format: CDR
- Label: CONV net.lab (Spain)
- Price: $8
- Catalog ID: CarbonDist_CNVR01
Jos Smolders (Deurne, The Netherlands, 1960) studied architecture at the Delft Technical University but quit and continued the musical tape experiments of his childhood. He started musicological studies of electronic and recorded music, was six years co-editor of Vital Magazine and is the founder/owner of Earlabs.org. Active in the underground electronic scene, founding member of the renowned Dutch electroacoustic ensemble THU20 (which also features Roel Meelkop and Peter Duimelinks, both of Kapotte Muziek and Goem), he released his own music on cassette, LP and CD since early 80's. He now works as a sound designer and composer in Tilburg (The Netherlands). "Textures and mobiles" is his latest work. Based enterely on pure sine waves and mobiles tones, the CDr has a really nice flow in the pieces and can easily meet as one of the best composed works of Jos Smolders. It has the Jos trademark all over it, despite the fact that he limits himself to just pure sine waves. One hour of introspection with minimals elements.

- Artist/Title: Josh Lay - true mask
- 8
- Format: CD
- Label: small doses (USA)
- Price: $10
- Catalog ID: CarbonDist_dose66
"it's hard to believe that this is the first josh lay release to find its way to the compact disc format. fittingly, josh considers this to be his best work to date, and i can't say i disagree. this is a four track, nearly 40 minute meditation on the masks people wear to make their way in the world. elements of black metal, harsh noise, power electronics and dark ambient combine to create a dark, twisted environment built from electronics, guitar, and some of the most gutteral vocals I've heard him spew. the accompanying art was hand-made by the artist. edition of 200 copies packaged in jewel cases with 4-panel inserts and double sided jewel cases."

- Artist/Title: Juarez / BarzĂĄbal - split series #5
- 4
- Format: CDR
- Label: TIBProd (Norway)
- Price: $8
- Catalog ID: CaRbonDist_TIBCD91

- Artist/Title: Jungle Heart - burn dem
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv033

- Artist/Title: Jungle Heart - nipple confusion
- 6
- Format: CASS
- Label: Carbon Records
- Price: $6
- Catalog ID: CR189
This is the thirteenth release in the Carbon 15YR.Series. a new collaboration between the members of SHED and TUMUL. 47+ minutes of beat-oriented, draaag influenced. low/sloooow vocals, dirty electronics, beats and loops and more. [packaged with spray/splattered/stamped cardboard cassette holder, pro-dup'd and printed cassettes and b&w poster sheet. ]


- Artist/Title: Kam Hassah - This Forest
- 12
- Format: LP
- Label: Dokuro Records (http://www.dokuro.it)
- Price: $13
- Catalog ID: CarbonDist_DK011
This is a single-sided 12"
"This Forest" is the single side vinyl that italian noise honcho Kam Hassah (also headchief of the secondsleep records) done to the dokuro's catalogue. What Kam Hassah do with "this forest" is to move perfectly a dense stratas of sounds in a hypnagocic way, the rotary slow motion of drones, the layers of reverberated voices, will bring you down under the moaning branches of this gloomy forest of sounds.
A spiral implosion will show you the dark side of your soul where no light can shine and then... under again, in the viscous undergrowth where the beasts crawl.
One track of pure bleak catharsis.
Hand-numbered edition of 100 copies with silkscreen sleeves printed by Canedicoda. Artwork done by Kam Hassah himself.

- Artist/Title: Kapotte Muziek - enhanced room acoustics
- 8
- Format: CDR
- Label: Lunhare (Italy)
- Price: $8
- Catalog ID: CarbonDist_Lunhare_zzz04
"Previously released on cassette in 1996, the two original tracks are here enhanced by a new one especially composed and performed by Freiband in 2007. From the analogic sound modifications of last century's industrial age to the micro and nearly audible variations of the new digital era. " - part of Lunhare's Lethargy Series - "New releases of recordings dating back to the last millennium"

- Artist/Title: Keijo - Neverending Blues
- 8
- Format: CD
- Label: Ikuisuus (Finland)
- Price: $10
- Catalog ID: CarbonDist_IKU_KeijoBlues
"According to Indian mythology everything was born and will be born with vibration, sound. What Western civilization calls music, is narrow, nothing but strictly controlled thread in that vibrating area. Other kind of threads have been mastered elsewhere. Inevitably these threads will also face each other and become one. Basic note chimes in blues, raga and mantra. I dreamt of musics and players who can modulate with music, no matter which cultural background they come from I felt I understood something about the sounds I sometimes heard in the evening just before falling into sleep and in the morning when I woke up."
Keijo Virtanen (Kheta Hotem, Free Players, Rambling Boys) makes his long distance walk into the stream of folk/countryblues continuum. These marvellously rusty and dusty tracks have been cooking with tender flame in Keijos mind&soul for a good while: "When I was just a little boy, I used to just lay down under the blanket (just before falling to sleep) randomly switching the channels of our transistor radio. Under the crunches and washes I also found the new pirate radio stations and there, among the speeches came out the echoing, rhythmic, electric guitar music. Eventually under rock music and British pop music I discovered the sounds of the black people of North America. I felt like those deep singing voices and wailing guitars would somehow also belong to this kind of environment, to rural, middle-of-nowhere Finland, surrounded by wildlife and physical work with our own hands and whatever we may get grown from the land.

- Artist/Title: Kelli Shay Hicks - Buck Again
- 6
- Format: CD
- Label: Carbon Records
- Price: $10
- Catalog ID: CR144
âA needle in one arm and a bouquet in the otherâ. This is Kelli Shay's first full-length album. The thirteen tracks here were recorded in 2005 in Chicago with Butchy Fuego of Pit er Pat. Buck Again is not unlike Kelli's live performances in its sparseness, but each song flows into the other with the addition of ambient sounds that weave through an instrumentation consisting of little more than guitar, autoharp, violin, and voice. [Each package is unique-- hand-painted in gold and silkscreened in Nashville, Tennessee at Isle of Printing.] âShe sounds like Strawberry Shortcake is coming to get meâ.
Reviews (1):
Foxy Digitalis
“Bucked Again” is the first full-length from Kelli Shay Hicks, following last year’s three song ep, “Bucked.” Reviews for that disc inevitably focused on the fact that it was produced in a handful of remote locations by independent film maker Jem Cohen (also presumably the inspiration for the new album’s “Jem”).And while she stayed in one place to record “Bucked Again” the album has a wispish intransigence to it that suggests restlessness and a fear of decay.
The packaging adds to the mystique. The disc comes housed in a die-cut cardboard case painted gold; there’s no indication at all of what’s inside. Song titles and credits are then printed on an enclosed single sheet of delicately translucent paper, giving the project an air of otherworldliness.
Once inside, the hushed chamber music feel brings to mind the best solo work of Kristen Hersh (whose debut “Hips and Makers” once guided me safely through a treacherous Rocky Mountains snowstorm as cars all around me careened off the road). The instrumentation primarily consists of Hicks accompanying herself on acoustic guitar and autoharp. Hicks is certainly an inspired fingerpicker. Close your eyes during the brief instrumental “Andy” and it’s not hard to imagine you’re listening to something off a Jack Rose disc
At the same time, though, there are subtle rhythmic touches that add immeasurably to the depth of sound. Listen to Rob Doran’s plucked bass notes as they move across “Go Away” and marvel at the way they emphasize the song’s themes of decaying romance.
Lyrically, Hicks walks that fine line between the vague and the obtuse, seemingly addressing specific people with a sparse poetry. I’m particularly enchanted by “Hospital Song.” She sings:
Don’t you let them look at you
don’t get inside their cars
once inside they try to marry you
and by then you’ve gone to far
volunteers from the hospital
come to try to give you tests
once inside the hospital
on your test you do your best
I’m not quite sure what she means, but I know exactly what she’s getting at, and the irresistible poignancy of the medical metaphor only adds even more weight. This is a disc for dark nights and quiet introspection. I look forward to further uncovering its haunting charms. 8/10 -- Scott Downing (7 August, 2007) - Scott Downing

- Artist/Title: Kelli Shay Hicks - Bucked
- 4
- Format: CD
- Label: Carbon Records
- Price: $5
- Catalog ID: CR130
a great little EP from Kelli Shay Hicks, clocking in at just under 10min. 3 field recordings of Kelli Shay's amazingly delicate, but sharp, songs-- recorded by Jem Cohen in abandonded urban spaces off the hi-ways of upstate New York. "Kelli Hicks is well versed in the timeless. While her minimalist finger picking style, gentle voice, and wry lyrics recall the 'New Americana' movement, sheâs not pretending. When you see her play, it becomes clear: This is Kelli Hicksâ music. Nothing else..." -- Chad Oliveiri, City Newspaper. "Kelli Hicks has a voice to break your heart. Her music is haunting and playful⌠Iâm left quietly devastated." -Davey Rothbart, FOUND Magazine. [packaged in a chip-board folder with 2-color silk-screen artwork. co-release with Atone Records] - check out more info on Kelli - www.kellishayhicks.com
Reviews (4):
FOUND Magazine
Kelli Shay Hicks has a voice to break your heart. Her music is haunting and playful... I’m left quietly devastated. - Davey Rothbart
City Newspaper
Kelli Hicks is well versed in the timeless. While her minimalist finger picking style, gentle voice, and wry lyrics recall the ‘New Americana’ movement, she’s not pretending. When you see her play, it becomes clear: This is Kelli Hicks’ music. Nothing else... Kelli Shay Hicks - Chad Oliveiri
Foxy Digitalis
Well, it’s not every three-song solo acoustic EP that comes in a package with these words on it: “Recorded by Jem Cohen.” But ‘tis true, Ms. Hicks was recorded by the famous indie filmmaker/F.O.F. (Friend of Fugazi) in what are described on her website as “abandoned urban spaces in upstate New York.” Hicks herself has also worked as a filmmaker and film preservationist at the George Eastman House in Rochester, NY, so I guess that explains it, call me Encyclopedia Brown.
Now based in Nashville, Hicks plays spare, folk-inspired music that dances around you, then sprints away before you can ask its name. Her lyrics are strange aphorisms: “Some other organ’s grafted where my heart’s supposed to go...Half of not’s still never, so there’s really no halfway.” It takes some effort to focus on them, too, thanks to the ambient noise that suffuses the EP. Hicks’ MySpace site features some more songs with more fleshed-out arrangements (including Hicks herself on the autoharp), and they provide an even better showcase for her oddly angled approach to songwriting. Kelli Shay Hicks - Sal Addays
Athens Banner-Herald
This is not the banal story of a doe-eyed Midwestern girl, with a big voice and three chords, who migrates to Nashville in search of Country and Western riches.
Truth is singer-songwriter Kelli Shay Hicks, performing at Flicker Theatre on Monday, came to Tennessee for the movies. No, she's not looking for music-to-silver screen crossover success; she's a film preservationist."I came here for work," she says. "I take care of old film collections. It has brought me from Chicago, where I spent my college years, to upstate New York to Nashville. I play music wherever I go."
Of course, being in a town with a musical reputation doesn't hurt."There's a lot going on in Nashville besides Music Row. I haven't been here long, but like anyplace, you can find a niche," she says, adding, "I play fiddle in a band called Mother's Best and sometimes we'll busk on the streets. It's a lot of fun."
Hicks is on the road in support of the recently released "Bucked" (Carbon Records), a three-song EP recorded spontaneously and without pretense in "abandoned strip malls off the upstate New York highways on very simple equipment."
The field recording, of sorts, was recorded by filmmaker Jem Cohen who has worked with musicians in the past; most notably R.E.M., Cat Power and Vic Chesnutt. It's no accident the man known for capturing artists on Super 8 or 16mm and the performer who preserves films collaborated to create a record that exudes a cinematic quality. "Bucked" is a record listeners can see.If the EP can not satiate your audio appetite, rest assured Hicks has plans to release a full-length, titled "Buck Again," as soon as a suitable record label can be found. An advance copy of the mastered mix reveals more of the ethereal sound Hicks can conjure with her sparse guitar, lilting voice and autoharp. - David Eduardo

- Artist/Title: kenji siratori - morgue
- 6
- Format: CDR
- Label: small doses (USA)
- Price: $8
- Catalog ID: CarbonDist_dosetwentyfour
"A divergence from the spoken-word noise that Kenji has come to be known for. Three tracks of dark, ambience that move into harsher territories. The title matches the tone of the disc. Edition of 66 stamped cdrs."

- Artist/Title: Kheta Hotem - Bowl Ceremony
- 6
- Format: CDR
- Label: Ikuisuus (Finland)
- Price: $6
- Catalog ID: CarbonDist_IKU_KhetaHotem
"Gigging with a varying and often an extensive group, Kheta Hotem has visited the studio with a somewhat stripped basic essence. This release is a collection of sense-filling presentations starting with a ritual-like bowl ceremony, which leads into results closely related with free jazz and ethnomusic. In their gig brochure the group claims they continue the more than 1000 years old musical tradition of Komutia, where the musician acts as a mediator between the world of sounds and everyday existence. The instruments Kheta Hotem use are traditional instruments of ritual music: the didgeridoo and different percussions. However, the synthesizer and the electric guitar are not forgotten, either. Acoustic instruments, including the human guttural voices, meld with those produced electrically - the traditional Komutian rituals turn into avant-garde. One can admire and listen to the outcome as an impressive technical performance, and experience the atmosphere to the marrow."

- Artist/Title: Kiss - Rock and Roll All Nite
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_KISS
- (This is a USED item)
no sleeve

- Artist/Title: Kitchen Cynics - Compulsive Songwriting Disorder
- 4
- Format: CDR
- Label: Audiobot (Belgium)
- Price: $12
- Catalog ID: CarbonDist_AUDIOBOT15
"Small and quiet places are the perfect breeding ground for fragile beauty that fights the inner demons, painting a poetic picture drenched in acid folk gentleness. Another very nice collection of songs by poet Alan Davidson, accompanied by a variety of instruments, with some great versions of Briget St.John, Ivor Cutler & a Lal Waterson songs, in a typical Kitchen Cynics style. Very inspired texts showing a poetic vision of tiny worlds situations that show a variety of perspectives, and a desire to open up like seeds. One track is a dialogue with Simon and Cara Lewis. All other songs are entirely multitracked one man performances. Like any Kitchen Cynics release, highly recommended. Alan's favourite songtitles : "I want you on a mountain top", "Snowflakes, oatcakes and earthquakes", "Lethargic lover", "Unwoozling invalid woman". If you have good memories on Pearls Before Swine, this is right up your alley... Packaged in stencil-printed fold-out jackets by design therapist Jelle Crama. Limited to only 150 copies."

- Artist/Title: Kitty Midwife + Lala - four inch giggle
- 5
- Format: 3inch CDR
- Label: Below PDX (USA)
- Price: $6
- Catalog ID: CarbonDist_BELOWPDX13
"Mostly micro-cassette recorder (circuit-altered and otherwise) processed samples journey almost linear down waterslides of churning meows, alternating creeping and whipping against ribbed oscillations. When the kittens are at play, the orchestras can often fill with delay.. You wonât find much delay and reverb here. You will have a numbing sensation in your cheek from listening to this. Your head will feel all fuzzy until your brain drains. Kitty Midwife is also in Animal Writes and she is hard at work on a full-length recording for Below PDX. .
Gross candle wax covered cases. They smell slightly intense."

- Artist/Title: KK Null / Ovo - split
- 4
- Format: 3inch CD
- Label: Sunship
- Price: $6
- Catalog ID: CarbonDist_SUN48
A cute split 3-inch CD featuring the infamous Japanese noise artist K.K. Null, and the Italian free-noise combo Ovo. Null is mostly known for his extreme guitar pieces and for leading the noise-rock outfit Zeni Gevi, but here performs some surprisingly intricate hard-edged electronica. Ovo is best known for exploring various shades of no-wave and noise-improv, however their first track is a spastic electronic-oriented remix by Miniwagonwheel. Co-released with Bar La Muerte.

- Artist/Title: Knurl - Subluxation
- 8
- Format: CDR
- Label: Wintage (Canada)
- Price: $8
- Catalog ID: CarbonDist_WRT23
"comes in a deluxe metal tin spryed down in mettalic blue car paint discs have a very nice black on black splatter effect ltd. ed.100"

- Artist/Title: Knurl - Nervescrap
- 4
- Format: CD
- Label: RRRecords
- Price: $8
- Catalog ID: CarbonDist_RRR_Knurl01

- Artist/Title: Koff Koff - the quality of life
- 4
- Format: CDR
- Label: TIBProd (Norway)
- Price: $8
- Catalog ID: CarbonDist_TIBCD75

- Artist/Title: Korperschwache - Ritual of the Ouroboros
- 6
- Format: CDR
- Label: Crucial Blast
- Price: $9
- Catalog ID: CarbonDist_CBR_ KORPERSCHWACHE_ritual
"One of two new installments in Korperschwache's ongoing tribute to the great serpent; featuring further exercises in blackened hypno-drone and necrotic black metal-encrusted trance rock from the diseased underbelly of Austin, TX, somewhere at the stygian intersection between Skullflower, Burzum, and Godflesh."

- Artist/Title: Korperschwache - Sacrifice of the Ouroboros
- 6
- Format: CDR
- Label: Crucial Blast
- Price: $9
- Catalog ID: CarbonDist_CBR_ KORPERSCHWACHE_sacrafice
"One of two new installments in Korperschwache's ongoing tribute to the great serpent; featuring further exercises in blackened hypno-drone and necrotic black metal-encrusted trance rock from the diseased underbelly of Austin, TX, somewhere at the stygian intersection between Skullflower, Burzum, and Godflesh."

- Artist/Title: Kotra - dissilient
- 4
- Format: CD
- Label: Nexsound (Ukraine)
- Price: $10
- Catalog ID: CarbonDist_NS27
"a new album by Dmytro Fedorenko aka KOTRA has a new turn in his sound investigations. The new album actually based on his precise digital noise found- sound we heard in STIR MESH album and Fourfold Symmetry (together with Kim Cascone, Andreas Berthling and Andrey Kiritchenko) project released by NEXSOUND in 2002. DISSILIENT is more improvised, more structural complex, more powerfull and more fascinating."

- Artist/Title: Koura - temperament
- 4
- Format: CDR
- Label: naninani
- Price: $10
- Catalog ID: CarbonDist_nrec005
"unprocessed and ultra-sensitive field-recordings made in japan during 2002. in my humble opinion, this is one of the most poetic work of brian labycz. text by dale lloyd. other releases on and/oar, throat... this is nrec005. ltd edition of 98 copies. printed double panel artwork + insert, white label "

- Artist/Title: Kreidler - Au-Pair
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1976
- (This is a USED item)
1998 Kiff EP release (import)

- Artist/Title: Kreidler - Appearance and The Park
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1977
- (This is a USED item)
1998 Kiff release (import)

- Artist/Title: Kuda-Gitsune - Cistern Hymns
- 16
- Format: LP
- Label: Little Mafia (USA)
- Price: $12
- Catalog ID: CarbonDist_ LM096
Collaboration between Japanes noise artist Banetoriko and non-traditional sax player Ken Kawamura.

- Artist/Title: kyle willey - fracture
- 4
- Format: DVDR
- Label: small doses (USA)
- Price: $9
- Catalog ID: CarbonDist_dosethirtynine
"the first video release on small doses. fracture is a 55 minute film made by kyle willey and scored by robe. it's an abstract atmospheric horror film of the highest order. you can see influences from merhige's begotten and hints from the likes of nosferatu and der golem. the twisted plot follows a man's battle against himself with everything at stake. the music adds a whole other level to the mood. if you've heard robe. before, imagine the imagery that the music evokes - there is fracture. dvdr with a laser etched face packaged in a heavy black folder with an insert and obi. edition of 109 copies."

- Artist/Title: L7 - Bricks are Heavy
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1919
- (This is a USED item)
1992 Slash Records release

- Artist/Title: Ladyfish - grotesque revolution
- 4
- Format: CD
- Label: d-cross
- Price: $5
- Catalog ID: CarbonUsed_28
- (This is a USED item)

- Artist/Title: Larsen / Mr. Bread - split
- 4
- Format: 7inch
- Label: bar la muerte
- Price: $2
- Catalog ID: CarbonUSED_LARSEN
- (This is a USED item)

- Artist/Title: Lava / Praying for Oblivion - space is the place / a lesson in obedience
- 4
- Format: CD
- Label: bar la muerte
- Price: $8
- Catalog ID: CarbonDist_BAR001
Lava is an ambient noise duet featuring Bruno Dorella (of OvO/Ronin/etc) and A034. Praying for Oblivion are from Nashville.

- Artist/Title: Lazurus Go Home - s/t
- 4
- Format: CD
- Label: Endless
- Price: $5
- Catalog ID: CarbonUsed_103
- (This is a USED item)

- Artist/Title: Lefterna - NOT HERE (IF ANYWHERE)/DEGREDATION-OBSESSION
- 8
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv013
The Mysterious Lefterna dropped two very distinct EPs on us, released together here... Not Here (if Anywhere) opens with a slow rumble, giving way to soft waves of contemplation in the post-apocalyptic drone-state, ending with rythmic beats and bleats that invoke just a trace of hope. Degredation_Obsession obsessively loops and degrades throughout its durations, churning all of your senses in on themselves.
Pro printed, hand numbered edition of 100

- Artist/Title: les Hommes qui wear espandrillos - Kario
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_LESHOMMES
- (This is a USED item)
German loud/post rock

- Artist/Title: LHD - Curtains
- 4
- Format: CD
- Label: PacRec (USA)
- Price: $8
- Catalog ID: CarbonDist_TRO101
"Double flamethrower/harsh city crust unit from Los Angeles. Phil Blankenship (The Cherry Point, ex-Lefthandeddecision) John Wiese (solo, Sissy Spacek, Bastard Noise, etc.)"

- Artist/Title: LHD - Young and Restless
- 4
- Format: CD
- Label: Blossoming Noise (USA)
- Price: $6
- Catalog ID: CarbonDist_BN003CD
"sonic dissemination from LA with love. harsh crust from the hearts of Phil Blankenship (the cherry point) & John Wiese (bastard noise & sissy spacek). CDep limited to 1000 copies."

- Artist/Title: Lietterschpich - i cum blood in the think tank
- 6
- Format: CD
- Label: Heart and Crossbone (Israel)
- Price: $10
- Catalog ID: CarbonDist_HCB013
"If Mark Stewart was joining Khanate and Bad Brains were playing black metal, there's a slight chance that a resemblance to what Lietterschpich (Hebrew for Liter of Cum) has achieved with their debut album will arise. This bleak digital-doom-dub shriek is bound to slap the hard-core fans of innovative harsh music.
It doesn't get more extreme than this! Featuring members of Barbara and Grave in the Sky, this is highly recommended if you like Throbbing Gristle, Volt, Stallagh, Menstruation Sisters and White Mice."

- Artist/Title: Liquorice - listening cap
- 4
- Format: CD
- Label: 4AD
- Price: $5
- Catalog ID: CarbonUsed_104
- (This is a USED item)

- Artist/Title: Livesexact - segmented purity: the remixes
- 4
- Format: CD
- Label: Hurly Burly Records
- Price: $10
- Catalog ID: CarbonDist_HBRD1413
This past year, Livesexact extended an open invite to anyone and everyone to dive in and remix a song from their debut CD, Upsetting Remedy. They received mounds of interest, so much so that they put together a full-length CD, Segmented Purity : The Remixes.

- Artist/Title: Livesexact - upsetting remedy
- 4
- Format: CD
- Label: Hurly Burly Records
- Price: $10
- Catalog ID: CarbonDist_HBRD1412
Upsetting Remedy is the debut effort of Cambridge, MA‘s Livesexact. The disc offers up twelve tracks of Livesexact‘s un-pigeon-holy strain of electro-punk-dance-pop. With synth sounds that leave the taste of metal in your mouth, beats that whip you into a frenzy of syncopated housework, and lyrics that have you sighing and smirking all at once, Livesexact delivers itself with gusto. For all its member‘s nerdly credentials, the band never loosens its grip on the groove, even on its eerier ballads. And its precise application of samples, ranging from effusive realtors to pop culture cartoons to throbbing kechak chants, creates an ambiance that each song inhabits with ease and grace, like a break-dancer on a parquet floor. One by one the tracks accrete into a vision of a world where things are sorely amiss, but if we let the music pry our minds open, and shake our booties loose, then we begin to change the situation. With full-on dancing at this revolution, Upsetting Remedy cures what ails. - F. Baird, Stupid and Clever Music

- Artist/Title: loopool - useless unless
- 4
- Format: CDR
- Label: Arbor (USA)
- Price: $8
- Catalog ID: CarbonDist_Arbor004

- Artist/Title: Lotus - 2.0
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR76
electro-dance madness from 2 computer nerds. Lotus is Mat Rademan (runs Breathmint) and MP Lockwood (aka RadioShock). co-released with Breathmint, Ren, Audiobot, Human Conduct, Little Mafia, Ignivomous, Roger Records, SNSE, Sunship and Yelpco.

- Artist/Title: Loud & Sad - False Intimacy
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv025
"Loud and Sad (Nathan Mclaughlin and Joe Houpert) sustain a state of constant motion with oscillating drifts and peaks, as wistful piano notes intermingle with low electro-grumbles. Full of warmth and the occasional streaks of cool, False Intimacy is that dream-like memory which both comforts and plagues; a sort of self-reflective lucidity.
Hand made, silk screened, stamped and numbered matchbox cases with booklet. Edition of 100.
Design and layout by Travis Johansen."

- Artist/Title: Lovid - s/t
- 4
- Format: VIDEO
- Label: kaboom press
- Price: $8
- Catalog ID: CarbonDist_kaboom01
A sound and video project by Tali Hinkis and Kyle Lapidus. Fragile compositions of the decay of sound and image present a portrait of the human figure trapped in the chaos of electronic noise.

- Artist/Title: Low - owL Remix
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1967
- (This is a USED item)
remixes of Low songs by Porter Ricks, Dj Vadim, Neotropic, Jimmy Somerville and more

- Artist/Title: Lowbelly - s/t
- 4
- Format: CD
- Label: fort hazel
- Price: $8
- Catalog ID: CarbonDist-FHM32
More Cartoon Jazz! From the happy casio melody of the opening cut to the rain-drenched final fadeout, this collection gently carries a bittersweet undercurrent to your heart. Lowbelly has become more focused while keeping a healthy stylistic mix. Included are several new jazz and electronic songs, final 16-track versions of the rock legacy, and tributes to Yes and Henry Mancini.

- Artist/Title: Luke Cincotta - every second / estimation
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR73
"the best cd you will ever listen to in your life. Better than pet sounds."

- Artist/Title: lunar miasma - blackest haze
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $4
- Catalog ID: CarbonDist_dose69
"panos alexiadis (heavensore, insult recordings) turns his attentions to analog synthesisers for his lunar miasma project. the two tracks on this disc may be his finest and most fully realized yet. deceptively simple, these layered prog synth recordings unfold slowly, revealing interesting complexities and textures. play it loud. packaged in heavy cardstock covers with insert. edition of 81 copies."

- Artist/Title: Lunt - Fragments of free vol 1
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR103
46+ mins of some very emotional, blissful guitar work from Lunt aka Gilles Deles of Hitomi Recordings. in a similar vein as Loren Mazzacane Connors, Mick Harris (Dirty Three) and our own Andy Gilmore. "...improvised with one overdrive pedal and infinite delay..." "We cannot free our music from all constraints. Neither can we free ourselves from everything. But we can make music as free as we are."

- Artist/Title: Lunt - Broken words and lost answers
- 4
- Format: CD
- Label: Hitomi Recordings
- Price: $8
- Catalog ID: CarbonDist_HITOMI01
Lunt gained the reputation for being a sound sculptor, wrapped up in his autistic sound researches, testing the sound material to its ultimate limit, also knowing how to sublimate the sadness in his most narrative compositions. After a first album mixing folk/rock songs and ambient/noisy experimentations, Lunt aka Gilles DELES has multiplied musical investigations.Sometimes producer for Melatonine, or for Angils future album, Lunt recently tried his skill at playing electro-organic music in the split album together with Virga. But improvisation remains the field where he is the most prolific. Broken Words and Lost Answers is part of this search for new languages, created in urgency, on the spur of the moment.

- Artist/Title: Lutefisk - Tin Man's Cue / Miniature in F
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_LUTEFISK
- (This is a USED item)
on Bong Load Records. transparent green vinyl

- Artist/Title: Lutnahimat - Kleine Mietzekatze
- 4
- Format: 3inch CD
- Label: Entr'acte (UK)
- Price: $8
- Catalog ID: CarbonDist_entracte31
[packaged in a sealed anti-static-type package. must destroy to open]

- Artist/Title: Lydhode - My life in the ghost of bush
- 4
- Format: CDR
- Label: TIBProd (Norway)
- Price: $8
- Catalog ID: CarbonDist_TIBCD99
"Lydhode means something like 'soundhead' and is an ongoing and open collaboration. Here it's labelboss Jan M. Iversen with Roar Borge of Cadmium Dunkel. You could expect a release about emptiness with a title like that, but it's not. It starts out in a rather free mode with sounds bouncing and colliding towards eachother, a free fall from the sky, until the temperate is raised and we land in a world of colliding loops that oddly enough reminded me of very old Merzbow cassettes. It had that similar lo-fi reel to reel tapeloop quality. It made this into quite a nice affair. A free flow of sounds that could have very well be by Bjerga and Iversen, but it's Lydhode. Nice." - Vital Weekly

- Artist/Title: Lynnfield Pioneers - emerge
- 4
- Format: CD
- Label: matador
- Price: $8
- Catalog ID: CarbonUsed_124
- (This is a USED item)

- Artist/Title: M. Geddes Gengras - Re-Vision
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv030

- Artist/Title: Mabus - Kubla Khan
- 4
- Format: CASS
- Label: Wintage (Canada)
- Price: $6
- Catalog ID: CarbonDist_wrt10
"First full length solo outing by Disguises devient Crump. Conspira-noia, perversion, and dystopia combine to create a shroud of feedback, mucas, and crunched out throbs. Warning, the fumes are still deadly on this one, the pukeist Wintage release to date."

- Artist/Title: Machine Go Boom - Thank You Captain Obvious
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1949
- (This is a USED item)
2003 Collectible Escalators release

- Artist/Title: Madame Chao Productions - Catering to the Greatest Uncommon Denominator
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1987
- (This is a USED item)
2003 .01% Records release

- Artist/Title: Madame Chao Productions - catering to the greatest...
- 4
- Format: CD
- Label: .01% Records (USA)
- Price: $10
- Catalog ID: CarbonDist_01Percent01
An introduction to the ChaoRin signature NY "TAAARD-CORE" Style. Comedy/BreakCore/Speedbass tracks by ChaoRin recording artists Dr. Klahn, Dj Wopner, Adam Chao and more representing Madame Chao Productions collected efforts from fall to winter of 2001.

- Artist/Title: Mahmoud Refat - Mirarmar
- 4
- Format: CDR
- Label: 100 Copies (Egypt)
- Price: $12
- Catalog ID: CarbonDist_100Copies001
"100COPIES is a music label based in Cairo/Egypt, releasing music from Egypt, the Arab world and International. 100COPIES is focusing on experimental music, noise and sound. Including other genres will be active with the local artists from Egypt. The recent work of Mahmoud Refat is based on memories of locations and situations that have been experienced between 2002 and 2005. Working with the raw sound material and field recordings that have been recorded in the past 3 years, and dealing with them in the present time and state of mind. 'It is is always fascinating what I find in my older sound material, and how I recognize them. It opens all possibilities to those hidden aspects and emotions of one regular reality,' Refat says. In Miramar Refat wants to pay attention to the inconsiderable sounds and patterns that has been part of his/other's daily life at the time. As you hear a call for prayer or a voice of a woman passing by, or the sound of a portable power station drifting in through the window on a normal day, then hearing it through speakers after some years. Would you react in the same way? It is to expand a person's perception of the surrounding space. Using the drum patterns in Track 3 ('Miramari') and track 7 ('2nd April2006') and keeping them on a repetitive loop. Was a slight drift towards the recognizable and familiarity. In Miramar Refat found a new language to present a musical abstraction and make it possible to the common listeners."

- Artist/Title: Mammal - Lonesome Drifter
- 20
- Format: 2LP
- Label: Animal Disguise (USA)
- Price: $12
- Catalog ID: CarbonDist_ADR100
"THIS IS BOTH THE END AND THE BEGINNING."
"Mammal's 2007 album Lonesome Drifter is a study in nihilism. It conjures up the classic themes of alienation, of "souls in isolation," of a misanthropic artist hunched over a guitar, drum machine and four-track recorder in a rustic cabin in the barren wilderness, both metaphorically and literally. Which is not to say it isn't fun. It's a work of serious outsider art, but if you look closely between the psychotic breaks you'll find smart, if stinging, doses of dark humor. How funny is the over the top ridiculousness of the opening track "Repulsion" with its minimal beat, overdriven to the point of crackling distortion, and half-step monster guitar riff repeated ad infinitum with only minor variations for over ten minutes?! But its effectiveness is undeniable -- it will have you banging your head while it sucks you deep into the world of Mammal. The second track, "Fatherlands," is just as minimal but in different terms: the guitar is muffled, quiet and drenched in reverb, the drums are absent, and this track has lyrics, albeit oblique ones seemingly thanking a mother and father before death...a suicide note perhaps? The rest of the album basically oscillates between these two extremes, with subtle variations on the theme, perfectly capturing the very essence of bipolarity and manic depression. This music reflects the psyche of an individual for whom "pissed off at the world" barely scratches the surface. These are the songs that should be playing in the iPods of Columbine kids and mall shooters everywhere, rather than lame corporate hip-hop. However, it would be hypocritical to say that none of us on the listening end have never experienced black moods such as the one Mammal resides in perpetually, so this music essentially provides a potential catharsis, and hopefully an exorcism of the demons within us all." - All Music

- Artist/Title: Marc Faris - DRONE-ON THIS; Or, Why the "New Minimalism" Is Underground Rock‘
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR42
Among men, marc faris is a puppy. Drone-On This is a confluence of many musics, not just funk-tinged bluegrass like so much of the CDR.Series. Includes 3 "pop songs" (including an ill-advised cover of Lou Reed‘s "Satellite of Love"), 3 tracks of "free improv," 1 longer "piece," 43 tracks of digital silence and 1 "hidden bonus track" (entitled "Hidden Bonus Track"). The results are not as immediately compelling as, say, the recent output of Finkbeiner or what have you, but the attentive listener will find much to enjoy. Includes instructions for devising one‘s own track sequence to suit a variety of listening environments.
[limited edition of 75, each packaged in a glossy white cd folder with a swatch of Thai paper attached to spine, and 4 double-sided postcard inserts with song descriptions. hand numbered]

- Artist/Title: Mark Feehan - MF
- 12
- Format: LP
- Label: Siltbreeze
- Price: $15
- Catalog ID: CarbonDist_SB147
While our erstwhile maestro is likely to point out personal involvement in Miamis Broken Talent or Trash Monkeys as the apex of his twisted musical endeavors, the fact remains that Mark Feehan is most likely best remembered as the other cold-blooded string-mangler that shredded synapses through the Siltbreeze era of Harry Pussy two decades ago. While recent years have seen former bandmate Bill Orcutt reinvent the essence of gut-bucket blues, Feehan whiled away the time building an exact replica of an infamous Confederate submarine (the H.L. Hunley) and traveling the world, submerged. During that tenure nestled in Neptunes realm, he created a masterful album of his ownthis very collection bearing his humble monogram.
MF is a lively mix of guitar-based compositions steeped in modal harmonics that explode into miasmic, aural waves, transporting emanations of Phil Yost, Magical Power Mako, Michael Chapman and Hans Reichel into the mind stream. Swirling, spacey eddies will open like maelstroms and flood your subconscious, but do not be afraid. That much time under water changes a man. But sometimes its for the best. And MF is a case in point. Limited edition of 350 copies.

- Artist/Title: Massaccesi - a wholesome life in the best of taste
- 4
- Format: CDR
- Label: ignivomous
- Price: $10
- Catalog ID: CarbonDist_ig105

- Artist/Title: Matthew Welch and Craig Colorusso - rusted breath quiet hands
- 6
- Format: CD
- Label: Muud (USA)
- Price: $8
- Catalog ID: CarbonDist_muud002
Matthew welch and Craig Colorusso on alto saxophone and guitar respectively. droney swells.

- Artist/Title: Maurizio Bianchi - Menstruum Regles
- 8
- Format: CD
- Label: Silentes (Italy)
- Price: $10
- Catalog ID: CarbonDist_SME0716

- Artist/Title: Max Block - Air Ache In The Belly Of The Leech
- 12
- Format: LP
- Label: Siltbreeze
- Price: $15
- Catalog ID: CarbonDist_SB148
For the majority of newbie Flying Nun collectors, The Max Blocks eponymous (and only) 12-inch release is more myth than fact. Few seemed to have been pressed, and even fewer were available in the brief window of time (mid-80s) when it was around. Unknown until very recently was that a second EP had been recorded and slated for release by Flying Nun but never realized. Air Ache in the Belly of the Leech is a compendium of both, and thus the complete recorded works of The Max Block. Youre welcome. Some background: The Max Block is where Maryrose (née Wilkinson) and Brian Crooknow the power couple behind The Renderersjoined forces for the first time. Maryrose was coming out of Above Ground, and Brian out of Scorched Earth Policy. With the enlisted talents of Rebecca Shanahan and Robbie Stowell, The Max Block pushed different boundaries than other active Christchurch bands at the time; they came out slinging a brain-splattering goo of art-spaced, Pere-Ubu-seared cerebellum, and frenetic, Mars-fried medula oblongata. Such tantalizing aromas! Pardon me, garçon, but make mine deux. Bottom line, Siltbreeze is proud to make available this remarkable and awesome collection, much of it seeing the light of day for the first time ever. Edition of 500.

- Artist/Title: meditations - eternal absence
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $5
- Catalog ID: CarbonDist_dosethirtythree
"this is the third release from this trio - franklin teagle, matt yacoub, and ryan mcgill (bones of seabirds). schizophrenic noise -PE-like one moment dark ambience in others - of the highest order - drenched in feedback with a heart of stone. cover art by matt yacoub. edition of 115."

- Artist/Title: men scryfa - the sky was troubled with the dread strength of the wind
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $6
- Catalog ID: CarbonDist_dosefourteen
"Men Scryfa is Chris Naughton and Simon Lucas of Atavist. Atavist is a good starting point to envision the sound for this project, but they take the sound in different directions than the band that brought them together. It's heavy and plodding, but progressive and melodic with spoken vocals. It feels a bit like a doom metal version of something from Slint's Spiderland record. Absolutely fantastic. Edition of 199 copies."

- Artist/Title: Metal Tech - sounds through fishing lines
- 4
- Format: 3inch CDR
- Label: Digitalis Industries
- Price: $5
- Catalog ID: CarbonDist_foxglove022
an appropriate title if there ever was one. these loose, noisy improvisations dangle in the air, communicating in the way of the old world. telegraph lines hang in the balance, hoping not to snap under the pressure. claustrophobic whirs and buzzes sit next to fuzzy drones, all hoping that their imminent death isn't just around the corner. there's a subtle, fragile beauty here, too. but i find that in all things chaotic

- Artist/Title: Mi Or And The Pedestals - |||||
- 6
- Format: CASS
- Label: Zum (USA)
- Price: $6
- Catalog ID: CarbonDist_ZUM_TTT005
"Solo project of one Ceci Moss (formerly of Boxleitner and SSSSpectres), 40 minutes of synth wash and vocal bits sifted in, percussive and weird! Total find! Limited edition of 90"

- Artist/Title: Mice Parade - Collaborations
- 4
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_MiceParade_collaboratios
- (This is a USED item)

- Artist/Title: Michael Krassner - s/t
- 4
- Format: CD
- Label: Truckstop
- Price: $8
- Catalog ID: CarbonUsed_62
- (This is a USED item)

- Artist/Title: Midwich - 3 days in, 4 to go
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR61
30+ minutes of minimalistic electro-drone by this one-man machine from Leeds, UK. ů?? one of the men behind the amazing Fencing Flatworm label. [hand silk-screened covers in simple slip case, each one differently colored. limited edition of 75]

- Artist/Title: Mighty Mighty Bosstones - question the answers
- 4
- Format: CD
- Label: Mercury
- Price: $5
- Catalog ID: CarbonUsed_102
- (This is a USED item)

- Artist/Title: Mike Shiflet - Xenakis Youth
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR82
10YR.Series.02 - the second in the Carbon 10 year anniversary CDR series.This is an AMAZING collection of tones, glitches and drones. Would fit perfectly on your shelf alongside releases from such labels as Mego, Touch, Raster-Noton, etc. I was blown away by this when i got the master CDR from Mike in the mail.

- Artist/Title: Mike Shiflet and Ryan Jewell - Hysteresis
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR183
This is the fifth release in the Carbon 15YR.Series. 35+ minutes of controlled feedback, drone, silence, static, samples and acoustic/live improv. [packaged with silk-screened logo over a unique "sampled" page in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: mikroknytes - s/t
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1910
- (This is a USED item)
2001 full-length release on Crank Automotive

- Artist/Title: Milkmoney - Wheelie
- 4
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUsed_WIC1002
- (This is a USED item)
slow and heavy, kinda like Codeine

- Artist/Title: Ming - Versus the Great Satan
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR83
10YR.Series.03 - the third in the Carbon 10 year anniversary CDR series. the anonymous force of Ming, in the great battle for the hearts and minds of all beings everywhere, from the Great Satan. the battle rages on....

- Artist/Title: Minmae - Vonsachiang
- 4
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_Minmae_Vonsachiang
- (This is a USED item)
on Airborne Virus and (Records)

- Artist/Title: Minmae - My Quiet Life
- 4
- Format: CD
- Label: blackbean and placenta
- Price: $5
- Catalog ID: CarbonUSED_Minmae_myquietlife
- (This is a USED item)

- Artist/Title: Mix Master Mike - Anti-Theft Device
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1963
- (This is a USED item)
1998 Asphodel release

- Artist/Title: Mold Omen - Blacktop
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_010
"Mold Omens Blacktop wastes no time initiating a continuous battle between a heavy, droning maelstrom of noise and the electro-melodies desperately trying to free themselves. By the end, the balance between forces becomes a serious mantra for the head. With a lo-fi sonicscape that wreaks of scorched earth, this Baltimore duo knows how to leave a serious path of devastation in their wake."

- Artist/Title: Monarch! - Mer Morte
- 6
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR82
"Yeah, this was supposed to come out ages ago, but a variety of impediments stalled it's release until now. The Crucial Blast release of Mer Morte is finally freakin' out, though, and I gotta say, it looks and sounds just as great as the previous Monarch collection on C-Blast, Dead Men Tell No Tales. If you've been following Crucial Blast for a while, you probably already know all about Monarch, the extreme slow-motion sludge/doom band from France who plays so slow, so glacially, that Decibel said in their review of Mer Morte that "even at their fastest, Monarch! sound dead". They ain't kiddin'. Monarch's previous releases pushed the envelope on just how slow and miserable and anguished one band can sound, but here their crawling black drones and tectonic doom rumble seems to actually be decaying. If you're looking for some big, fat riffs to bite into, this isn't the place to look. Like our previous Monarch release Dead Men Tell No Tales, Mer Morte is a reissue of a vinyl release that came out on the Spanish label Throne Records, this one from back in 2008. The Lp featured the monolithic track "Mer Morte" split into two halves across the two sides of vinyl; now, most Monarch fans find it pretty hard to not lust after their vinyl releases, which are all beautifully packaged and always super-limited, but it's also cool to hear the song uninterrupted, to hear it unfurl it's rotting black wings in it's entirety without pause, which is why we wanted to make this available on disc. And it's truly gargantuan sounding on this re-issue. Mer Morte is a single unbroken thirty-four minute sludge-and-feedback feast that sprawls out even further into the dismal black void that these French doom junkies have been lurking in for the past six years. As with previous releases, Monarch move through massive blackened tar pits of low-end riff and sheets of gluey feedback that are stretched out into monolithic slabs of sound across "Mer Morte", a grim, glacial ultra-doom monolith that crawls at a saurian sub-tempo. It's the most droning, static, deathly doomdrone that Monarch have so far released, not really that propulsive, certainly very little of anything that you could call a "groove", but instead just floating, decaying and corrupted, massive rumbling crush hovering in a sea of yawning blackness. And vocalist Emilie sounds as gaunt and ghostly as ever, her vocalizations materializing across the spatial doomscape as distant ululating wails, breathy whispers, and putrid death shrieks, at times disappearing almost completely into the black fug for minutes at a time, or lurking as a hushed lullaby whisper way off on the edges of the crushing subterranean thrum. At the same time, this disc captures the band at their most formless and distended, with long sections of droning buzz where the band collapses into waves of pure amp-rumble and minimalist percussion, smoldering black clouds of ghostly cooing vocals and howling feedback drone, and eerie tectonic melodies...definitely one of their most extreme and dismal slabs of doom yet, more ambient drone than doom really, but still completely CRUSHING. And once again, we've worked with the artisan printers at Stumptown Printers to create the packaging for this Monarch disc, presenting Mer Morte in a black offset-printed jacket with gold metallic printing and more artwork from Monarch's Michell. Might have taken awhile, but the wait was worth it!"

- Artist/Title: Monarch! - Dead Men Tell No Tales
- 8
- Format: 2CD
- Label: Crucial Blast
- Price: $12
- Catalog ID: CarbonDist_CBR59
"Hailing from the picturesque Northern Basque Country of France, MONARCH! unleash a slow motion avalanche of impossibly glacial, blackened sludge and hypnotic feedback, each song a series of epic tarpit riffage stretched out eternally over lumbering drums and the cavernous rumble of speaker cabinets. Over these yawning expanses of black void appears the demonic, throat-shredding shrieks and ghostly singing of Emilie, whose petite appearance belies one of the harshest throats in the underground Doom spectrum. Beyond heavy. MONARCH!'s mega-crawling ambient doom/drone/sludge follows in the grand tradition of fellow tarpit adventurers Melvins, Corrupted, Noothgrush, and Black Sabbath, and accompany their music with an iconoclastic design style that decorates their material with deceptively cute imagery drawing from the collective influence of Sanrio, Japanese animation, European graffiti, weirdo hardcore, and skateboard culture. This double CD set contains both MONARCH!'s newest album Die Tonight, and the now out-of-print Speak Of The Sea LP, both released in limited vinyl editions as European imports, with additional unreleased songs exclusive to this release. The North Amercian version of Dead Men Tell No Tales is presented in an offset-printed, 4-panel case printed by Stumptown Printers, with all new original artwork in the band's unique design style. "

- Artist/Title: Money Mark - Marks Keyboard Repair
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1958
- (This is a USED item)
1995 MoWax release

- Artist/Title: Monolith Zero/Never Presence Forever - split EP
- 4
- Format: CD
- Label: 804Noise (USA)
- Price: $8
- Catalog ID: CarbonDist_804_003
"This split CD brings together two artists with varied approaches to noise and abstraction that combine to form a complex vision of the possibilities of sound. Monolith Zeroâs world brings to mind dimly lit interiors, where small buzzes on the threshold of audibility threaten to erupt at any moment and the tiniest strands of sound carry an almost unbearable tension. Small movements carry great weight inside this space, where raw electricity is guided, channeled, and shaped, but never tamed. Monolith Zeroâs terse economy is at times reminiscent of Japanese masters like Ryoji Ikeda and Toshimaru Nakamura, but this music develops according to its own unpredictable rhythm, with extreme dynamic shifts lurking around the corner. The music of Never Presence Forever is above all immersive. These wavering drones fused with fits of distortion suggest tortured conflict and cry out for volume. Reference points like Merzbow (whom Never Presence Forever has remixed) and Megaptera place these dark ambient/death industrial pieces in a realm where the everyday sounds of technology (the transformer hum in a vacant lot littered with refuse, a blast furnace echoing in a concrete stairwell) express ominous atmospheres. The tracks flow one into the next forming a coherent 20-minute piece that ranges from quiet, meditative low-end tones to shrieking metallic scrapes.[MR] First pressing of 1,000 copies"

- Artist/Title: Monroe Mustang - Carcrash Head / Wusses
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_MONROEMUSTANG
- (This is a USED item)
on At a Glance Records - 1994

- Artist/Title: Moth - 1997-2003
- 6
- Format: CDR
- Label: rhizome
- Price: $10
- Catalog ID: CarbonDist_rhcd24x
"this disc compiles recordings previously available on the ghost town by the sea, kodak ghost poem and the secret tapes releases. "

- Artist/Title: Motoko Shimizu - Jennie and Me
- 4
- Format: CDR
- Label: Quodlibet (USA)
- Price: $6
- Catalog ID: CarbonDist_QLCDR-03
"Solo Turntable compositions for young and fun people - appropriate for the beach, cocktail parties, crime scenes, giant squid sightings and much more. The 5-foot woman strikes again with her sidekick turntable Jennie - phono needles everywhere beware! (for fans of Christian Marclay, 90's Otomo Yoshihide and DJ-collage music in general)" [Ultra-limited edition in clear poly-keeper]

- Artist/Title: Movere Workshop - Western Hamlet
- 8
- Format: LP
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_MOVEREWORKSHOP
- (This is a USED item)
on Word/Object Records. 1999

- Artist/Title: mr mutton_deluxe - not in the lake
- 4
- Format: CDR
- Label: sijis
- Price: $8
- Catalog ID: CarbonDist_sijisep02
"mr. deluxe finally bites the bullet and admits with this release that yes, he‘s a better accordion player than carl craig. with a body of work made possible by a kind donation from the justice league of america, mr. deluxe presents us with an worldview based on the belief that fashionable people are more flammable than you might expect. he‘s willing to take the risk for you, so stany low and wait for the fire engines to arrive"

- Artist/Title: Mr Natural - I Cooked Your Eggs
- 4
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_MyNatural_eggs
- (This is a USED item)
on Gender-less Kibbutz records
Add to CartSong Previews:
Suite Marine
Prom Shrine
- Artist/Title: Muler - Hope You Found a Home
- 15
- Format: LP
- Label: Carbon Records
- Price: $15
- Catalog ID: CR197
THIS LP COMES WITH A COUPON FOR FREE DOWNLOAD OF HIGH 320MBPS TRACKS
After a 10 year hiatus, the boys (now men?) of Muler decided to get back together to document some lost (never recorded) gems and some brand new tunes. Recruiting a couple old friends, the 5 guys went into the studio and laid themselves out on these 10 tracks, blending the old with the new, and keeping it all fresh and lively. All proceeds from this record are being donated to The Grant Fund (www.thegrantfund.org).
played and written by: David Baumgartner: vocals and guitar Sean Leahy: drums and vocals Daniel Smith: guitars and vocals Joe Tunis: bass, noise and vocals Will Veeder: guitar, piano and vocals
with
Kris Durso: guitar Nathan Montague: harmonica
photographer: Jason Wilder
model: Casey Daggett
design/layout: Chris Reeg with Joe and Dave
recorded and mixed at ACME Recording Company Rochester NY, in the Summer, Fall and Winter of 2010.
engineered by Luke Yaeger. mixed by Luke and Muler.
mastered by David Hurtgen
we dedicate this record to Anna Nuuja, Jen Schoen and Grant Stone.
All proceeds of this record are being donated to The Grant Fund. www.thegrantfund.com
thanks.

- Artist/Title: Muler - thrush
- 4
- Format: 7inch
- Label: Carbon Records
- Price: $3
- Catalog ID: CR04
Muler are a noisy pop 4-piece. Most songs are fast and catchy. They have recently released their first full length CD on Dedicated Records (distributed by BMG). They also have 3 other singles out and a couple tapes. The most recent 7" single release is on Deep Elm Records out of NYC, where they play frequently. Check out their full length, which was recorded by Adam "Red" Lasus..

- Artist/Title: Muler - here comes nod
- 4
- Format: 7inch
- Label: Carbon Records
- Price: $3
- Catalog ID: CR15
here comes the second Carbon Records single by the best indie pop band in Upstate NY. the 7" single contains 2 tracks, here comes nod and ghost writer.

- Artist/Title: Muler - motelbibleschool
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR18
their best recording yet. 6 songs of pop/rock magic. great song writing, great feeling. "i listened to that fucking thing about 50 times on the drive from NYC to Norfolk. i am totally astounded by this one, man. i can‘t figure out why they‘re so damned great at writing pop songs. every single song on there is totally amazing in its own way."

- Artist/Title: mystified - skywatchers
- 4
- Format: CDR
- Label: small doses (USA)
- Price: $8
- Catalog ID: CarbonDist_dosetwentyeight
this is a concept album of sorts from mystified's thomas park. dark, shimmering ambience - sometimes transcendent, sometimes unnerving, but never anything less than engrossing. packaged in hand torn vellum with a torn insert. numbered edition of 121 copies.

- Artist/Title: Need New Body - s/t
- 6
- Format: CD
- Label: Cenotaph (USA)
- Price: $12
- Catalog ID: CarbonDist_ct006
"Dax Blackwood, Sam Browne, Dinsdale Jiminez, Chris Powell, Chris R. Mostly recorded at Truckstop Audio, Chicago by Blue Hawaii, June 12-19 2000. Mastered by Joe Kraus at Masterworks, Philadelphia."

- Artist/Title: Nekrasov - Extinction
- 8
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR86
"Riding atop the recent wave of black metal/noise hybrids who combine the bleak frosty riffs and blackened ferocity of underground BM with blown-out and corrosive strains of industrial noise (see also WOLD, Emit, Grief No Absolution, Enbilulugugal, Vargr), the Australian one-man band Nekrasov has so far made a substantial mark in the realm of extremist necro-racket with a series of limited edition, brutally abrasive albums (Cognition Of Splendid Oblivion, The Form Of Thought From Beast, etc) that have mostly been self-released, save for some recent offerings on labels like Siege Of Power and Chrome Leaf. Early on, Nekrasov's sound was steeped in caustic noise, a blazing industrialized black metal assault that was doused in heavy levels of irradiated distortion and Merzbowian skree. But more recently, it's mutated into less metallic regions, alternating the hyperblast black metal with forays into crushing, demonic wall-noise and blasted ambience. Now, Nekrasov is back with a new full length (the first for Crucial Blast), and it's the most advanced slab of their blacknoize terror that we've heard so far. An octagonal prism of isolationist drone, flesh-rending mechanical black metal, abstract otherworldly beauty, claustrophobic industrial dread, and the most violent, suffocating strains of harsh noise, Extinction is pure cyclonic contempt for humanity. The eight-song disc combines hyperspeed cybernetic blastscapes and bleak black metal riffage, the tracks often revealing snarled minor key melodies that are buried deep beneath blizzard blasts of machinegun drum machines, the drums veering through nerve-fraying rhythmic shifts, and acidic croaks bathed in black hiss. Triumphant frost-bitten riffs scream out of maelstroms of violent distortion, and Choral voices soar through a cyclone of helicoptering blastbeats and sheets of blown-out, ultra distorted drone, streaked with bits of gorgeous vibraphone-like melody, somber Hammond-like organ drones and looped synth, sometimes breaking off into grinding slo-motion industrial throb or swirling kosimiche drift. The tracks on Extinction go back and forth between the noisier, more industrial like material and overt black metal, though the two sides of Nekrasov's sound are always present together. When the sound does move into pure noise, it's either vast fields of minimal ambient drift, metallic clank and distant percussive sounds, utterly bleak Lustmordian soundscapes, or crushing, almost HNW-style slabs of molten noise, scouring waves of hellish skree and crushing slow-motion tidal surges of jet-black sonic syrup flecked with dubbed-out blasts of tectonic crush and electronic glitches that ripple across the void. Closing the album, the title track descends even further into black industrial crush, a monstrous, almost seventeen-minute long sprawl of plodding, simple drum pound echoing within a slowly swirling fog of distorted fx, churning, billowing black ambience, buried black buzz, an endless whirlpool of blown-out synthesizers and the immense black breath of leviathan lungs heaving deep below the surface. Like everything else from Nekrasov, this album is loaded with blasting inhuman drumming and ferocious riffing that form into noise-drenched trance-scapes of bestial industrial BM, but the attention to texture and sound sculpture elevates this above most mechanized black metal projects, with immersive layers of electronic sound, creative stereo panning techniques, and other production tricks that create a harsh, alien atmosphere that is pretty unique to Nekrasov's sound. This is a scorching new chapter from one of our favorite bands out there right now fusing black metal and noise. The cd version comes packaged in a full color six-panel digipack."

- Artist/Title: Nerves - new animal
- 4
- Format: CD
- Label: Thrill Jockey
- Price: $8
- Catalog ID: CarbonUsed_69
- (This is a USED item)

- Artist/Title: New Order - Get Ready
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1968
- (This is a USED item)
2001 London release

- Artist/Title: nicholas szczepanik - a stillness rarely seen
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $6
- Catalog ID: CarbonDist_dosetwentysix
"This is a new 21 minute composition from Nicholas. He never does the same thing twice, so it's not very surprising to say that this is completely different from the previous release on Small Doses, Astilbe Rubra. It's a very quiet, contemplative, and, at times, heartbreaking piece of music. Edition of 139 with a front cover photo by Rob Dobi."

- Artist/Title: Nicolas Felix Kauffman and Stefan Geoffrey Neville - OWL LOW
- 4
- Format: CDR
- Label: Carbon Records
- Price: $10
- Catalog ID: CR124
46+ minutes of acoustic guitar, bells, woodwinds, primitive percussion, patented Pumice-style buzzing guitar, organ/keyboard, drone-vocals and more from Stefan Neville (aka Pumice) and Nicolas Kauffman (part of Family Underground - Denmark) . recorded 2005 in a giant concrete room, this release is a fine companion to Stefan and Nicolas' other recordings on various other labels such as Last Visible Dog, Soft Abuse, Audiobot, Chocolate Monk, QBICO, Into the Lunar Night). [packaged in hand-silkscreened cardboard cover in various colors]
Reviews (1):
Foxy Digitalis
Once again, New Zealand’s musical chameleon Stefan Neville (solo as Pumice, and a collaborator with what seems to be an entire musical microcosm) proves that he – quite literally – plays well with others. On “OWL LOW” he’s teamed up with Nicolas Kauffman, a member of Denmark’s Family Underground. FU specialize in creating thick, blackout-inducing, sky-high walls of extended, malleable drone. This recording was laid down live to Walkman in a large concrete room in Copenhagen in early 2005. Both Kauffman and Neville agree that the environment is the true star of the recording; the natural echo chamber was a vehicle, accentuating their drunken ‘cosmic delusions.’
Musically, “OWL LOW” resides more in Pumice territory than in the miasmic drone world of Family Underground, but there is definitely no clear captain of the ship. This is a true collaboration: the influences of both musicians are unmistakably reflected in the recording. The first track (the track names are all blank, perhaps an invitation for us to fill them in) features guitar, flute and bells and evokes an afternoon prayer session in an East Asian temple. The guitar is minimal at first, leaving vast spaces for the other instruments to occupy; gradually, the tempo increases and a mysterious percussion element provides a subtle rhythm. The guitar disappears entirely and the room fills with the clatter of numerous bells. Spectral voices groan out from a dark corner of a forgotten ruin, calling to us to join them in their agony.
For some reason I find this music extremely comforting, as if I’m being wrapped snugly in a warm blanket. Perhaps it’s the raw nature of the recording, or the delicate simplicity of the song structures. Or perhaps it’s the echo effect created by the giant concrete room. Whatever it is, it makes the recording worthy of repeated spins on the CD player.
The fourth track features some signature Pumice-style fuzzed out guitar scrapings overtop mournful organ tones. The music quickly swells into an amorphous bubble of high-pitched sonic madness that somehow dissolves into a lone hand drum keeping a steady beat. A persistent buzzing drone permeates the sixth and final track of “OWL LOW,” along with ringing bells and some murky unidentifiable percussive sounds. The latter half of the album is definitely noisier and more abstract than the first half.
The CD-R comes encased in a silk-screened cardboard cover with a self-closing flap, and a paper envelope with the Carbon Records address stamped on it. I’ve been seeing more and more of these self-closing cardboard CD covers popping up lately, and I like the utilitarian design that they offer. The artwork calls to mind the photocopied cut-and-paste ‘zines of the eighties and nineties. “OWL LOW” is certainly a welcome addition to the lengthy discographies of these two prolific artists. Collaborative improvisations such as this one prove that the concept of synergy is in full force in this small world of ours. 8/10 -- (11 September, 2006) - Bryon Hayes

- Artist/Title: Nirvana - Smells Like Teen Spirit - CD single
- 4
- Format: CD
- Label: USED
- Price: $2
- Catalog ID: CarbonDist_USED_NIRVANA_SMELLSLIKE
- (This is a USED item)
contains Smells Like Teen Spirit, Even in His Youth and Aneurysm

- Artist/Title: no. 9 - where come from? EP
- 4
- Format: CD
- Label: Locust Music
- Price: $6
- Catalog ID: CarbonDist_locust35
Where Come From? And Where To? features the aforementioned cut off of his North American debut disc, Mushi no-ne, and two generous remixes: Hrvatski locks No.9 into a galactic rub and dub mix of typically high quality tom foolery and Chicago producer/musician Bundy K. Brown (Directions in Music, Pullman) gives Where come From? his usually high caliber surgical treatment with an extended, post glitch minimal makeover.18 minute EP

- Artist/Title: Nod - O Nod O Moon
- 8
- Format: CD
- Label: Nod Recordings (USA)
- Price: $8
- Catalog ID: CarbonDist_ONodOMoon
"O Nod O Moon captures Nod at a rejuvenation point in their storied career as indie-rock castaways. Like a splash of fresh water on your face after working a long, hot, irritating day, Nod delivers you to a forgotten freedom. Lyrical themes on O Nod O Moon include a wide range of subject matter, including work theft, the moon, divorce, money problems, and love. Keeping with Nod tradition, the recordings here vary from plush and polished studio recordings ("Syddy", "Feeling Kinda Pouty") to the bare, first take, mumbling of pretty song ideas ("Old Man Waiting for You"). Fans of Nod will love this release for it's twisted blues, off-kilter tunings, and slippery pop melodies. New fans, many of whom were not yet born when Nod first formed on the beaches of Lake Ontario in 1990, should prepare for aural initiation. This is pure Nod."

- Artist/Title: Nod - radio giddy-up
- 4
- Format: CD
- Label: Smells Like Records
- Price: $8
- Catalog ID: CarbonDist_slr033
Nodâs sophomore SLR effort, 1999âs Radio Giddy-up, was an even more realized batch of too-tremoloed post-garage goo, whose undulating grooves resemble early Talking Heads in that you simply canât believe folks this white manage to get this funky. The dry as bones production magnifies the crisp snare snaps, cymbal static, crusty guitar grease, and the rubber band-est bass this side of Bootsy. Moments like the single-string Verlaine-on-âludes riffage of Love Is On Fire, the infectious gang vocal coda of For Me For, the vaccum-sealed unison stutters of New One, and the Beefheartian bramble of Beefy, make the best case for the the bandâs uncanny knack for assimilating and expanding on whatâs come before. Getting the trad. stuff right (and using the right trad. stuff), yet also adding to the vocabulary in ways only an inspired misappropriation can

- Artist/Title: Nod - magnetic anomaly
- 4
- Format: CD
- Label: Smells Like Records
- Price: $8
- Catalog ID: CarbonDist_slr025
Nodâs inaugural SLR release, 1998âs Magnetic Anomoly, got the proverbial ball rolling by making a severe break with the Stooges-on-âshrooms aesthetic of their earlier, self-released albums and singles. Suddenly leaner and limber, the group warps its way through a bluesy bongwater-bath whose highlights include the greasy squeaks of Prescription Bottle. The title trackâs handclaps and disco hi-hats, and the Stonesy crescendoes of Alba Kirky.

- Artist/Title: Nod - good night sleep
- 4
- Format: CD
- Label: Smells Like Records
- Price: $8
- Catalog ID: CarbonDist_slr046
Levitating somewhere just above lo-fi, Good Night Sleep surfs easily from genre to genre, with the requisite charm of intact first-take stumblings. The opening track, Old Hotel, is dreamy and groovy pop, with spacey, doubled vocals and overdriven yet mild mannered guitars. The strange folk of Walk the Little Man has Scrappy Joe singing: You are my baby/and I love you/but youre crazy/So am I/Poke each other in the eye, in his hypnotic fairy tale-teller voice. Drunken dub debauches collide with fuzzed, electric Fahey fingerings across a skifflesque shuffle - all in a days work for one of the only working rock groups with a truly original sound.

- Artist/Title: Nod - Tree Stuff and Lightning
- 6
- Format: CD
- Label: Nod Recordings (USA)
- Price: $8
- Catalog ID: CarbonDist_NOD_treestuff
after 3 full length CDs for Steve Shelly's Smells Like Records, Nod are taking it back, self recording and releasing this gem of a record. And Nod is now back to being a four piece, including Scrappy Joe (G+V), Tim Poland (B), Brian Shafer (D) and the newest member, Chris Schepp (K).
"Since 1990, Nod has been releasing music which runs the gamut from experimental to conventional yet always wonderfully astray... The Nod muse is a many-hued beast â simultaneously funky, crushing, and just plain spaced out. There is a Shaggs-like innocence in their execution, which shouldn't be mistaken for indifference; precious few rock units become as intimate with their sound as Nod does with their creepy as all get-out caucasoid funk, which swings like Lynfield Pioneers fronted by Drungo LaRue Hazewood. "

- Artist/Title: NOISEM - +-
- 6
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR67
"The first real release from the Japanese glitch/shred duo Noism, following their appearance on the Relapse compilation Drummachinegun and a series of demos. Formed by guitarist Yoshiro Hamazaki and programmer Tomoyuki Akiyama in 1999 in Tokyo, Noism focuses on ridiculously complex and spastic death/grind instrumentals using programmed drums that are cut up and spliced back together into impossible rhythms, a million brain-melting riffs and dissonant shredding, all of which is chopped up and processed into abstract death blasts that defy physics. This twelve-song, twenty-one minute disc features a unique, glitched-out chop shop of Planet Mu-style beats delivered at truly meth'd levels of chaos fused with sweeping technical death metal. Insane. Highly recommended for fans of extreme, way-out avant-guitar spazz and absurdly technical deathgrind. "

- Artist/Title: Not My Son - Gruesome Worms of Hate
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_NOTMYSON
- (This is a USED item)
on Reflection Records

- Artist/Title: Novoe Tsarstvo - Voda Naidet Teply Dim
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_012
"This ever- fluctuating group of musicians from Russia finds themselves teaming up with other like-minded musicians in Finland. A precursor to a forthcoming LP on 8mm and a follow up to a self released cassette, Voda naidet telpy dym showcase the breadth of this collectives sonic force as they explore improvisation by melding jazz, drone and folk melodies.
This double-sided suite documents the group live in Helsinki 01/02/2011.
Pro Printed inserts on heavy card stock. Hand numbered edition of 100."

- Artist/Title: Nuuj - plays sad songs for gurls
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR37
Disgustingly pretty multi-tracked instrumental guitar songs. In some ways a natural extension of his song writing for Hilkka, in other ways something entirely different. If Nuuj really thinks that your average girl would actually like these songs, then it‘s obvious why he‘s been such a success with the ladies. No matter how hard he tries to write pop songs, or how happy he actually is, all his songs come out in some sense sad. [limited edition of 75, packaged in standard jewel case with color insert and tray card]

- Artist/Title: NĹh - s/t
- 6
- Format: 3inch CDR
- Label: Carbon Records
- Price: $6
- Catalog ID: CR158
duo of Larry J Patti (Foot and Mouth Disease) and Joe Tunis (Joe+N, Crush the Junta, Entente Cordiale, former-Pengo, etc), doing analog and electronic heavy/deep synth. [3" CDR housed in a LP cover, sprayed and stenciled. limited to 50 copies!]

- Artist/Title: N'at King Tron - in the presence of peasants
- 4
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUsed_natkingtron
- (This is a USED item)

- Artist/Title: OBJEKT4 - Her Face Among The Shadows
- 4
- Format: CD
- Label: Ravenheart (Czech Republic)
- Price: $4
- Catalog ID: CarbonUsed_Raven43
- (This is a USED item)

- Artist/Title: OBJEKT4 - her face among the shadows
- 6
- Format: CD
- Label: Ravenheart (Czech Republic)
- Price: $10
- Catalog ID: CarbonDist_Raven43
"Swe. Next dashing dark ambient album from Objekt4 "Her Face Among the Shadows" including new never released 4 bonus songs" Each track starts with gently undulating tones, building on that base and adding swirling mists of sound and menacing atmosphere that ultimately increases in anxiety. Dark horror, thriller soundtrack andcombination of menacing atmosphere...drones build before crashing beast and heavy bass. Rhytmic and frame-chaotic and desperate trip to other side of light!"

- Artist/Title: old fashion monkeys - carnival is burning
- 4
- Format: CDR
- Label: Gold Soundz (Norway)
- Price: $8
- Catalog ID: CarbonDist_GS033
two tracks from Nicolas Malevitsis and Panagiotis Spoulos from 2005.

- Artist/Title: Opticsp - blocks
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR55
BLOCKS consists of feedback loops generated with analog equipment. Signals were generated with a synthesizer, combined through an effects processor which fed the signals back into itself. Also, recording signals for ADAT recorders were fed through a mixing board, processor and then back then back into itself therefore creating a loop. All of the sounds on this recording were generated in real time and were only manipulated to combine tones. There is no signal processing outside of the real time system. [hand-packaged in slip-cases with full color printouts on heavy yellowish-green cardstock. edition of 100]

- Artist/Title: Origami Arktika - at Royspytten
- 6
- Format: 7inch
- Label: Killer (Norway)
- Price: $7
- Catalog ID: CarbonDist_Killer009
"The same Origami Arktika dreamteam line up as the last single on killer - at Snippen. This time the Norwegian folk music undercurrents are even more pronounced, including their very own version of a Jørund Telnes song (Norwegian folk music performer). Since last time the band has released several CDs - >brook< - a spilt CD with Lull and a live CD from Poland. This single is the first material to arrive from their latest session and hopefully the rest of this material sees the light of day. Origami Arktika sounds like nothing else on earth, a bit folk music, a bit drone rock, a bit outlandish as a freeform arctic storm. Personnel are Tore H. Bøe, Kai S. Mikalsen, Bjarne Larsen, Rune Flaten and Kjell Ă. Braaten. Current activities include Salvatore, several Origami fractions, Kobi, Ka, Sketch, Palace of Pleasure and a lot more. Beautiful colour cover courtesy of Jarle Hrafn Grindhaug. 45 rpm, edition of 300 where 100 are on dark lilac vinyl "

- Artist/Title: Origami Genitalia - The Aboriginal Sin / Rigid Compression Fixation
- 6
- Format: CASS
- Label: E.F. Tapes (USA)
- Price: $6
- Catalog ID: CarbonDist_EFTapes_OrigamiGenitalia
C-46 - "at times a kaleidoscopic soundtrack for high-risk behavior: indulgences in vice alternately presented as legitimate male rites of passage and as the cold rush of extreme sports. instruments and non-instruments combine to create dark atmospheres where altered states of body and mind are celebrated and codified. at other times pure aural catarsis providing a peek into the exhaustion of crippling lethargy and the brain chemical reactions leading to clinical depression."

- Artist/Title: origami minimalistika - x12
- 4
- Format: CDR
- Label: TIBProd (Norway)
- Price: $8
- Catalog ID: CarbonDist_TIBCD26
from what i can gather, the minimal subunit of the origami non-organization.

- Artist/Title: Origami Replika - kommerz - merzbow in the hands of origami replika
- 6
- Format: CD
- Label: Segerhuva (Sweden)
- Price: $12
- Catalog ID: CarbonDist_seger003
"This CD sees Origami Replika (a now defunct part of the ever changing Origami cultural collective/phenomenon) made up by three of Norway's most diehard noiseheads -- Lasse Marhaug, Tore H. Bøe, and Mads Staff Jensen. Recorded in 1997, this effort is entirely based on sound sources from the back catalogue of Merzbow. With no back-bending, knee-scraping humility, and with a pure love for all source sounds, Origami Replika have shaped classic Merzbow sound into all-new compositions. These are innovative and highly potent re-workings of the harsh soundwaves, recommended to all those who still have a healthy addiction to the Merzbow sounds of yesterday. Thick and meaty, the blasts emanating from the speakers is filled with lusty, fetishized, organic heavy noise and experimental Dadaism, ready to be devoured by the faithful disciples. Originally planned for release on another label, and now finally unleashed on Segerhuva, this is a CD that has been tried and tested over and over again. These recordings, created almost a decade ago, have been remastered by Lasse Marhaug, and it is safe to say that this CD has stood the test of TIME. After nine years, it sounds remarkable -- a solid chunk of the classic, living breathing Noise Object that some call religion. Bottom line -- the NOISE FETISH is still very much alive and well. This time it comes from a somewhat unexpected source. Indulge!"

- Artist/Title: Othern Lights - video experience - DVD special edition
- 8
- Format: DVDR
- Label: Mudboy (USA)
- Price: $7
- Catalog ID: CarbonDist_mudboy_othernlights
"Directions: Project 10'x10' or place face close to television screen. Press play. 200 copies. " Othern Lights is a 7 minute immersive video experience. This video animation was programmed at the most basic level in postscript and C using late era mainframes. No video editing software was introduced at any time to produce the visual effects you see. Sound by mudboy, animation by David Fischer.""

- Artist/Title: Out in Workshop - sterilized
- 4
- Format: CD
- Label: Perishable
- Price: $5
- Catalog ID: CarbonUsed_76
- (This is a USED item)

- Artist/Title: Ova and Happy Mothers Day, I Can‘t Read - the number on my forehead is gone
- 4
- Format: CD
- Label: freedom from
- Price: $8
- Catalog ID: CarbonDist_ff0251

- Artist/Title: Ova! / Happy Mothers Day, I Cant Read - s/t
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1984
- (This is a USED item)
Freedom From release

- Artist/Title: Overmars - Born Again
- 8
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR77
"Call it some kind of dark providence, but back in early 2008 I had three different people all hit me up in the same week to tell me that we really needed to put out a US release of the new album from Overmars. I was already a fan of the French band's 2005 CD/DVD set Affliction, Endocrine...Vertigo, which reminded me of a mix of Neurosis-style slow-motion power and elements of Swans-inspired industrial rock, prog, classic old-school doom, goth rock, black metal, and the more adventurous end of the metalcore field a la Starkweather and Integrity (the former of which actually has a forthcoming split with Overmars on the horizon...), so I already wanted to hear their follow-up, which at the time had only been released in France on Appease Me, the label run by one of the guys from avant-black metallers Blut Aus Nord. After all of the raves I was hearing and the impassioned please to release the album in the US through C-Blast, I finally got in touch with the band and prepared myself for some major heaviness. But when I finally got my hands on a copy and listened to it for the first time, I was floored - that towering black/sludge/industrial/goth sound was there in full effect, but their sound was more oppressive and bleak and epic than ever before, and captured this in a single monolithic song that was almost forty minutes long. Born Again immediately became one of my fave releases of last year, a fucking devestating piece of music that documents the band evolving even further from the simplistic Isis/Neurosis comparisons that have dogged their previous releases. The album descends deep into themes of self-immolation, horror, and rebirth, and becomes a harrowing narrative as it moves through a series of different musical moods. Overmars had already established their atmospheric, electronically-tainted sludge-metal sound on their excellent 2005 album Affliction, Endocrine...Vertigo and all of the previous splits with Donefor, Iscariote, Fugüe and Icos, but Born Again is something new from the band; this forty-minute epic moves from pulverizing industrial dirge blanketed with heavily textured layers of processed guitar and fearsome gutteral roars intermixed with captivating female vocals, to passages of haunting dark ambience and bottom-heavy churn, and a magesterial finale that stretches gloom-ridden moody riffage, vaporous electronics and dramatic male/female singing across the song's final fifteen minutes, a tense, slow buildup that erupts into an earth-shaking crescendo of super heavy riffage. Immensely bleak and heavy, Born Again brings together elements of Godflesh's industrial pummel, black metal, tribal dirge , the violent nihilism of Swans, doomy death metal, and even some black strains of psychedelia into a monumental metallic black hole . Like I said, I really loved their last album Affliction, which I thought was an interesting variation on the Neurosis/psychedelic sludge sound with its heavy use of electronics, and if you liked that album as much as I did, I'm pretty sure that you'll be blown away by this darker new form that the band has taken. This Crucial Blast release of Born Again features a distinctly different album design than the original version on Appease Me, and is also packaged in a four-panel digipack (where the Appease Me release came in a standard jewel case)."

- Artist/Title: ovum - epepe ep
- 4
- Format: CD
- Label: fever pitch
- Price: $10
- Catalog ID: CarbonDist-FP24
41+ minutes of minimal surroundings constructed by Karl Midholm from Sweden. this is really great low-end drone / machine noise works.

- Artist/Title: Panagiotis Spoulos - Torpor
- 4
- Format: CDR
- Label: Phase! (Greece)
- Price: $8
- Catalog ID: CarbonDist_PHR036
"Psychedelic noise / drone songs, ideal for hypnotherapy. Guaranteed to force you see surrealistic dreams. The anxiety and the ecstacy, the man and the journey through the guitar and the voice. Limited to 60, handmade sleeves w/ paste-on photography."

- Artist/Title: Pangolino Orchestra - 0
- 8
- Format: CDR
- Label: Lunhare (Italy)
- Price: $8
- Catalog ID: CarbonDist_Lunhare_zzz03
"Studio recordings previously released on cassette in 1995. Art&free-rock structures with a somewhat strange approach to melody. Featuring the genius of Piume E Sangues Gi Gasparin." - part of Lunhare's Lethargy Series - "New releases of recordings dating back to the last millennium"

- Artist/Title: Parafanalia - Bowl
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_PARAFANALIA
- (This is a USED item)
Peep Show Records - 1995. clear vinyl

- Artist/Title: Paraquat Earth Band - if you aint with us, youre against us
- 4
- Format: CD
- Label: Flipped Out
- Price: $8
- Catalog ID: CarbonDist_FOR12
re-mastered compact disc reissue of the out of print vinyl LP originally released in 1996...full on twin guitar wrangling meets collapsing cracked kit for fuzz busting forty five minutes...relentless riff stomping draped through a weave of blaktinson...

- Artist/Title: Pay Toilets - Wet & Wild USA / Freedom Rock
- 15
- Format: LP
- Label: white denim
- Price: $8
- Catalog ID: CarbonDist_wd07
The only logical path for Pay Toilets travels from ocean to swamp to desert to vinyl. Frustrated minds and runny noses join forces to crunch together a horrible mashing of the Minutemen's nervous politics and Monorchid's self-assured nihilism. 'Wet & Wild USA / Freedom Rock' comes with two titles, your favorite to be chosen after these twelve scorchers fill your shorts with sand. Like any combustible structure, this may be the last testament or simply the introduction for Pay Toilets, only time will tell. Like the war, this record is one-sided.
There are 5 test pressings, each on black vinyl with hand-cut b-side grooves and a hand-written and numbered insert taped to the dust sleeve. There are 525 copies on solid brown vinyl, each with a two-sided 8.5" x 11" white paper insert and full color hardstock jackets

- Artist/Title: PeasAndPopOff - puff: pull up to park (strapped n the cab)
- 4
- Format: 3inch CDR
- Label: First Person (UK)
- Price: $6
- Catalog ID: CarbonDist_Singuler027
"~Which is of >>geriatric flotation/ "Creature from the Black Lagoon wants to be your friend". Willo-the-Wisp dogging alarmed HAIRDRYERS >>twittering in a windtunnel, funereal stampedes to see electric pickaxes at dawn! ~ [Mel Delaney]
PUFF splinters into PEASANDPOPOFF (+ soon PALLIATIVES, PALIMPSEST, PUPPYJUMPUP...ad infnt.) Beaming from the brain of Joincey = SLOW GLOOP ELECTRONICS/MUFFLED MURK, MOANING GHOST VOX,"

- Artist/Title: Pegacide - Cosmic Forest
- 6
- Format: CDR
- Label: Expanding Pegasus (USA)
- Price: $6
- Catalog ID: CarbonDist_ExpandingPegasus003
"Perhaps Pegacides most graspable of musics, Cosmic Forest is a focused, muscular event, equal parts explosive and brooding. Stripped down from the possbile 5 member band, to a tight 3-piece, and recorded live in an entirely improvised 48 minute stretch, Pegacide seems lost in a world all its own, running through the woods, kicking over trees, inhaling stars and moon-beams. Beautiful piano segments melt into heavy, corrosive stomp, managing both abrasive, and beautiful results.
The musicians this time around are Paul Scota on drums, Phil Herford on electric violin and guitar, and Joel Dow on all sorts of feedback looped, warped electronic gadgetry, that only he understands. The members flit back and forth between piano, various percussion, and vocal sections as well, but it is the Drum/Violin/Noise setup sets the foundation for this strange epic.
Cosmic Forest comes packaged in a beautiful hand-painted/stamped black cardboard sleeve, inside a resealable propylene slip. A silver and black hand-stamped cd-r with album info insert await the listener inside. "

- Artist/Title: Pengo - Alchemy and Bullshit
- 8
- Format: 2CDR
- Label: Carbon Records
- Price: $12
- Catalog ID: CR101
a double CDR document of Pengo's migration from a 3-piece out-spazz-noise group to 4-piece drone-psych-noise-rock group. recordings ranging from the 2001 Phi-Tour series, 2002 live and "studio" pieces (including a show with guests Dave Cross of Coffee, Ed Wilcox of Temple Bon Matin and Charles Leport of Hinkley/Finkbeiner/etc), thru pounding live 2003/2004 sets, much in the vein of current configuration. 2 black-bottom cdrs, glossy print insert, sealed in a 6"x8" silkscreened and spray painted chipboard mailer.
Reviews (3):
Volcanic Tongue
Heaviest slab yet served from the gob of this Rochester-based unit, with two beautifully packaged CD-Rs that bridge the gulf between the early American hobbyist art/action goofs that defined the three-piece incarnation to the heavy psychedelic post-Airway gravity that the current world-beating quartet have been shovelling from their guts for the past few years. Recordings run from the 2001 Phi-Tour series through 2002 live and studio pieces (including guest spots from Dave Cross of Coffee and Ed Wilcox of Temple Of Bon Matin) and wild style tear-em-ups from 2003/2004. Pretty much the definitive set from these bozos, all sealed inside a 6”x 8” silkscreened and spray painted chipboard mailer. Recommended. - David Keenan
Patchwork Collective
PENGO MAN.
4 monsters from Rochester have got the art of mind fuckery down to a science. "Alchemy and Bullshit" is a 2 disc retro of sorts that complies their insanely hard to pin down style. I mean, its aloof in the sense that they have moved passed their 3 piece heavy drone unit that dawned the organ heavy "A Nervous Splendor" in 2001, to a 4 piece incarnation they've been working with as of late... This slab really does bring out the raddest sense of complete ambivalence in the most fun way possible. Heavy as shit, Harry Pussy like guitar work, bright eyed hysterical sax spurts, fast paced narcoleptic drumming, and over blown organ work is just the beginning. Similar instrumentation spans throughout both discs, but you're hard pressed to find congruence. The first track of disc one is a seamless jointing of what seems like six of seven live shows. Its all "covers" of a genre catch all. The Stooges, Rush, the Organization, Neil Young, and Negative Approach (if you think they were just mediocre hardcore, go back to bed shit stain). They rip apart the essential elements of each song to the barest, and slap on their own sound. It's repetitive, but totally insane. But its fun see. They take themselves out of the lame self important avenues of typical drone, and basically blend together 142 styles into one snot rocket of GROSS ROCK. Quotin' John Schoen from a Blastitude interview last year, he shows his love for Chilean schlock director Alejandro Jodorowsky. "(Jodorowsky) treads the same fine line between mystic and bullshitter..." That line is never defined with this band. It's psychedelic in the sense that it resists categorization. Released in December of 2005, you can still snag a copy of this at the Carbon Records website. 2 black-bottom CDRs, glossy print insert, sealed in a 6"x8" silkscreened and spray painted chipboard mailer is what you're going to be staring at. Keep it scummy. - Brock Kappers
200LBU
Rochester's Pengo have carved out a truly unique spot for themselves in the past few years. Live, they can sometimes come off like some manic tribal ritual that would of taken place on the Spahn Ranch right before a creepy crawl. Their recorded output can be a confusing though fulfilling stew of found audio, grey noise clouds and ham fisted guitar wrenching that would send any strong blooded struggler for the Geritol in no time. This double disc set, entitled 'Alchemy and Bullshit', is made up of various live recordings done around their hometown a few years back and it showcases the various forms of dementia this unit is capable of. The first disc is a perfect soundtrack for a late night wander through old newspaper clippings and various forms of mildew found behind the toilet. The boys attempt to cover Blue Oyster Cult, Thin Lizzy, Negative Approach and Organization only to end up sounding like pygmies dropped off in the middle of Sunflower City with only a bamboo shoot and a paper thin guitar pick to fend with. The gem of this disc is the closing 'Official Genius' which meanders through much fog and steam to relieve itself in a way only Captain Beefheart or Ansley Dunbar would find fitting. How quaint. The second disc is made up of shorter pieces of subtle mud slapped guitar crap that'll have ya heavin' in no time. Swap a copy of your Hunger Artist 12" to the fine folks at the Carbon label and maybe they'll throw ya one - Tony Rettman

- Artist/Title: Pengo - climbs the holy mountain
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR22
"a document of Pengo‘s 5th live performance ... The performance consisted of a live musical accompaniment to the first 31 minutes of Alejandro Jodorowsky‘s film The Holy Mountain. The first 31 minutes of The Holy Mountain are without dialog. This is the section of the film they chose to play along with. This portion of the film is also considerably less linear then the rest of the film. This perfectly suited Pengo‘s music making aesthetic. The only thing constant is continual change. There are recurring symbols in the film that pass by so fast that they are almost subliminal to the viewer."
Reviews (5):
La Folia
The bizarre cover photos give no clue to the music genre, although first guess would be a cross between progrock and dark ambient. It begins with small instruments and percussion, almost like an Art Ensemble of Chicago performance from Paris 1968, and indeed it is a fine thirty-minute free improv performance in Rochester, NY, by Jason Finkbeiner, John Schoen, and Joe Tunis. - Steve Koenig
Blastitude
Ah, but what do Pengo sound like? On here, they come off as one of the more accomplished contemporary bands playing in that style I'll call The New Ominousness. Alot of noise/psych/improv artists play in this style. I think it mostly comes from AMM and MEV, which came from Webern and Stockhausen. On the rock side, it comes from the thousands of bands that have been influenced by the Doors, Velvets, Sonics, and Stooges. (The one-chord riff of The Doors' "The End" is sort of the ground zero for The New Ominousness.)
Buddyhead
Unfortunately, this one kind of went over my head... which is actually why I respect it. This album is pengo's fifth live performance, a performance accompanying the first 31 minutes of Alejandro Jodorowsky's film, "the Holy Mountain." Without the visuals in tact, it is somewhat difficult to really get a feel for this, or even enjoy it for that matter. me being a score composer dork, it starts to make more sense to me once the music reaches it's halfway point (and it's climax) at 15 minutes. i admire this and consider it to be art. but i honestly do not recommend it unless you are a severe film nerd or you meditate. - Kathleen Catastrophe
Arthur
Pengo are from upstate New York, and for some reason we usually think of them as being associated with a somewhat brutal form of post-industrial freeform noise-hunch and/or bass-heavy ass-rumblage. And yeah, they still do that, but on this new LP, A Nervous Splendor (Haoma Recordings) they visit all kindsa other space, as well.
There's good avant-psych formulating, passages of free-jazz honk, answering machine messages, mock ethnological field recordings, and even semi-folk-swabbage in a vein that would appeal to fans of the Sun City Girls.
That all these shenanigans emanate from inside a great cover design, swiped from the BYG Actuel series, is only icing on an already rich cake. - Byron Coley
Nashville Scene
Holy Mountain / Show Preview - Kinds of the Rochester NY noise scene -- larger kingdom than you might suppose -- this three-man ensemble most recently recorded a pulsing, clanging suite to accompany the wordless first 31 minutes of Chilean filmmaker Alejandro Jodorowsky's surreal odyssey The Holy Mountain. There's no word on whether the footage will accompany the group's show at Springwater, but without Jodorowsky's assaultive visuals of deformity and exploding frogs, the piece unfolds on CD as a sonic squall that swells, rages and recedes -- a recipe for a potentially mesmerizing live show. Adept at instruments ranging from zithers and amplified sheet metal to Tibetan prayer bowls, Pengo headline a five-band bill of electronic experimentation and drone-rock that includes one-man Toys R Us-noisemaker Radio Shock, Breathmint label chief Mat Rademan's band Newton and Nashville's own Tan As Fuck and Banjoland, both featuring former members of the New Faggot Cunts. (Oct 24, 2002) - Jim Ridley

- Artist/Title: Perlon - s/t
- 4
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_perlon
- (This is a USED item)

- Artist/Title: Persona - i keep breaking you
- 4
- Format: 7inch
- Label: Audiobot (Belgium)
- Price: $6
- Catalog ID: CarbonDist_BOT002
Scrawled in crayon for ages. here‘s the emotionally direct art out of scribbles that has rushed through the Detroit underground electronica scene in the past years. Having spent several months on teethgnarling and ankle surgery - Eric Cook decided to abandon the limitations of group affinities. Without surrendering his alternative wider shorelines. quickly noticing the amount of output was inversely proportional to the number of people involved in the project . Since then he‘s kept on processing source sounds into glorious cacophony. The title-track centres around the contradictory nature of the guitar. where technology makes primitive wood and wire howl. The abrasive artificial hiccup sound explores multiple paths. creating a troubling almost chokelike atmosphere from a suspenseful distressed blues riff. that shakes nostalgic hands with Cook‘s tribute to the ill-conceived psych-blues of Muddy Waters and his musical past with groups as Bantam Rooster and Gravitar. His organic manipulations. filmic approach and hyperelectronic excursions into caffeine headaches have kept his music away from being morphed into a complete disorientated cliché. Not all caught up in smoke since he shakes studio hands briefly with His Name Is Alive‘s Warn Defever. If it wasn‘t agreed to walk and spin out weepily dancefloor expression. it would be a fairly accurate description of ecstatic torchlighting and ghost talking. You weren‘t listening... ? Yeah we ‘ re all uptight about it...

- Artist/Title: Phil Krauth - Silver Eyes
- 4
- Format: CD
- Label: TeenBeat
- Price: $4
- Catalog ID: CarbonUsed_TEENBEAT205
- (This is a USED item)

- Artist/Title: philp halke - the two edges
- 4
- Format: 3inch CDR
- Label: philip halke (Greece)
- Price: $5
- Catalog ID: CarbonDist_philiphalke01
"This first release contains two pieces, composed in june 2006 and july 2007. Both of them move in minimal electro-acoustic way, influenced by the mysterious worlds of musique acousmatique and field recordings. Subtle raw recordings hold a discourse with proccessed ones, resulting in two strange electro-acoustic compositions. "

- Artist/Title: philp halke - above the din
- 4
- Format: 3inch CDR
- Label: philip halke (Greece)
- Price: $5
- Catalog ID: CarbonDist_philiphalke02
"This second release consists of one long piece, which was composed for the 1st Symposium for Acoustic Ecology, which took place at Corfu in December 2007. Unprocessed recordings from several fields narrate a sonic story about the dominance of artificial sounds to natural ones. (sample)
thanks to eri for the foto and foto development.
The gradual masking of physical sounds by ongoing noise, as a result of the civilization of machines and contemporary societies, is the starting point for the idea and structure of this piece. The piece devotes its first half to physical sounds from several sound environments. In the second part machine sounds appear, setting up a discourse with the physical ones. The human activity is the key for the transition between these two different worlds (the epitaph band works like a lament for a smothered nature). The sound mixing was realized in such a way as to demonstrate the continuous existence and intrusion of artificial sounds into the natural soundscape. The used sounds were recorded at Kayiafas beach (one year before its destruction by fire), at the area of Kipriadou of Patissia, at the city of Corfu, and at Axaravi of Corfu by friends and me."

- Artist/Title: Phroq - Ueno Park Memories
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR105
an amazing composition of pure field recordings and heavy manipulations. recordings of Ueno Park in Tokyo Japan. recorded, composed, performed, deconstructed and cared for by Francisco Meirino. "But for me, Ueno Park is an amazing place where there is great mixture of sounds as various as foreign languages spoken by tourists, japanese spoken by people visiting the museums and having a relaxing time walking, the sounds from the zoo animals, and also from all the birds hidden in the trees. sounds from the road surrounding the park and from the homeless people who have formed a real small city made of cardboxes and blue plastic tents, hidden behind the Tokyo Metropolitan Art Museum."

- Artist/Title: Piediepie - s/t
- 4
- Format: CDR
- Label: Veglia
- Price: $8
- Catalog ID: CarbonDist_veg17

- Artist/Title: Pine Smoke Lodge - Season Above Lakes
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $7
- Catalog ID: CarbonDist_caesura_004
"With the sonorous bray of the hunting horn Pine Smoke Lodge transport their audience back in time to ancient primeval forests and mist-enshrouded landscapes. Season above Lakes is an earthy pagan byway where semi-identifiable sounds shimmer around the periphery creating a sense of unease and wonder. Recorded live at Sugar City in Buffalo New York, 30of May 2010. Hand numbered edition of 100." C-33

- Artist/Title: Pinetop Seven - Rigging the Toplights
- 4
- Format: CD
- Label: Atavistic
- Price: $3
- Catalog ID: CarbonUsed_ALP310
- (This is a USED item)
cracked jewel case cover

- Artist/Title: Pinkeye and friends - s/t
- 4
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_pinkeye
- (This is a USED item)

- Artist/Title: PIUME E SANGUE presenta il DUO PORTUGAL - Nel ventre della balena
- 6
- Format: CD
- Label: Lunhare (Italy)
- Price: $12
- Catalog ID: CarbonDist_Lunhare2
"PIUME E SANGUE disguised as DUO PORTUGAL in two longtracks of bizzare interpretation of contemporary music."

- Artist/Title: Placenta Popeye - black fever
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR159
31+ minutes from this french noise duo. deconstructed songs, similar to the DeadC with their guitar and vocal work sometimes low-key drone/tones, sometimes more aggressive and harsh. its all very good. (at least) 1/2 of the group runs the Tanzprocesz label (http://tanzprocesz.free.fr/). [packaged in Stumptown-Arigato package, sprayed and stenciled, multiple colors, with insert and sprayed and stenciled CDR]

- Artist/Title: Plastic Boner Band - s/t
- 6
- Format: CASS
- Label: Plastic Boner Band (USA)
- Price: $5
- Catalog ID: CarbonDist_PlasticBonerBand01
"It is harsh noise to be imprecise. The text in each copy is from a different page in either The Debauched Hospodar or Memoirs of a Young Rakehell by Guillaume Apollinaire." samples can be heard - http://virb.com/plasticbonerband

- Artist/Title: POG - Mitote
- 6
- Format: CDR
- Label: Flipped Out
- Price: $8
- Catalog ID: CarbonDist_FOR17
"69 hallucinatory, ghostly and otherworldly minutes of solo freak from this burnt hills member, recorded with bongos, floor drum, triola, acoustic guitar, kiddie accordion, broken kiddie electric guitar, cello, piano, electric guitar, kick drum, electric mandolin, wah wah, giant metal tweezers, pocket rocket and little big muff on a variety of boom boxes, tape decks and dictaphones with hand decorated mini lp gatefold jackets and "vinyl" cdrs in an edition of 99 copies"

- Artist/Title: Poochlatz - thanks for giving in
- 6
- Format: CDR
- Label: Something on the Road (Israel)
- Price: $10
- Catalog ID: CarbonDist_SOTR018
"Combining elements of primitive power electronics and their explorations into contemporary drone-metal territories, "Thanks for Giving in" is the new live album from Israel's Poochlatz.
Recorded in July 2006, when opening to the Grave Temple Trio, Poochlatz are bleak, sinister and iconoclastic than ever, mending and molding moral conventions, slaughtering holy cows and questioning the truth only to make it more vague and unreachable than it already is."

- Artist/Title: Poochlatz - Victims of Self Preservation
- 4
- Format: CD
- Label: Poochlatz (Israel)
- Price: $10
- Catalog ID: CarbonDist_MAP003
from their MySpace page: "Against all odds, we strive for excellence â we pray for prey, but shudder helpless â what's the meaning of this perverse? I've got them infecting on the flaws, questioning the truth â if needed, they will convert heaven into a burning hollow space â but once anxiety will slap me back, sanity will strike some points â could it be that everyone needs a miss to flourish? Get down to it and finish the job:" Sounds like: "Prurient, Wolf Eyes, Burmese, Noisegate, Masonna, Khanate, Sunn O))), Kites, Haus Arafna, Jazzkammer, Haters, Sudden Infant, Dissecting Table, Sightings, Lietterschpich, KK Null, John Zorn's Kristallnacht."

- Artist/Title: Popular Shapes - B-Ball Music
- 4
- Format: 7inch
- Label: white denim
- Price: $5
- Catalog ID: CarbonDist_wd08
"As the last will and testament of Popular Shapes, 'B-Ball Music' is clearly Popular Shapes' most focused and cohesive effort. Savvy listeners will be reminded of The Fall, Le Shok, The Victims and Wire within these two tracks, assuming they weren't knocked over by the sweaty bodies splashing wine from a box. Intricate guitar interplay coasts freely like the plot of The OC while squirmy vocals free themselves from a box. The emphasis is clearly on song-writing, but the exuberance of four boys patting each other shirtless remains as bright a glare as Ford Explorer floodlights. It's rare that a band comes along where all the pieces fit seamlessly, equally throbbing and subdued. 'B-Ball Music' is just that, with equal parts Kobe and Shaq.
There are 10 test pressings, each on black vinyl with handmade covers. There are 835 copies on white vinyl with orange, clear and black spatters, each with a full-color hardstock jacket."

- Artist/Title: Poster Children - Daisychain Reaction
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonUsed_posterChildren_Daisychain
- (This is a USED item)
promo cut-out.

- Artist/Title: Poster Children - Informational:RTFM
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1927
- (This is a USED item)
1997 Reprise release

- Artist/Title: Poster Children - Junior Citizen
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1928
- (This is a USED item)
1995 Reprise release

- Artist/Title: Praying For Oblivion / Outermost - split
- 4
- Format: 7inch
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_PRAYINGFOROBLIVION
- (This is a USED item)
clear vinyl - 2000

- Artist/Title: Professional Friend - n Order to be a Successful Artist, You Must Share your Dreams with the Audience
- 5
- Format: 3inch CDR
- Label: Below PDX (USA)
- Price: $6
- Catalog ID: CarbonDist_BELOWPDX15
Professional Friend is Nick Bindeman and James Squeaky. recorded in July 2006

- Artist/Title: PSI - artifically retarded soul care operators
- 8
- Format: CD
- Label: Evolving Ear (USA)
- Price: $13
- Catalog ID: CarbonDist_evolvingear12
"Captured live and in the studio over the past two years, Artificially Retarded Soul Care Operators is the definitive pee-ess-eye blast of true and pure sacrificial brain-rot. A fifty-minute collection of densely cultivated mitherings from the unforeseen masters of complete silence.
Featuring beautiful full color gatefold cover art and poster by Fritz Welch and Stephen OâMalley."

- Artist/Title: PSI - oo-ee-oo (burnt offering)
- 4
- Format: CD
- Label: Evolving Ear (USA)
- Price: $10
- Catalog ID: CarbonDist_evolvingear015
"This live recording was made while the group was locked blindfolded and incapable of compassionate intolerance in a dank and noise-damaged basement in central New Jersey, USA.
Harmonium, unamplified guitar, percussion and voice amass into a nekrocoustic forcefield of reiterated intensions.
This ceremonial music demonstrates the simultaneous collision of utter apathy and the assertion of infernal humanity.
Each copy is packaged in a black Digipak with hand-glued and hand-stamped artwork by the band."

- Artist/Title: Psicklops - dark cinema
- 6
- Format: CDR
- Label: Free Matter for the Blind (USA)
- Price: $10
- Catalog ID: CarbonDist_FreeMatter_Psicklops
"Psicklops is the first work in a series of radical audio theater recordings under the moniker âDark Cinemaâ- which is to say that though there be no image, it is a film of sorts to be watched in the dark all the way through. To this end the narrative combine the engagement of point-of-view vocabulary normally limited to visual based cinema with the often abstract impressionism inherit in audio to produce an effect in which the audience is treated not just as an outside observer but complicit in, and anticipated by the piece itself. This first foray was conceived as a modern day sequel to Kafkaâs âThe Trialâ realized through a multi textured story using found sounds, guerilla field recordings, sampled creative common works, studio actors, experimental electronics, and other mind altering subsonic practices. The result is an invitation to a hypnotic journey- a one-way pass to a dark world of interrogation, surveillance and modern day capitalism. "

- Artist/Title: Psyclone Rangers - Don't Burn Your Glove / Teenage Head
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_PSYCLONERANGERS
- (This is a USED item)
on Brutal Records. no sleeve

- Artist/Title: Puff - 3rd Puff
- 4
- Format: 3inch CDR
- Label: First Person (UK)
- Price: $6
- Catalog ID: CarbonDist_Singuler033
"Currently making a nuisance of himself w/ STUCKOMETER, JOINCEY (COITS, INCA EYEBALL etc etc) adopts his best "kid-in-sand-pit" face and once again digs deep to pull out the shining tone poems that astound us all. The third part in this series of short works (013 & 023) is enlivened somewhat by some lovely double bass playing, who saw that coming? Hands down fucking GENIUS"

- Artist/Title: PUFF - s/t
- 3
- Format: 3inch CDR
- Label: First Person (UK)
- Price: $6
- Catalog ID: CarbonDist_First_Singular013
Joincey = PUFF. 3 songs, 3 minutes

- Artist/Title: PUFF - 2
- 3
- Format: 3inch CDR
- Label: First Person (UK)
- Price: $6
- Catalog ID: CarbonDist_First_Singular023
"Part 2 of 3 from Joincey (COITS, INCA EYEBALL etc"

- Artist/Title: pulsoptional - s/t
- 6
- Format: CD
- Label: Fugu Fish Recordings (USA)
- Price: $10
- Catalog ID: CarbonDist_FUGU001
"Durham, NCâs band of composers âis a composersâ collective and performing ensemble, with an eclectic instrumentation (reeds, electric and acoustic strings, keyboards, percussion and electronics) and an innovative but no-nonsense approach to music making. Effortlessly strad-dling conventional categories â and equally at home in concert halls, rock clubs, and art galleries â their repertoire ranges from 20th-century experimental âclassicsâ to newly-commissioned works by emerging composers, arrangements of TV and movie themes, spontaneous soundtracks and collective improvisation.
Their long-awaited debut album features gripping, assured performances of new works by members of the collective, and captures all the genre-defying excitement of their live shows. Itâs New Music, for sure, with plenty of âcompositional rigor,â and will certainly appeal to fans of other contemporary-composition âbandsâ (Bang on a Can All-Stars, Electric Kompany, Clogs) and of the pool of avant-garde and experi-mental art-music influences the group espouses (John Cage, Steve Reich, Gyorgy Ligeti, etc.). But the album also casually (and sincerely) incorporates rock/pop, jazz, electronica, and ambient sounds and styles into the mix, and should appeal to a broad range of listeners with eclectic and progressive tastes, from post-rock and free improv to punk and progâŚ"

- Artist/Title: pummeler - troll wing
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $5
- Catalog ID: CarbonDist_dosefiftyone
"following up on excellent releases here on small doses and basses frequences, denmark's mikkel valentin dunkerley is back with another amazing 14+ minute drone piece. slow moving, minimal and brilliant. edition of 71 copies."

- Artist/Title: pvmntsw - forintelsen elfenbensportar
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $5
- Catalog ID: CarbonDist_dosethirtyseven
"this has been in the works for quite a while, and it came together better than i ever expected. sweden's pvmntsw (read pavementsaw) gives two tracks of incredible synth (and some guitar) work. it plays like a lost lament from a john carpenter film that never got made. packaged in a folded vellum cover with two-sided insert. edition of 96 copies."

- Artist/Title: Quetzolcoatl - Sleeping within the Sun
- 5
- Format: CDR
- Label: Phantom Limb (USA)
- Price: $8
- Catalog ID: CarbonDist_ARM010
"Easily one of the hardest working young artists in the free-form music world today, Tim Hurley, aka Quetzolcoatl, has been releasing his sonic bliss like a hundred flowers blooming. Luckily, he stopped by our garden and gave us this collection of works, a cosmic swirl of keyboard pulses and vocal loops. Guaranteed to make you nod out and then undergo some powerfully transformative dreaming." ALMOST GONE at the source

- Artist/Title: Quttinirpaaq - Quttinirpaaq
- 8
- Format: CDR
- Label: Ruralfaune (France)
- Price: $11
- Catalog ID: CarbonDist_ Sab007
"White as a bone of a dead musk ox, heaby as the skull of the beast, the monolithic guitars of Q take your breath away. Lost on the glaciial island, you will face the blizzard. Massive"

- Artist/Title: R. Scott Oliver - Someday technology may save me
- 15
- Format: CDR
- Label: Carbon Records
- Price: $10
- Catalog ID: CR171
the first solo release from Scott, also a member of Deciduous vs Conifer, Oliver/Reeg and part-time member of Autumn in Halifax. the sounds on this disc harken back to the early great days of the Kranky label, think Labradford, Magnog, Stars of the Lid, etc. but without sounding dated at all. this is current drone at its finest. [packaged in an amazing steel folder designed and assembled by Scott, who is a blacksmith by trade. a laser-cut pinwheel is riveted to the cover, over a matching laser-cut punch-out of the same design. the cd is affixed to a chipboard insert that slips out the top of the folder. you have to see/feel this!]

- Artist/Title: Radio Shock - s/t
- 5
- Format: CDR
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1988
- (This is a USED item)
Radio Shock tour EP

- Artist/Title: Radio Shock - Burn Down Radio EP
- 4
- Format: CDR
- Label: Roger Records (USA)
- Price: $6
- Catalog ID: CarbonDist_rogerrecords001
its been a while since i heard anything from Radio Shock aka MP Lockwood. this is another collection of fun noise/electronic/guitar/drum-machine rock. [limited to 200 copies, packaged in black and pink duct-tape covered jewel case]

- Artist/Title: Radio Shock - tour ep
- 4
- Format: CDR
- Label: radio shock
- Price: $8
- Catalog ID: CarbonDist-CRobot02
electronic and guitar based deconstructed... rock?

- Artist/Title: Radio Shock/Shack - split
- 4
- Format: 7inch
- Label: Carbon Records
- Price: $4
- Catalog ID: CR58
co-released by Roger Records, Breathmint, Ignivomous and Sunship, this release includes a side of lo-fi electronics/noise and a side of one-man band driven rock/dance-party! packaged in a RadioShack-modified bag.

- Artist/Title: Rafael Flores - Nubes, cometas, rumores y orugas
- 6
- Format: CD
- Label: Monochrome Vision (Russia)
- Price: $10
- Catalog ID: CarbonDist_mv05
"First official CD album of Rafael Flores who hails from the depth of spanish noise underground scene, known for his early works released under Comando Bruno moniker. This compilation presents the latest decade of his sound experimentation, and shows quite diverse sides of his creative efforts, which ranges from collaged field recordings to noise ambient loops, from rhythmic structures to hypnotic electronic passages. Collection of 10 pieces recorded from 1994 to 2004."

- Artist/Title: Raga Chrome - s/t (C30)
- 6
- Format: CASS
- Label: Bathetic (USA)
- Price: $5
- Catalog ID: CarbonDist_BATHETIC035
"Stefanie Franciotti of SLEEP ∞ OVER fame lays down thick psych-murk. It's the kind of dark-ish purple and turquoise fog that hollows out your skull and leaves it full of fairy dust and debris. Free form scorcher. Don't miss out.
Edition of 200. (100 gold ink on black shell, 100 silver ink on black shell)"

- Artist/Title: Rambutan - TYPHOON SHAPES
- 8
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv020
Typhoon Shapes sees Eric Hardiman (Century Plants, Burnt Hills) flexing his muscles in several different directions, from the sonic miniatures of Lightning Whelk and Vapor Columns to the utterly surprising and fascinating Robert Ashleyesque vocal montage of More Than You Could Know. Rambutan works to shift and move you in and out of drift and clarity until finally sweeping everything away with the epic closer , The Future of the Inevitable.
Pro printed hand numbered edition of 100.

- Artist/Title: Rambutan - Fallen Smoke
- 6
- Format: 3inch CDR
- Label: Abandon Ship (USA)
- Price: $5
- Catalog ID: CarbonDist_ASR041
"Fallen Smoke captures the live debut, from April 2008, of Rambutan, the solo project of Eric Hardiman from Century Plants and Burnt Hills. Vastly different than either of those units, Rambutan finds Hardiman in a completely new mode, with no guitars in sight. The results are hauntingly beautiful, intensely personal, and utterly compelling, with a warm, organic feel throughout. The music builds in intensity ultimately hypnotizing the listener in its gathering tractor beam of psychedelic gauzy haze. Jump right in."

- Artist/Title: Rambutan - Rusted Prayers Converge
- 6
- Format: CDR
- Label: Tape Drift (USA)
- Price: $8
- Catalog ID: CarbonDist_TD09
"CDR Debut solo release from Eric Hardiman of Century Plants and Burnt Hills. From ghostly noisescapes to swirling organic drone plateaus to pure guitar improvisations, Hardiman floats in and out of various sound worlds on this one, yet always ties things together with a thoughtful and compelling sonic thread. Four tracks recorded basement style deep in the night, and it shows. Dig in, yet another surprise from the Century Plants camp. "

- Artist/Title: Ranphorynchus - s/t
- 6
- Format: LP
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_Ranphorynochus
- (This is a USED item)
12" on Bubblecore Records

- Artist/Title: Rash - The Weight of the World
- 16
- Format: CASS
- Label: Carbon Records
- Price: $6
- Catalog ID: CR202
The Weight of the World is the debut release from this duo consisting of Scott Oliver (Torus) and Patrick Doyle. Incredible heavy, yet intricate, guitar compositions, much in the same vein as early Earth and Gate. [Packaged in a handmade and charred wooden box. Includes a coupon for a free digital download, which includes 2 bonus tracks! Limited to 40 copies. C45]

- Artist/Title: Rash / Bruise Halo - split
- 8
- Format: CASS
- Label: Carbon Records
- Price: $6
- Catalog ID: CR203
A split release from the heavy duo of Rash, consisting of Scott Oliver (Torus) and Patrick Doyle, and Bruise Halo (Joe Tunis from Tuurd, Tumul, Jungle Heart, Crush the Junta, formerly of Pengo). Two dueling sides of layered heaviness. Rash utilizing guitars to create a thick layered beauty (RIYL Earth, Gate, etc). Bruise Halo's side consists of a bass guitar centered piece, layered with distorted keyboard, effects pedals, and overblown vocals. [Packaged in a canvas bag with stamped titling. Includes a coupon for a free digital download. Limited to 35 copies. C45]

- Artist/Title: Rats with Wings - Aide-Memoire
- 12
- Format: 2LP
- Label: Rats with Wings (Australia)
- Price: $28
- Catalog ID: CarbonDist_RWW_2LP
double LP of material taken from CD-R releases: The Fish Rots From The Head (unreleased), Southern Oscillation Index (HoLR) CDR-RWW (MIR), Ratified Loopholes (AEN), Ashtray Cabbage (Fiend), Get And Put (Deadline), Out Vile Jelly! (Gold Soundz), Night Science and Underground Australia compilations (Cipher Productions). [package has a damaged CD glued to the cover]

- Artist/Title: Rats with Wings - Out Vile Jelly!
- 4
- Format: CDR
- Label: Gold Soundz (Norway)
- Price: $10
- Catalog ID: CarbonDist_rats_jelly

- Artist/Title: Rats with Wings - Die Kunst Des Polycrhomatischen Fagott Vol 1
- 8
- Format: CDR
- Label: Gold Soundz (Norway)
- Price: $12
- Catalog ID: CarbonDist_rats_die_kunst

- Artist/Title: Reeg + Tunis - ....shhh... this is for Derek Bailey
- 12
- Format: 7inch
- Label: Carbon Records
- Price: $10
- Catalog ID: CR136
recorded in the days and weeks after Derek Bailey's death on xmas of 2005, the daughter/father duos of Ella and Joe Tunis and Ada and Chris Reeg, joined forces for this ultra-limited split lathe-cut release. Joe plays in Joe+N, Hilkka and used to be in Pengo. Chris plays in Blood and Bone Orchestra and Ian Downey is Famous. Together, they play in Crush the Junta, Entente Cordiale and Ada le O. the Tunis side is sparse acoustic guitar, vocals and running, while the Reeg side is overblown cymbals and keys. the duos also go together to create the covers. 3 seperate 2x4ft wood panels, painted, stamped, rubbed, scratched, sprayed, walked on, etc, and then cut into 7x7in squares. [7" lathe-cut. limited to 50 copies!!!!]

- Artist/Title: Reflektionen Musique - 5/5/200
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_REFLEKTIONMUSIQUE
- (This is a USED item)
Post Replica release from 2005

- Artist/Title: Resolve - Jack
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1954
- (This is a USED item)
1995 AO! release

- Artist/Title: Reubens Accomplice - borders / o the night
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_REUBENS
- (This is a USED item)
self released - 1998

- Artist/Title: Reverse Mouth - We Rub Our Hands With The Tendency To Start Fires
- 4
- Format: CDR
- Label: Phase! (Greece)
- Price: $8
- Catalog ID: CarbonDist_PHR35
"Two entire live sets by Reverse Mouth, "Heroin Nurse" and "Happy Hands Club Band", both took place in Athens, Greece. Black drone lo-fism and analog vomit. Limited to 65, handstamped covers by RM w/ hand-numbered outers and shit-painted labels."

- Artist/Title: Reynols - live in chicago
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR40
"REYNOLS started its activities in 1993 in Argentina. Since that date the work of the band has been basically oriented to improvisation, droning and deep experimental research, etc., employing diverse acoustic & electric instruments, tapes and electronics." This was recorded during theirȨĎM0 tour of North America. [limited edition of 500 in slimcase. first 100 packaged in silk-screened sewn cd "pocket".]

- Artist/Title: RiasnI Drova Consort - A STILL BETTER SEAWARD PEEP
- 8
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_cv016
Riasni Drova Consort uncovered a dark but inviting corner of the world where one can revel in the wonders of of rusty strings, old wooden floors, creaking doors and musty books. These three musicians/non-musicians weave an awestricken soundscape from the primitive, old and discarded where melodies find their way through a variety of scraping, scratching and tortured sounds. The first side, Full of Folds is an instrumental that slowly works to envelop you in its mysteries taking you onward to the enchanting rendition of the classic folk ballad I Wonder as I Wander on the second side.
Pro printed, hand numbered edition of 100

- Artist/Title: Robe - Bleak
- 8
- Format: CDR
- Label: Crucial Blast
- Price: $8
- Catalog ID: CarbonDist_BLAZE01
"The first entry in the new Crucial Blaze series of limited edition cdr/cd titles, which picks up where the now completed Crucial Bliss series ended. Now, our explorations into ambient drone, electronic noise and abstract heaviness descend into darker and more apocalyptic zones than before, and Robe's newest release Bleak combines all of these elements into an ideal flagship release for this new series. C-Blast customers may remember when I gushed over a stunning cassette that Robe. released on Thor's Rubber Hammer a while back; this new set of tracks continues in that intensely dark and oppressive vein, with seventy-five minutes of rumbling, creeping ambience and oozing, blackened bottom end raked with the blare of distant horns, smeared trumpets echoing across a vast ocean of black sludge, evil screeching violins time-stretched into endless drones, an immensely oppressive and threatening atmosphere drifting over formless glacial guitar/bass grind like plumes of pungent black smoke. It's like hearing corroded, distressed blasts of orchestral sound, broken and warped BM guitars and clanking machinery rotting beneath massive waves of low-end heaviness; the same reference points that I used for their Remains Of A Burning World apply equally here (Abruptum's Casus Luciferi, Neuntoter Der Plage, and Aderlating's most atmospheric moments), but leaning even more towards a sort of surrealistic industrial nightmare. This limited-edition release of Bleak is packaged in a clear plastic library case with full color artwork, limited and hand-numbered out of 250 copies, and includes a set of two full color 1" buttons, a vinyl Robe. sticker, and an foldover insert, all carefully crafted and assembled."

- Artist/Title: Robert Horton - If I can't play my Boot I don't have a leg to stand on
- 6
- Format: CDR
- Label: Nothing Out There (Belgium)
- Price: $10
- Catalog ID: CarbonDist_NOT09
"In May 2007, along with the master CD of his 3" release Salts that have lost Water, Robert Horton sent me an home-burnt CD-r selecting nine unreleased tracks from a recent period of recording, ranging from November 2006 to March 2007. In the midst of a battle with health troubles, the American improvisor and handyman still managed to carry on his experimental musical process.
A couple of months ago, in Autumn 2008, on an accidental fresh listen of this collection of tracks, I was struck by how high they standed into the man's production so far. Inside this unreleased selection, I felt were collected some of Horton's best recent works, and thus proposed him to get an official release done for them. Though currently having a break away from the digital world, Robert welcomed my proposal immediately."

- Artist/Title: Robert Palmer - Heavy Nova
- 8
- Format: LP
- Label: USED
- Price: $1
- Catalog ID: CarbonUSED_ROBERTPALMER
- (This is a USED item)
big hit record, dancing girls video, etc. duuuude. 1988

- Artist/Title: Rodd Keith - My Pipe Yellow Dream
- 16
- Format: LP
- Label: roaratorio
- Price: $17
- Catalog ID: CarbonDist_ROAR23
Song Poems Wanted read the ads. We need new ideas for recording! The send-us-your-lyrics business was a borderline scam, taking whatever lyrics came their way from would-be songwriters and for a fee setting them to music. None of the results ever came close to being a hit, and to be sure, the vast majority was sufficiently bland or clumsy to insure no great karmic loss in their instant obscurity and miniscule press runs. But Rodd Keith the late, great genius whose prolific output was almost completely confined to the song-poem industry had a knack for turning sows ears into silk purses. The nature of the business required him to work quickly, with no second takes, and his skill at writing and arranging on the fly was not unlike that of a master improviser. When at his best, he put his unique musical stamp on some lucky customers submission.
My Pipe Yellow Dream is the second Roaratorio anthology of the highlights of Rodd Keiths work. Compiling fifteen previously unreissued songs from 1966 through his death in 1974 including a never-before-heard cover of Choo Choo Train My Pipe Yellow Dream showcases the full range of his talents. From exquisite mid-60s pop balladry (Deep Velvet) to blue-eyed soul (You Dont Have To Alibi) to folk-rock (Tired Of Waiting) to solo Chamberlain creations (Red Sports Car) to gospel testifying (O Jesus My Savior) to a pair of patriotic screeds (the all-spoken word America The Not So Beautiful and the bizarre-world lounge funk of Search Out Your Soul, American), this collection continues the rehabilitation of Rodd Keiths recorded legacy from thrift-shop throwaway to celebrated cult artist.
A limited edition LP in a gorgeous gatefold jacket, with artwork by Josh Journey-Heinz and liner notes from song-poem vocalist Dick Kent.

- Artist/Title: Roel Meelkop - 5 (Ambiences)
- 6
- Format: CD
- Label: Intransitive
- Price: $12
- Catalog ID: CarbonDist_INT024
"The music of â5 (Ambiences)â deals with ways of approaching and conceptualizing ambient sound, of abstracting sounds from the world until they become much more than documentary observations. The music plays with some referential material (are they field recordings? digitally generated? does it matter?), a very wide dynamic range (to encourage active listening), evocative and even dramatic structures but also forbiddingly impersonal distance. It toys with the notion of âambient musicâ (as new age wallpaper) by using ambiences to create deeply involving compositions which change as one changes oneâs listening focus. This music is open to any interpretation, or no interpretation at all.
When Roel Meelkop creates a new CD, he considers anything other than the music to be a distraction from the point at which a listener apprehends a sonic experience and generates his or her own meaning. Previous albums have not included any images, text, biographic information, or even titles. This sort of presentation could be misinterpreted as willful obscurity, but quite the opposite is intended. By the composerâs reasoning, the music on the CD is exactly and only what the listener hears; richness then arises from the act of listening. On this new disc, the artist deviates somewhat from his previous pattern. At Intransitiveâs urging, he wrote a bit of text to describe his thoughts about composition and listening, if not this album in particular. This may not seem like much, but for Meelkop it is a major concession. For the first time, this artist who has hardly given any interviews, whose philosophy, while quite straightforward, has been implied but never directly described, has given listeners a way in to his sound world. Which says nothing of what that world contains...
This is Meelkopâs 2nd CD on Intransitive. He is also a member of Kapotte Muziek, Goem, THU20, and the Audio.nl label. Previous albums have appeared on Mego, trente oiseaux, Staalplaat, 12k, Raster-Noton, and CMR."

- Artist/Title: Roman Wolfe - Ylem C62
- 8
- Format: CASS
- Label: 905 Tapes (USA)
- Price: $6
- Catalog ID: CarbonDist_905.108
"holy shit. an hour's worth of celestial acuteness from arabian blade runner donz solo. this shit just leaks into your brain like jupiter flavored syrup. eno's what he's doing - you know what i mean, dude?"

- Artist/Title: Rotkop Collective - no title
- 8
- Format: ZINE
- Label: ROTKOP
- Price: $10
- Catalog ID: CarbonDist_rotkop_nn_booklet
"rothund is sold out, but last week rotkop + antistrot + smittekilde + knust/extrapool did a oneweek collaboration which resulted in a new full color stencilprinted book. no title only a proud but shy nn on the gay side of the cover. if i would be good in writing reviews, i probably didnt make drawings. yueyh.. too quickly done inside work by janus prutpuss, kevin apetown, dennis tyfus, zven balslev, soren mosdal, johan kleinjan, jan-dirk krust and jelle crama. 44 pages, A5 size, full color"
[sample pages]



- Artist/Title: Ryuichi Sakamoto - Prayer / Salvation
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1926
- (This is a USED item)
1998 Ninja Tune release

- Artist/Title: Salaryman - karoshi
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1953
- (This is a USED item)
1999 Parasol release - i believe this features members of Poster Children

- Artist/Title: Sarah Johnson / Cornucopia - split
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_SARAHJOHNSON
- (This is a USED item)

- Artist/Title: Sarge - charcoal
- 4
- Format: CD
- Label: Mud
- Price: $5
- Catalog ID: CarbonUsed_70
- (This is a USED item)

- Artist/Title: Saturn Battery - Stainless Steel / Whipping Boy
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_SATURNBATTERY
- (This is a USED item)
Rainman Records

- Artist/Title: Scenic Railroads - Airports & Apartments, Vol. 1
- 4
- Format: CDR
- Label: gameboy
- Price: $8
- Catalog ID: CarbonDist_gb94
"Dropping the in-joke titles for a change, Scenic Railroads present some live documentation capturing tracks from 2005 actually recorded during a layover at Washington Dulles airport and in the dining room of the then soon-to-be-evacuated Shiflet residence.
The first weekend of April, 2005: Pope John Paul II was pushing out his last slow breaths. Stuck in a seemingly-endless layover in Washington DC, there seemed to be no escape from the airport TVs blaring CNN's over-the-top reporting. The only options were headphones & noise.
Mid-July, 2005: The last performance before the group was put on "contintental separation" hiatus. Recorded in the almost completely empty apartment 12 hours before the keys were turned over & 167 E. Tulane ceased to be grounds of operation.
CDR edition of 100 with covers made using various red & pink Japanese papers/prints."

- Artist/Title: Schneider tm - moist
- 4
- Format: CD
- Label: CitySlang
- Price: $5
- Catalog ID: CarbonUsed_31
- (This is a USED item)

- Artist/Title: Schrei Aua Stein - Tsisnaasjini
- 8
- Format: CDR
- Label: Crucial Blast
- Price: $7
- Catalog ID: CarbonDist_BLAZE03
"The third entry in the Crucial Blaze line is the new full length disc from Schrei Aus Stein, the experimental black metal/ambient alter ego of Ross Hagen from the drone/ambient outfit Encomiast. I've been a fan and follower of Ross's work with Encomiast going back to the beginning of the last decade, and we've released two of his releases as Encomiast through the Crucial Bliss series over the past five years, so when he emerged last year with this new project that combined his trademark droneological sounds with a noisy, moody brand of mid-paced black metal, I couldn't wait to hear it. The first release from Schrei Aus Stein was a limited edition disc on Starlight Temple Society called Talus that came out in 2009, an eerie blend of frostbitten mid-paced black metal, gothic post-punk throb, and sweeping arctic ambience, an excellent debut that showed that Hagen was going for more than just another downbeat depressive black metal project. Now, Schrei Aus Stein returns with it's second release Tsisnaasjini, a three song full length with songs that average at around thirteen minutes, long majestic soundscapes that still reveal a bit of that Encomiast ambience, but which delve into harsher, more unfriendly terrain than before, mixing together strange industrial dirge, blown-out depressive black metal, and ambient drone into icy realms of hypnotic atmosphere. Icy synthetic winds open the first track "Light On Wings", which takes off into a slipstream of arctic drift and low, oceanic static that reaches out for a couple of minutes before a series of low percussive rumbles begins to appear within the swirling blizzard of hiss and static, the vague beats slowly materializing into view as a creeping drumbeat that slowly plods forward through the wintry noisescape, the drums gradually joined by waves of guitar feedback and low bass buzz, and the song begins to take form from a nebulous wash of sound into a sort of eerie slowcore dirge that's all awash in amp grit and speaker rumble. Those guitars slowly form into minimal, droning minor key sorrow, a simple haunting riff that loops over and over while hissing demonic vocals drift in, enshrouded in reverb, an unintelligible smear of black malevolence over the plodding hypnotic dirge. On the second song "Like Arctic Moons", the sound shifts from that lumbering blackened slowcore into something a bit more like regular downer black metal, with slow, morose minor key riffs swarming over slow moving drums, stretched out shrieks and distorted howls echoing across the wintry backdrop of feedback and dissonant guitar drone, but as the song goes on, the music gradually picks up steam, getting oddly angular, the drums slipping into off-time rhythms, and then suddenly it locks into a mesmeric, almost motorik beat that begins driving beneath the eerie tremolo riffs, turning into a sort of krautrocky DSBM for a moment until the drums shift once again, this time into frantic blast beats while the guitars staying the same. It lurches back and forth between this hypnotic black pulse and stumbling doom and hectic thrashing, until it finally falls off into a long stretch of howling, buzzing mechanical drone, like the sound of machinery slowly winding down, becoming slower and slower, the drones pulling apart to reveal bits of shimmery metallic ambience, chimes and metal clank off in the distance, a creepy, mysterious dronescape that resembles the distant receding roar of a jetliner disappearing into a black hole, slowly dissolving into some minimal spacious ambience at the end, field recordings of trains and yipping wolves creating an eerie nocturnal drift. The last song "Vague as Blown Smoke" ends the disc with an epic blast of blown-out, abstract black metal, a classic sounding wash of blackened buzz, evil tremolo guitar swarming over swirling minor key guitars, droning bass and doom-laden drums, and malicious hissing vokills. Early on, the sound is distorted and creepy and off-kilter, erupting into a blazing wall of psychedelic black blast with layers of howling guitar and mechanized blast beats, and it gets more atmospheric and abstract as it progresses, morphing into a swirling ambient storm of abstract horror that slips in and out of doom-laden crush and passages of strange, bass-driven, industrial-tinged dirge, the instruments surrounded by wraithlike feedback and melting amp whir and whirling loops of delirious electronic melodies that slow down bit by bit until the music dissolves into pure cosmic drone at the end, with several minutes of surging waves of distorted low-end shifting beneath gleaming synthesizer hum and high-end shimmer that finally fades out into nothingness.... Anyone into the amorphous, melancholy black metal of bands like Velvet Cacoon and Xasthur should investigate Schrei Aus Stein, but this is much more droning and streaked with noise than those bands, often moving into pure ambient buzz within the storms of blackened violence. Like Talus, this is great stuff, and if you enjoyed that debut, you won't go wrong with Schrei Aus Stein's latest. The disc comes in a plastic library case with full color sleeve art, limited to a hand-numbered run of 250 copies, and includes a double-sided color insert card, a vinyl Schrei Aus Stein sticker, and a set of two Schrei Aus Stein 1" buttons."

- Artist/Title: Schroedinger's Cut - Bowed Insides
- 4
- Format: 3inch CDR
- Label: Phase! (Greece)
- Price: $7
- Catalog ID: CarbonDist_PHR23
"Schroedinger's Cut offer 3 tracks of interior drone manipulation for their debut release, an itroduction to their forthcoming full length CD on ektopia/phase! Limited edition of 60, these metal string rippers are here to stay, so clean your ears out." - SOLD OUT at the source.

- Artist/Title: Science vs. Witchcraft - 300 Useful Sound Effects
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $6
- Catalog ID: CarbonDist_caesura_009
"At this point in time 300 Useful Sound Effects stands as the swan song for Rochesters premier lewd boner rock band, Science vs. Witchcraft. Captured live to tape at the Bug Jar in 2010, with the band in top form. This limited edition release features 6 classics culled from their previous 2 eps including Sweatpant Boners, Too Big for Pants and crowd favorite Beautiful Package.
Pro printed inserts on heavy card stock. Hand numbered edition of 100."

- Artist/Title: Scott Hull - Audio Film I
- 6
- Format: 3CD
- Label: Crucial Blast
- Price: $6
- Catalog ID: CarbonDist_CBR71
"...a terrifying fug of demonic drone that utilizes delirious stereo panning and slabs of obsidian ambience, and it slowly unfolds over the length of the piece to reveal layers of malevolent black drone and unsettling voices seemingly lost between planes of shadow. Audiofilm I plays out like a wildly hallucinogenic horror film score, and anyone into Scott's previous ambient/soundscape work will find this to be one of his darkest pieces yet. The disc is limited to a single pressing of 1,000 copies, packaged in a tiny 4" x 4" glossy gatefold jacket with stunning full color artwork from artist Seldon Hunt. Recommended to enthusiasts of the isolationist terror of Painkillers Execution Ground ambient disc, Lustmord, and Scorn... "

- Artist/Title: scott taylor - postcard
- 4
- Format: CDR
- Label: sijis
- Price: $8
- Catalog ID: CarbonDist_sijisep04
"let the music speak for itself you say, but this doesn‘t help our necessary paragraph. needless to say our most spiritual artist, his time spent on on the wrong side of the pop charts has finally paid off as sijis welcomes mr. taylor back [after intensive re-education] into the fold. a gentle ep mixes nostalgia and melancholy to create a stunning ep made by/with a computer that obviously loves him. recommended listening for those nursing a hangover or those too depressed to get out of the bath. in the first of a slew of his forthcoming releases, we only hope your total disinterest can slow him down."

- Artist/Title: Screaming Trees - sweet oblivion
- 4
- Format: CD
- Label: Epic
- Price: $5
- Catalog ID: CarbonUsed_91
- (This is a USED item)

- Artist/Title: Screening - Low End
- 4
- Format: CD
- Label: Maor Appelbaum (Israel)
- Price: $10
- Catalog ID: CarbonDist_MAP001
"Screeing is a solo project by Maor Appelbaum, Reaching the upper exremites of the avant-garde and atmposphiric jenres. It is soley created by manilpaltions and effects achived through the use of a simple bass guitar. Definitely not an east listening album, this pushes the enevelpoe on the musical definition, relying on what the listener himself can draw out of the musical experience he is faced with.
All music played on the Screening projects is performed only on bass guitars with effects and manipulations"

- Artist/Title: Seasonal Concepts - seasonalize
- 4
- Format: CD
- Label: Sunship
- Price: $8
- Catalog ID: CarbonDist_SUN33
The idea was to create the worst band in the world. Seasonal Concepts was formed in 2001, in Minneapolis, after which the core members fled to such far-flung locales as Seattle and Tokyo in an attempt to escape their creation. Their methods have included shoddy recording, extemporaneous composition, and marginal musical skills. Song themes include wizards, robots, odors, savings accounts and - of course - hometowns. Olympia was composed by Concepts co-founder Xuzee Pance as an 8th grade school project for music class. She received an A, which is more than can be said for this inexcusable release. Co-released with Little Mafia.

- Artist/Title: Sensefield - killed for less
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonUsed_rev32
- (This is a USED item)
on Revelation from 1994

- Artist/Title: Sensefield - Building
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonUsed_rev46322-2
- (This is a USED item)
on Revelation - 1996 - PROMO copy

- Artist/Title: Sewer Election - Last Breath
- 4
- Format: CDR
- Label: gameboy
- Price: $9
- Catalog ID: CarbonDist_gb93
"Sweden's finest forgoes his usual dense harsh noise in favor of equally dense dirty drones. It's still a wall of sound, but far from impenetrable. This wall is more likely to crumble with the slightest touch and leave you buried beneath the rubble. It's a different, but equally effective, methond of simultaneous attack and defense.
A short but epic piece, "Last Breath" unravels in under 20 minutes, but the coma it will induce is guaranteed to last for hours if not days. Indeed this disc makes a perfect soundtrack for those precious moments spent dying, living, or lingering anywhere between the two.
CDR edition of 100. Dedicated to Dagmar Lassander."

- Artist/Title: Shafer/Tunis - drum improvisations
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR43
65+ minutes of drum and percussion experimentations. recorded with 2 mics, straight to a stereo mix, the duo utilized everything at their disposal, including 2 drum kits, tibeten prayer bowls, a mini-gong, brushes, sticks, a cello bow, cymbals, lighting fixtures, a thumb piano, bells, and even the walls themselves. moving from the repetitive chattering of rain, to the all-out intensity of crashing thunder, this recording has range. free and open...
[limited edition of 75, each packaged in a slim jewel-case. hand numbered]

- Artist/Title: Sharks with Wings / Paper Legs - split
- 6
- Format: 7inch
- Label: Heat Retention Records (USA)
- Price: $4
- Catalog ID: CarbonDist_HRR011
"Nice split this time from a couple of East Coast groups who've floated under my radar thus far. The single by Paper Legs and Sharks W/ Wings (Heat Retention 7") is packed inside a handsome silk- screened sleeve. Paper Legs have a very nice clattery sound, like a fat-ass freak rumble inside some gamelan storage room. The Sharks W/ Wings track is more in the line of Midwest US electronic murk, but without as much high-end caterwaul we've come to expect." -Byron Coley (The Wire)

- Artist/Title: SHED (aka Jungle Heart) - Street Ghost
- 6
- Format: CASS
- Label: Carbon Records
- Price: $6
- Catalog ID: CR188
This is the twelfth release in the Carbon 15YR.Series. 32+ minutes of sampled and live vocals, guitars, drones, cut-ups, dirge, textures, beats, throb, sourced-tape warble, and electronic wizardry. Note: this is the US based duo, not the European DJ guy. [packaged with spray/splattered/stamped cardboard cassette holder, pro-dup'd and printed cassettes and b&w poster sheet. ]


- Artist/Title: Sheet - live at the bug jar
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR09
Amazing documentation of this one man power electronics tsunami. Giant walls of pure sound crash over each other to form a mesmerizing and frightening whole. Having witnessed this performance live myself, I can only say that I‘ve only seen a small handful of other performers polarize an audience‘s reaction so drastically. People were totally blissed out by the sound of Sheet while others were moved to violence. The set was actually terminated by direct threat of physical harm. Packaged in a spray painted and melted jewel case. An appropriate approximation of what yr eardrums will look like after wrapping them around this unholy cd.

- Artist/Title: Shelf Life - Ductworks
- 6
- Format: CD
- Label: public eyesore
- Price: $10
- Catalog ID: CarbonDist_PE107
(ITDE) âDuctworksâ finds Public Eyesore Records honcho Bryan Day with collaborators Alex Boardman, Joseph Jaros, and Jay Schleidt; working in a truly egalitarian manner to fashion an effortlessly unruffled recording. Unfortunately, the somewhat calm nature of the disc may turn off casual listeners. Pay attention, you suckersâ it is for exactly this quality that I can declare âDuctworksâ a real success. Letâs face it, improvisational music sometimes hits a few âbehavioral lock grooves,â where its an open secret that what is occurring sounds like improv, but is really a re-hash of What Worked Before. Even the overall tone of a performance can fall prey to this sort of repetitionâ proceeding from quiet to loud everytime, working to create a âdarkâ sound time and time again⌠itâs cheating the improv spirit, and it is my opinion that this makes it even more difficult to appreciate some real improv when you come across it. Of course, Iâm thinking of âDuctworksâ as I write this. No, it doesnât seem to have an overarching theme. No, itâs not a showy display of dramatic guitar runs or sax blowing. So why listen? For starters, check how fully these musicians explore their instruments! Iâm not sure of everything thatâs being played, but I can assure you that whatever it is, itâs being squeezed for the last drop of sound available! Itâs also very enjoyable to hear such a ârealâ albumâ listeners will easily be able to place themselves within the performance, which is strikingly immediate without being at all in your face. Recommended. - DaveX

- Artist/Title: Shriek Bunnies - Song of the Moth man
- 4
- Format: 7inch
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_SKRIEKBUNNIES
- (This is a USED item)
on Bulb (Ann Arbor). 5 tracks - 1993

- Artist/Title: Signals - s/t
- 4
- Format: CDR
- Label: Entr'acte (UK)
- Price: $8
- Catalog ID: CarbonDist_entracte25
"Recorded in situ between 16.20 and 17.00 on Saturday 10 Sept 2005 during a performance by Signals (a collaboration project between Cheapmachines and Karina ESP) at the London Placard headphone festival. This is an acoustic recording. any audible reference to Signals' performance is purely coincidental. Five inch CD in a die-cut wallet."

- Artist/Title: Simon Whetham - Ascension_Suspension
- 4
- Format: CD
- Label: Entr'acte (UK)
- Price: $12
- Catalog ID: CarbonDist_entracte41
"These minimally-processed recordings of cable cars were made during a trip to the Portes du Soleil region of France, in Les Gets, Morzine and Les Lindarets. The sounds have been layered to enhance the feelings of suspense and tension experienced during the journey. In 2000 Simon composed and recorded the soundtrack to artist Kathryn Thomas' first solo London exhibition, and has continued to record music for her shows, as well as working on his own experimental pieces."

- Artist/Title: Sindre Bjerga and Joe+N - slow collapse / building nature
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR149
the second in the Joe+N collaboration series (the first being with Antony Milton. this release consists of six tracks totally 27+ minutes, this is a long-distance collaboration between Sindre Bjerga (Gold Soundz label man) and Joe+N (aka Joe Tunis, Carbon label man). the two traded tracks over 2006/2007, Sindre started the recordings with some heavy synth loops/drones/etc. Joe then overdubed various instruments (guitars, drums, field recordings), extending/looping the originals at times, to get them to a final state. [packaged in a heavy-duty vinyl sleeve with a transluscent red "dimple" cover, artwork beneath, and wrapped in a band of metallic foil tape.]

- Artist/Title: Sindre Bjerga and Textured Bird Transmission - Temple of Transparent Wisdom
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR180
This is the second release in the Carbon 15YR.Series. Recorded in 2007 and 2009 in Stavanger Norway and Weymouth UK respectively, this is some dense heavy drones with the perfect balance of texture and movement. [packaged with a full-color pro-printed folded card in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Skin Yard - 1000 Smiling Knuckles
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1916
- (This is a USED item)
1991 release on Cruz Records

- Artist/Title: Slick Fifty - Evicting the Robinsons
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_SLICKFIFTY
- (This is a USED item)
self released - transparent green vinyl

- Artist/Title: Slicker - confidence.in.duber
- 4
- Format: CD
- Label: Hefty
- Price: $8
- Catalog ID: CarbonUsed_148
- (This is a USED item)

- Artist/Title: sluggo - completed under duress
- 4
- Format: CDR
- Label: sijis
- Price: $8
- Catalog ID: CarbonDist_sijisep03
"yes it‘s finally happened. the long-time agent proscrastinateur, and guitarist in far to many real bands for our liking has finished some tracks he is happy with. under duress relates to the physical nature to which certain members of sijis had to look through mister sluggo‘s hard drive and extract the audio needed for a release. Never one to let go, and recently caught denying all knowledge of how these tracks ended up on his computer, we hope you enjoy these deliciously brutal slices that took us nearly a year to prize out of sluggo‘s reach."

- Artist/Title: Smashing Orange - the glass bead game
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_SMASHINGORANGE
- (This is a USED item)
American Native release from 1992

- Artist/Title: Snapcase - steps
- 4
- Format: 7inch
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_SNAPCASE
- (This is a USED item)
on Victory Records - 1995

- Artist/Title: Social Junk - Summer Concussion
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR179
This is the first release in the Carbon 15YR.Series. Documenting Social Junk's 2008 Summer Tour (with Big Nurse), this is a great collection of live drone/drum/out captures. Similar to the Dead C, but with their own unique rhythm and pace. [packaged with a full-color pro-printed folded card in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Social Junk - Somebody Should've Told You
- 6
- Format: CASS
- Label: Zum (USA)
- Price: $7
- Catalog ID: CarbonDist_ZUM_TTT011
c47. edition of 100
side one Division Jersey Girls Three Thousand Times Wilderness side two Love Inside Skeleton of a Punk Swirl

- Artist/Title: Sonic Catering Band / Bohman Brothers - Imperial Metric
- 8
- Format: CDR
- Label: Gold Soundz (Norway)
- Price: $8
- Catalog ID: CarbonDist_GS50
"3 fine dishes, served with white wine... Astonishing sonic cookery from these fine gentlemen.. Co-released with Absurd."

- Artist/Title: Sorc'Henn - FARO: Death Of The Island Sheeps
- 8
- Format: CDR
- Label: Crucial Blast
- Price: $9
- Catalog ID: CarbonDist_BLISS38
"I've been haunted by the beautifully dark loopscapes of French artist Sorc'henn dating back to first hearing the band on their Harmonium pieces & dead reveries disc released by Faunasabbatha, so we were immensely stoked when Sorc'henn was interested in releasing some more of their music through Crucial Bliss. This new full length features four tracks of Sorc'henn's murky, dreamy drones that stretch out over a misty, grey-washed landscape much like the one pictured on the exterior of Faro's foldout sleeve, a lightless wetland that fades way into the distance, obfuscated by a thick veil of shadow, and the fourth track is additionally notable for being a collaboration between Sorc'henn and members of Portland black metallers L'Acephale and Virginia deathdrone outfit One Lifeless Eye. The first track is essential Sorc'henn, a twenty-one minute dronescape that is mainly made up of a single warbling harmonium loop that repeats over and over and over, as a young woman whispers lines of poetry over top. As minimalist and simple as this is, it's amazingly beautiful, and almost has a My Bloody Valentine-like quality to it, like one of the guitar-feedback ambient parts of Loveless that has been melted and crushed into a misshapen version of the original melody. The second track is a mere four minutes in comparison - a deep, murky field of subterranean rumblings and a distant crackling sound, like a phonograph needle stuck in a run-off groove over crashing waves of distorted tidal thunder and ominous harmonium drones. The next track is basically a continuation of the previous, with those sinister harmonium drones humming over surges of distorted low-end thunder and weird noises that pan from speaker to speaker. The last track, the collaboration between Sorc'henn and members of L'Acephale and One Lifeless Eye, is the longest on the disc at ovr twenty-six minutes. This one is a sprawling expanse of murky black ambience, a slow-swirling fog of muted harmonium notes, oceanic sounds, chirping noises that might be frogs, and hushed, whispered cackles and demonic processed vocals drifting across a vast void of Lustmordian darkness. "
REVIEW FROM JULIAN COPE/HEAD HERITAGE: These past two months, my personal choice for all night repetition, ie: the piece that helps me most easily access the Underworld, has been the Uber-haunting 22-minute track Dřdsdansen (Deaths Dance), Life of an Island Lad, from the FARO album by Sorchenn. Released on that tremendous Crucial Blast subsidiary Crucial Bliss (www.crucialblast.com), FARO is a fine fine Black Metal record and, except for the more obvious and more stylized final 26-minute evil track Enez Varv Faaro, goes about its sinister business secretly, intoning plainsong in cloisters, invoking camp-fires, digital distortion and wolves, and dancing at the edge of total ambience, nay, ambulence! Then, two minutes from the end, some old French torch song comes in and really sealeth ye atmosphere. Su-fuckin-perbe!

- Artist/Title: Sound 00 - Love EP
- 4
- Format: 3inch CDR
- Label: TIBProd (Norway)
- Price: $6
- Catalog ID: CarbonDist_TIBCD54

- Artist/Title: sound 00 - micronoise
- 4
- Format: 3inch CDR
- Label: TIBProd (Norway)
- Price: $5
- Catalog ID: CarbonDist_TIBCD11

- Artist/Title: Sound 00 / Iversen - s/t
- 6
- Format: 7inch
- Label: Dirty Demos (UK)
- Price: $7
- Catalog ID: CarbonDist_dirty7_001
"Antonio and Jan-M collaborate here for a debut release of theirs and ours, creating four moody, abrasive, electronic sound experiments collected here in a nice 7â vinyl format. "

- Artist/Title: Sounds of North American Adult Bookstores - mermaid in a manhole
- 6
- Format: CDR
- Label: Bennifer Editions (Cananda)
- Price: $10
- Catalog ID: CarbonDist_bennifer_adult_bookstores
"ever get fed up with the name of your band (especially the one that seems to suggest the female's discard of feces during the laborious conception of her child)? i mean, after a while people kind of presume a certain quality of the work based solely on the name. for example really archaic names (mostly "initial" bands) like REM or INXS can pretty much guarantee that theres going to be some expensive shit lying around and this really deep asshole that writes long-winded letters signed "prudence" telling people what to do with them. you can also pretty much assume that if theres a "town" in there (like boytown or crazytown) theres bound to be some hair-gel going around, getting all over everybody's hands- trying for the life of them to seemlessly combine post-STP grunge and caucasian-afflicted hip-hop into some highly manicured suburban pap. the only thing you can really do, you figure, is fabricate a plethora of band names that you rip off from various comedy records. "now we're a vaguely nymphomaniacal psych-band!!". this is the sister-album to gastric female reflex's "nairobi piece", and appropriately she's a 'beaut! although, i must say that she similarily inhereted a bad temper and a propensity for getting her abnormally sized "hormonal-stage" wiskers stuck in the gears of the tape recorder. she keeps her head straight on this one, though, promise. this one comes in roofing material with tits screened on it."

- Artist/Title: Soup Purse - s/t
- 6
- Format: CDR
- Label: Below PDX (USA)
- Price: $6
- Catalog ID: CarbonDist_BELOWPDX07
"Creep into the murky methodical mayhem of Soup Purseâs electronic effacing slips into subliminal sorcery. Todd Dickerson wrestling with new technology from Peter Bâs secret ciat-lombarde laboratory. Cocolase processing Science-Fiction inspired playful keyboard emissions. Constantly churning and shifting, perfect for short attention spans and or for your pet monkeyâs walkman on his first trip to the moon. Todd also plays keyboards/narrates the journeys of Space Hawk and The Dendrites. He has a shrewd opinion about just about all topics and sometimes heâs one of the funniest people I know.
Mastered by Pete Swanson (Jyrk/Yellow Swans). Hand acrylic painted directly on jewel case by Todd."

- Artist/Title: Spin-17 with Jeffrey Shurdut & Ravi Padmanabha - 21st Century Folk Music Vol 3
- 4
- Format: CDR
- Label: Quodlibet (USA)
- Price: $10
- Catalog ID: CarbonDist_QLCDR_SPIN17
"Motoko Shimizu (voice, turntable, toys), Ed Chang (sax and radio), Jeffrey H Shurdut(guitar), Ravi Padmanabha (percussion). Free soul improvisations - this incarnation of Spin-17 (with special sauces Jeffrey Shurdut & Ravi Padmanabha) takes the best parts of free improv folk-skronk and ladles it over an epiphany-prone drone-groove rhythm section resulting in a full-flavored creative music casserole."

- Artist/Title: Spool Ensemble - three electronics
- 6
- Format: 3inch CDR
- Label: Heat Retention Records (USA)
- Price: $5
- Catalog ID: CarbonDist_HRR015
comes in a slim dvd case

- Artist/Title: SQ - big leaves on a small tree - Black
- 4
- Format: TSHIRT
- Label: Carbon Records
- Price: $10
- Catalog ID: CRTSQ_BIGLEAVES_BLACK
Black shortsleeve tshirts Black shirt with white ink. Front left pocket with (older) Carbon logo. Back includes SQ lake scene from "big leaves on small tree" release.

- Artist/Title: sq - 06.29.00
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR35
35 minutes of free-improv swells, bursts and dialogues, recorded like at the Bug Jar (Rochester NY). accompanying the SQ duo were John Schoen (Pengo) on alto saxophone and r.nuuja (Sheet) on japanese noise making devices. [limited edition of 75, numbered and packaged in sealed kraft cardboard CD folders. must be torn to open.]

- Artist/Title: sq - __moments imaginaires (8988)
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR26
SQ returns with a new long player guaranteed to rearrange the molecular structure of your eardrums. Macro and micro tones clash and fuse in a post-everything petri dish. Not content with just simply pulverizing their guitars and drums into atomized dust, the SQ gang preform post production autopsies on the raw tapes and concoct new vistas in damaged sound. Like that kid who always has green fluid dripping out of the corner of his mouth, this will fascinate and scare you at the same time. "Best of the year, so far." _Journal of Mutation Research (May 2000)
Reviews (1):
All About Jazz
Straddling genres can be a difficult task. It's not difficult to make great music, mind you, but it can be very difficult to find an audience for that music. sq, aka Speed Queen, is an improvising duo. But instead of drawing from clear roots in the jazz or euro scene, the duo uses sound textures more common in noise and electronic bands. Interestingly, sq doesn't fall into many of those genre traps either. Credit Speed Queens Marc Faris and Joe Tunis for having the wits to come up with their own path.
The eight tracks are varied, not at all programmatic, yet one can make narrative associations with many. Even their titles are atypical; jazzers tend to short titles, and the laptoppers seem to prefer abbreviations. The first track here is ":thank you k for space harmonics body hearING, NG, NGNGNG:" The percussion rattles, and speeds up like a train; then there's a switch, a shift.
In a sense this is pure music: It's often difficult to tell which instruments are playing. John Cage would probably approve. Percussion and guitar, surely. Bowed bass? There are major shifts in dynamic range, then silences where you think the disc may have ended. Imagine Captain Beefheart's "Kandy Korn" or "Mirror Man" horn squawks, but with no rhythm track at all. - Steven H. Koenig

- Artist/Title: sq - big leaves on a small tree
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR10
Six long investigations into improvised and composed density. Ranges from math/metal to sublime ambient droning. Fans of Gaster Del Sol, godHeadSilo, Slint and Spacemen 3 take note.

- Artist/Title: sq - monosite
- 4
- Format: CD
- Label: Carbon Records
- Price: $8
- Catalog ID: CR20
Two men effortlessly levitate two tons of pure sound. Open and out free rock that blisters and drones. Brings to mind the Dead C., A Handful of Dust and the Air Traffic Controllers. "I can‘t believe it‘s not Kiwi!"

- Artist/Title: sq / quadrafacet - split
- 15
- Format: LP
- Label: Carbon Records
- Price: $8
- Catalog ID: CR13
jam packed sides from each of the bands. speedQueen delivers a droney NZ-inspired collage of live recordings, while quadrafacet come up with 4 space-rock masterpieces ala Darla/SpaceAge/Kranky bands.

- Artist/Title: Stab at God - Praying with a Gun in my Hand
- 8
- Format: CDR
- Label: Below PDX (USA)
- Price: $6
- Catalog ID: CarbonDist_BELOWPDX16
housed in DVD case with multi-page insert entitled "DEICIDE INSTRUCTION MANUAL"

- Artist/Title: Staplerfahrer - live at OT301
- 4
- Format: 3inch CDR
- Label: Carbon Records
- Price: $6
- Catalog ID: CR132
microsonic transmissions from a small insect walking across a large plant, or a small being wandering across a large planet or a distant factory churning out goods. this release entices you to listen more and more closely to the sounds its exposing. [3" cdr in various mini cases/sleeves with full color insert, spray-painting, etc]
Reviews (2):
Modisti
Liminal exploration of non-action, the by-products of electric rhythms, glitch noise and various interference noise resulting in a wholly horizontal attitude to listening where the microscopic is celebrated through acceptance and an unquestioning attitude towards the accidental.
Foxy Digitalis
First, a drone of static is faintly heard in the background. Then, layers of hisses and buzzes are sparingly added one after the other while a skeletal, chopped-up electronic beat barely detaches itself from this discreet mass of sound.
And suddenly, there’s that annoying sound that cell phones make when an incoming call passes through the speakers... Yet, each time that noise resurfaces, it is carefully controlled like some sort of guitar feedback – the sound of modern life being transfigured, acting as much as a sound generator as a possible commentary on our most current means of (mis)communication.
By the 6th minute, some distant/ muffled female vocals can be heard (via the cell phone), announcing the changes to come. From that moment onwards, a saturated motif gradually appears and becomes amplified to the point where it fills the entire acoustic space. As the skeletal beat re-enters the picture, the overall sound gets more and more intense and one feels compelled to give in to this surge of ecstatic ethereal noise.
Towards the end of its course, this mini-industrial symphony decides to take on a more introspective side though. As more and more hisses are added/ subtracted/ stretched to their outer limits, the flow of sounds manages to turn your senses around – through a subtle use of “ghost” noises – just before ending on an abrupt, exhilarating note.
As brief as it is intense, this intriguingly-packaged (paint-sprayed small-case) 3” CDR (courtesy of the always amazing Carbon Records) is highly recommended to all those who love to experience music as a continuously disturbed, yet ecstatic flow of sound. A true shot of sonic adrenalin and a hell of a great record to come out of blue/ into the void. 9/10 -- (27 December, 2006) - Francois Hubert

- Artist/Title: Staplerfahrer - depths in perception
- 4
- Format: 3inch CDR
- Label: TIBProd (Norway)
- Price: $5
- Catalog ID: CarbonDist_TIBCD39
"staplerfahrer started out to be me, some ten years ago, when Icircuitbended the amplifier of my first record player....the resultturned out to be some ecstatic noise and from that moment on I washooked....from then on sound was the law....and I do (or try to do)just about everything with it...."
"'Depths In Perception' is the follow-up of 'scsi vs ata', also on TIBProd (see Vital Weekly 392) by fellow Dutch man Steffan de Turck. The long gap has been used to produce these eight tracks of microscopic sounds, but I'm told that Steffan is also using circuit-bending to generate his sounds. I think this new release is a major step forward. He combines 'real' samples of instruments with sounds that are fully loaded with plugins. With these samples at hand he manages to craft almost melody like stuff in these small sketch like tunes. Breaking away from the really abstract microsound and moving towards a more poppy sound." ---Frans de Waard in Vital Weekly 452

- Artist/Title: Starfish - Stellar Sonic Solutions
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_STARFISH
- (This is a USED item)
Trance Syndicate release

- Artist/Title: Starfish - the instrumental ep
- 4
- Format: CD
- Label: Trance Syndicate
- Price: $6
- Catalog ID: CarbonUsed_123
- (This is a USED item)

- Artist/Title: Sten Ove Toft - landmark
- 4
- Format: CDR
- Label: Humbug
- Price: $8
- Catalog ID: CarbonDist_HUMBUG035
"a live recording, very noisy in the Mezbow sense but mixed with some tense churning, shifting electronics."

- Artist/Title: Steve Baczkowski - Tone Arm
- 6
- Format: CASS
- Label: cae-sur-a (USA)
- Price: $8
- Catalog ID: CarbonDist_caesura_002
"Known primarily for his work on baritone sax in a variety of duo and trio formats with the likes of Chris Corsano, Paul Flaherty, Ravi Padmanabha and most recently Bill Nace, Steve Baczkowski unleashes his first recorded solo outing that pushes his improvising techniques and sonic palette to a whole new level on Tone Arm. The foundation of the piece is maintained through looping and tone arm manipulation of home modified vinyl records over which Baczkowski introduces melodies, whistles, scratches, squeaks, squawks and bellows through bird whistles, baritone sax, flutes, and bells.
Recorded live Sugar City, Buffalo New York, May 30th 2010.
Hand numbered Edition of 100."

- Artist/Title: Stone Baby - if English is good enough for jesus, then its good enough for me
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR185
This is the seventh release in the Carbon 15YR.Series. 40+ minutes of guitar, effects, violin, synth and vocals. textured drones, ghostly vocalizations, keyboard swells and progressions. this is quite a collection of tracks from this geographically challenged duo (WesternNY/US and Germany) [packaged with pro-printed covers in a heavy duty vinyl sleeve] [Digital Download comes with a PDF of the artwork and liner notes]

- Artist/Title: Stone Baby - fully render(ed) /cloud/s
- 6
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR160
44+ minutes from this drone/creeper duo (Cory and Jen) from Rochester NY. guitars, violin, effects, dulcimer, homemade tape machine and more. really amazing layers of sounds from just two people. good sense and mixture of denseness and space. [packaged in a 5x7" kraft chipboard envelope, original cloud artwork from Cory, affixed with clear/thread-grid tape and sprayed/splattered, insert/notes and sprayed CDR]

- Artist/Title: Stone Baby - Black Blossom Blues
- 4
- Format: CDR
- Label: House of Alchemy (USA)
- Price: $9
- Catalog ID: CarbonDist_HOA007
"Distorted maniac no- blues music for people who live under bridges! Following up on a severely limited self-released cd-R, Black Blossom Blues is the next step towards the ultimate goal of conquering Western Civilization with black-hole, black-eye jams bellowed from the dark alleys of Rochester, NY. Tapes are cruelly manipulated, drones are squashed and guitars are turned inside out. It's finally time for the Stone Baby army to take back the streets! CD-R edition of 123."

- Artist/Title: Stone Baby / Entente Cordiale - our lungs are bleeding, but we keep breathing
- 10
- Format: 3inch 2CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR162
this is a split release, with each band contributing a 3" cdr worth of their form of drone, scrap and sometimes thump. [packaged in a kraft gift-box, with full-color pro-printed cover affixed (and also inserted), and tied off with 100% jute twine. cdrs are sprayed and stenciled] - first edition limited to 100
Reviews (2):
Crucial Blast
When it comes to delicate, beautifully constructed handmade CD-Rs of crazed improv-noise and droning, rumbling free-rock, the Carbon Records label out of Rochester is one of the coolest. We've been carrying their heavier titles for years and some of the more recent stuff that the label has been putting out (Entente Cordiale, Crush The Junta) has been really massive in a Dead C-on-steroids, buzzing amp-noise and spontaneous riff-mangle sort of way, and every one of these CDs and CD-Rs looks amazing. This split release is the latest from Carbon, a two-disc set that features a different 3" CD-R from the Rochester bands Entenete Cordiale and Stone Baby, and both of 'em deliver about twenty-some odd minutes of dark, shadowy free-sludge/psych/drone that hits the spot.
The first disc is from the mysterious Stone Baby, who I'd never heard of before picking this up, but who craft these really dark and creepy free-drone ambient scrapescapes. Their twenty minute disc features the three-part "Silicosis Suite", which begins with echoing plucked strings of some sort looped over what sounds like a violin being slowly played and a dark expanse of shimmering ambience and distant, pulsing tympani-like thuds. The piece slowly becomes more detailed as creepy distorted voices, warbling electronic melodies and heavy, Earth-esque dronemetal guitars begin to appear, the latter being a slow rumbling cloud of looped amp-crunch that hovers over everything like a toxic thundercloud. Things become heavier and darker as moaning choral voices and some really depressing violin melodies rise to the surface, and the distorted guitar textures swell in volume, sometimes forming into a murky droning riff. The third and final part of the suite drops the distorted guitars and has processed violin weeping over waves of blackened droning drift. Imagine a doped-up Tony Conrad playing with doom-psych basement trogs Robedoor and yer almost there.
Moving on to the Entente Cordiale disc, we get a single twenty two minute track called "96/89", an epic piece of dark free-drone-rock that starts off with softly rising swells of low-end feedback and a softly plucked melody, simple and pretty, played over and over. Droning bass notes and scraping guitar strings drift around as the playing slowly builds steam and the volume gradually rises, and as the melody and chords start to change, the sound moves from airy prettiness to darker shadows of buzzing bassy rumbling and droning strings that seem to slip in and out of tune. The sound melts and distends, turning sickly as all semblance of melody evaporates leaving only the nauseaous warbling feedback and atonal humming of guitar strings. But then it all transforms again in the last eight minutes when a simple tribal-type drumbeat enters and another melody appears, a basic, catchy indie rock hook on one of the guitars that kinda sounds like Sebadoh or something, played for a couple of minutes over the murky tom-tom beats and then swamped by waves of loud amplifier feedback and guitar noise. Definitely poppy by Entente Cordiale standards, but still in the vein of their dark Dead C brand of free-noise-rock jamming.
Amazing packaging as always...this set comes packaged in a brown kraft gift box with full color artwork glued to the front, the two mildly spray-painted discs enclosed inside with an insert card, and tied together with a thick piece of twine. Limited to 100 copies.
Ear Conditioned Nightmare
Rochester's Carbon Records have been dropping weirdness from the north for a while now, and this double 3" is a killer format for showing off two like-minded wranglers of mind-fuckery in a concise and effective format.
Stone Baby is a group that, I believe, includes Cory Card, though I'm not sure of or if there are any other members. The "Silicosis Suite" presented here in three parts, maintains the spooky, sterile vibes that both the track and the band name conjure. For those who don't know, a stone baby is the name given to some crazy process whereby a baby gets lodged in the wrong spot of a woman's body and essentially calcifies so as not to cause infection. Sometimes these things aren't found for forty years, which is definitely the kind of grueling, creepy, body invading spinal discomfort that Stone Baby bring to mind here. Really crisp metallic expanses here, with radio babble and guitar tinklings riding atop some deeply buried brain dead mumbles. Eventually the darkness overwhelms and you enter the howling monstrosity of the second movement, which manages to be as dense while still maintaining a kind of oxygenated undertow. The last movement culls more scraping metal with warped vocal bellows while guitar and endless echo trail along in gloomy desolation. Not exactly a finger snapper, which means a pretty complete realization of its own aesthetic.
Entente Cordiale is another mystery group who lead down a similar path as Stone Baby does. A trio consisting of (if I'm reading it right...) Chris Reeg, Will Veeder and Joe Tunis, it sounds like a three guitar attack going on, though the restraint would suggest otherwise. Patiently ringing melodic fragments and textural billows, about forty percent of the sound they wrangle is each others feedback meshing and melting inward. Despite the apparent chilliness of the disposition on "96/89," there is actually quite a lot of warmth in these subtle interactions. Sudden changes are few, but they build themselves a sort of tactile sound world to bathe about in. Sometimes it gets bleaker, sometimes more muddied, and sometimes it is quite harsh, but the overall approach is one that favors interaction and listening to mental degeneration via guitar splaying. Even so, some pretty fucked levels of weird are apparent.
Weird little package in one of those Michael's arts and crafts boxes with packaging fuzz and a nice pro-printed card. The twine (not pictured) really seals the deal on a wild split. - Henry Smith

- Artist/Title: Stone Baby and Joe+N - destruction for appetite
- 8
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR168
the fourth in the Joe+N collaboration series (the first three being with Antony Milton, Sindre Bjerga and John Charlton). this release consists live in-person sessions (different from the other three which were all long-distance efforts). this is a mixture of dual guitar pieces as well as guitar and drums heavy drone/psych epics. [packaged in a heavy-duty vinyl sleeve with a pro-printed full-color cover. CDR is sprayed and splattered.]
Reviews (1):
Foxy Digitalis
You have to applaud Carbon Records head Joe Tunis (aka Joe+N ) for always seeking out worthwhile collaboration partners. Previously working together with Anthony Milton, Sindre Bjerga and now Stone Baby, these pairings always turned out to be wonderful low-key treasures hiding out in the foggy lands between heavy psych and burning drone.
Destruction for Appetite definately belongs to the heavy psych part of Tunis collaborations and dont mistake the albums title, and track titles for some kind of hardrock mockery here. These are serious psychedelic guitar burners and I trust these guys to never make a fool of one of the greatest heavy rock albums of all time. Right .guys?
But back to the music, theres three tracks, not counting the somewhat discordant, chaotic intro, all involving psychedelic guitar work outs and all basking in lo-fi feedback, Mr Stone Brown (hah) feels like a 16 minute long intro to the rest of the album. Slowly unfolding patterns surrounded by hushed feedback, the kind of thing youd expect when going to a smoky Bardo Pond gig where you find out those guys are way too stoned to rock out. O' Mine Sweet Child starts off similarly but gradually evolves into a thick puddle of psych-guitar and desperate howls. Its unfortunate the drums are so far back in the mix which makes the track lose some of the tribal force that it certainly has.
During Queen Rocket Joe and the gang try to mix up the heavy psych with the burning drone. The guitar motifs are stretched out and sewn together by a lingering electricity. A fitting closer to an album thats perfect for a hung over Sunday afternoon. You might have just found your cure here. 6/10 - Joris Heemskerk

- Artist/Title: Straight Outta Mongolia - the redundancy of saying sorry
- 4
- Format: CDR
- Label: fencing flatworm
- Price: $8
- Catalog ID: CarbonDist_ff026
returning briefly from his hermitage on an orbiting asteroid, the master of mutant pop treats us to half a dozen future smash hits. kick ass programming and an utterly unique vocal style: this is some broke-dick funk. the disco jandek? like new order tried to record ‘low life‘ by scoring the grooves directly into barely set jelly..

- Artist/Title: Stuckometer - muung
- 4
- Format: 3inch CDR
- Label: First Person (UK)
- Price: $6
- Catalog ID: CarbonDist_Plural029
Immediately arresting deconstructed "rock".
" ? free/spontaneous (igneous) rock dismembered sinewy zombie limbs flailing contact mic microcassette mayhem recorded in a goat/in a pig ? " [Joincey]
This band have made quite a name for themselves this year as an exceptional live experience with support slots to the Magik Markers, Sunburned Hand of the Man amongst many many others. Features Joincey (Inca Eyeball, Coits, PUFF etc)
M U U N G can be heard here - myspace.com/stuckometer

- Artist/Title: Subarachnoid Space - Eight Bells
- 8
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR81
"Eight Bells is the first new release from Subarachnoid Space in four years (following 2005's The Red Veil on Strange Attractors). Featuring the recording lineup of Daniel Barone, Melynda Jackson, Lauren K. Newman, Daniel Osborne and Steven Wray Lobdell, the music of Eight Bells continues in the heavy lysergic vein as their last couple of post-Release albums, fusing wicked metallic crunch with ethereal fx-laden guitar freakouts and some of the band's most narcotized jamming yet. Their last couple of records pointed towards a heavier direction for the band, and this new material continues on that trajectory, combining blazing luminous axe-howl over hypnotic heavy acid riffage and dense squalls of fx-stacked sound. The album comes in at just under 40 minutes, and is packaged in another one of Crucial Blast's high quality visual presentations with stunning new artwork from Stephen Kasner. We've been big fans of Subarachnoid Space here at Crucial Blast since back when the band was releasing albums on Release/Relapse and Charnel Music, and they have continued to be one of our favorite bands working within the heavy neo-psych spectrum.
Since their formation in 1995, Subarachnoid Space has evolved into one of the preeminent navigators within the realms of psychotropic underground rock and have firmly established themselves alongside the brightest stars in the constellation of contemporary acid rock.
Playing a form of lysergic and almost entirely instrumental rock that draws its DNA from the sounds of classic Krautrock, prog, long-form improvisation and metallic heaviness, the band has attracted a fervent and dedicated following over the past decade around albums on established independant labels such as Relapse Records and Strange Attractors Audio House. Subarachnoid Space have also continued to bring their ominous, ethereal riffage, soaring fx-laden guitars and pulsating rhythmic propulsion on the road with numerous tours and festival appearances, including multiple stints across the U.S., three appearances at the legendary psych-rock festival Terrastock, and a tour of Japan, and has performed alongside such a variety of artists as Sonic Youth, Acid Mothers Temple, Khanate, Wolf Eyes, YOB, Sunn O))), Danava, Red Sparowes,Boris, Lightning Bolt, These Arms Are Snakes, Master Musicians Of Bukkake, and Ludicra.
Thoughout the band's existence, the one constant has been visionary guitarist and bandleader Melynda Jackson. A native of rural Texas, Jackson grew up an only child, and never considered that the isolated grasslands and windswept landscapes of her youth would eventually inspire her to evoke equally mysterious terrain through experimental, exploratory guitar and wordless vocalizations in Subarachnoid Space. Jackson moved to San Francisco at the age of twenty-six and within a year had become part of the fledgling version of Subarachnoid Space, which had been formed by experimental guitarist Mason Jones, already known within the post-industrial/psych underground from his long-running Trance project. After the release of the band's debut 7" Char-Broiled Wonderland in 1996, Subarachnoid Space went on to fine-tune their sprawling improvisations and began to tour frequently. This led to the band scoring a record deal with Relapse Records soon thereafter.
After three albums on Relapse Records, the band went on to release material on a number of smaller labels like Elsie And Jack, September Gurls, and Strange Attractors Audio House, and continued to perform regularly, touring both the USA and Japan with Acid Mothers Temple and performing alongside Sonic Youth at the 2002 Terrastock V festival. After the release of 2003's Also Rising, Mason Jones retired from the band, leaving Jackson to assume control of the band and reshape Subarachnoid Space into something heavier and more song-oriented. This new phase of Subarachnoid Space saw Jackson bringing a darker and more metallic edge to the band's sound while still retaining the elements of fiery improvisation and rich textural guitar that the group was known for. Both 2003's Also Rising and 2005's The Red Veil further introduced the band to a new audience of left-field metal and heavy rock fans.
Now, Jackson and Subarachnoid Space have returned with Eight Bells, the band's first new release since 2005's The Red Veil on Strange Attractors, and the newest chapter in Jackson's continually evolving vision of music as ecstatic ritual.
The recording features a new lineup of Daniel Barone, Melynda Jackson, Lauren K. Newman and Daniel Osborne, and was produced by Steven Wray Lobdell who also performs on the album. The music of Eight Bells continues in a similar heavy lysergic vein as their last couple of post-Relapse albums, fusing wicked metallic crunch with celebratory sky-streaking guitar freakouts and some of the band's most narcotized jamming yet. Their last couple of records all increasingly pointed towards a heavier direction for the band, and this new material continues on that trajectory as it combines blazing luminous axe-howl over hypnotic acid riffage and dense squalls of fx-stacked sound. Eight Bells features five songs ("Lilith", "Akathesia", "Hunter seeker", "Haruspex", "Bird Signs"), and features stunning new artwork from Stephen Kasner."

- Artist/Title: Sun of the Seventh Sister - Farben Raum
- 6
- Format: CD
- Label: Heard Worse Records (Australia)
- Price: $11
- Catalog ID: CarbonDist_HW04
"Following on from their 2007 New Zealand tour triple lathe cut LP, and 6 cassette boxset on Breakdance The Dawn, comes Farben Raum, the debut CD by Sun of the Seventh Sister. This floating line-up, mushroom fuelled free-psych woolly mammoth often consists of a phalanx of between 10 and 25 players: multiple drummers, multiple electrified chordophones, horns, vocals, oscillators etc. Imagine half a dozen freak-folk ensembles congealing into a psychedelic din of Borbetomag-ian proportions. On this occasion SSS comprised members of xNoBBQx, UnAustralians, Arse Lunch, Cock Up Shitting Whore, Rats With Wings, Stasis Duo and others. The CD consists of 3 immense tracks, taken from a 3 hour straight session, lovingly recorded by the Pulled Out mobile unit, with mastering analysis for Heard Worse Records by DJ Beefcurtains."

- Artist/Title: Sunao Inami - an impulse of acoustic
- 4
- Format: CD
- Label: electr-ohm (Japan)
- Price: $15
- Catalog ID: CarbonDist_Electrohm_TCCD-20051CD
"The music made by improvisation sound sketch and cut up,after that editing and constituting that it same method of his album "DELAYED", but a greatly different matter from before is the following,the multiple use of the irregular beats by the samples chopped up by filtering and Granular synthesis especiall with a complicated thing characteristic this time. The sounds influence from IDM and glitch or electronica stuff of these days, and also German electronics or experimental of the 70s and the early '80s industrial music. Sunao used NI Reaktor 4,Absynth,Ableton Live4, Waldorf synthesizers mainly."

- Artist/Title: Sunao Inami - Delayed
- 4
- Format: CD
- Label: electr-ohm (Japan)
- Price: $15
- Catalog ID: CarbonDist_Electrohm_TCCD-20041CD
""DELAYED" by Sunao Inami is the latest in a strong line of releases on his own electr-ohm label, established about 3 years ago. Sunao Inami's music's main strength lies in repetition, but where the "poison" lies is different every time: electronics, glitch, techno, noise, ambient; the result of recent years of progression, digression and collaboration from which he's gained impetus, irritation and motivation. By soaking up these sensations, he has arrived at his most recent sound. Inami embraces the thrill of improvisation on the PowerbookG4 and the feeling of tension and composition from the newest DSP recording methods and any and every editing process. For "Delayed" he used a Waldorf synth for hardware, and mainly Reaktor4, Live, Spark, Logic6 and Protools for software. Otherwise spoons and other kitchen utensils. Future plans include collaborations with American and European musicians, who have previously contributed audio fragments to Inami's many other rojects via his busy ftp server."

- Artist/Title: Sunao Inami - repeater
- 4
- Format: CD
- Label: electr-ohm (Japan)
- Price: $15
- Catalog ID: CarbonDist_electrohm_TCCD-20012CD
"Sunao Inami's 1st solo album.He going through '70s electronic music to 21st century's electronica. Almost sounds made by Wavetable synthesis (PPG Wave and Waldorf synths),and realtime looping methods, DSP based synthesis and analog modular synthesis exist together."

- Artist/Title: SunShip Sextet - s/t
- 4
- Format: CDR
- Label: Carbon Records
- Price: $8
- Catalog ID: CR50
"In June 2000, E.S.P. was asked (along with John Vance and Jesse Petersen) to perform at an outdoor rock show in Minneapolis opening for Sonic Youth and Stereolab. The corporate sponsors didn‘t like the "cock" in our name, nor did they want 3 seperate noise sets. So, along with special guests Weasel Walter and Misty Martinez, we did an overlapping noise gala under the SunShip Sextet umbrella. The snazzy digital board recording of the set, along with a subsequent live TV performance, has been released as a specially-packaged Carbon Records CDR." [limited edition of 100, each packaged hand-made cardboard cover with toner-transfer artwork and full-color inserts.]

- Artist/Title: Suprastate - modern classics
- 4
- Format: CDR
- Label: TIBProd (Norway)
- Price: $8
- Catalog ID: CarbonDist_TIBCD86
"From this new lot on Tib Prod, Suprastate is a new name for me. It's one Thomas Aslaksen from Norway, who plays computer music. So far he has made releases on MP3 labels and here for the first time on CDR. I must say that I thought it was all a bit unsurprising. Loops of noise, although not loud, go bump around, culling extra sounds from field recordings, and have some plug in running. It works best when things aren't really loud and when it seems that there is something of structure or even a faint trace of melody occurring. But throughout I thought this was a rather unengaging release." - Vital Weekly

- Artist/Title: Suzukiton - service repair handbook
- 4
- Format: CD
- Label: Crucial Blast
- Price: $10
- Catalog ID: CarbonDist_CBR39
"Service Repair Handbook is the introductory unveiling of fine-tuned, tightly-wound instrumental heaviness from Richmond, VA riff-technicians SUZUKITON. Executing an elaborate schematic of progressive, technical musicianship and earth-shaking rock propulsion, Service Repair Handbook delivers an onslaught of anthemic, pulverizing tuneage that intersects math metal, heavy prog, and stoner rock. Features both former and current members of Relapse Records artist ALABAMA THUNDERPUSSY. "

- Artist/Title: Swamps Up Nostrils - Reconstruct III
- 4
- Format: 2CDR
- Label: TIBProd (Norway)
- Price: $12
- Catalog ID: CarbonDist_TIBCD55
"Some while ago, an ep made by Swamps Up Nostrils were made available through tibprod for remixing purpouses. The results are overwhelming. Not just one disc, but two discs, full of wonderful reconstructed music by totally awesome people. " - co-release with Krakilsk.
Add to CartAnd for digital preview and purchase
use Carbon's Bandcamp below:- Artist/Title: Sympathetic System - box chocolate
- 8
- Format: CASS
- Label: Carbon Records
- Price: $6
- Catalog ID: CR204
Sympathetic System is Peter Vincent from the Rochester area, but currently residing in Brooktondale, NY. This release is a collection of improvised single-takes, but you'd be hard-pressed to discern that. They come across as composed thoughts, laid out with guitars, vocals, homemade synth, a bent drum machine, keyboard, and more. An amazing use of space and tone. Similar to the Wolf Eyes related project Starecase, or Shadow Ring at times, or Jandek at other times. Completely captivating. [C32. Edition of of 58 copies in standard cassette cases. Comes with digital download coupon]

- Artist/Title: T.E.F. / Bastard Noise - Astronomical Sound Images
- 4
- Format: CD
- Label: PacRec (USA)
- Price: $8
- Catalog ID: CarbonDist_TRO112
"Kevin Novak (T.E.F.) and Bastard Noise (Eric Wood) collaboration of pulverizing astronomical vibrations. FOUR YEARS in the making! coreleased with PITCHPHASE."

- Artist/Title: Taiwan Deth - LIVE
- 4
- Format: 3inch CDR
- Label: Roger Records (USA)
- Price: $6
- Catalog ID: CarbonDist_Rogerrecords_taiwandeth
"Captured live on a magical, mystical night in Nashville, TN, this album takes you deep into the Taiwan Deth psyche. Organic pulses, guitar scree, haunting voices, saxophone skronk, and unidentifiable sounds from a parallel dimension. Crystal clear sound quality too. Just saw these guys mesmerize everyone at INC in Miami and I'm totally thrilled to be putting this out. Cool golden handmade package too, can you even tell what you're looking at in that picture? Limited to 200 copies!"

- Artist/Title: Tape That - Autumn Collection
- 4
- Format: CDR
- Label: Humbug
- Price: $8
- Catalog ID: CarbonDist_HUMBUG042
What is THAT? TAPE THAT tapes almost everthing and layers it with almost everything else. Not soundscapes, but pieces of music created by juxtaposing different sounds in different spaces. Live playing in the studio layered, in real time, with ambient recordings from other places, complex microphone set ups recording the sounds up close and afar, samples put directly to TAPE as well as being recorded in the room, switching from this to THAT according to different principles of organisation and different structural limitations; different species of hits: The Background Hits, The Very Room Hits, Hit Hits, Pure Tape Hits, etc. The autumn collection can be listened to in numerous ways: Loud and up-close, soft and in the background. Add sounds to your house or hear speleologically through the layers of the sounds taped onto the CD. Everything you hear is taped live in the studio. No overdubs have been added in post-production. A little cutting here and there, though. Please enjoy it... -TT, november 2004 Â
Finally! The debut release from the Dutch duo, Tape That. Who are part of the fabulous Amsterdam based "N collective" along with PHĂ and many other improvising groups. Check out: www.radiantslab.com/n Comes in a full colour cardboard packaging, with a Tape That collage on the cover, insert, liner notes.Â

- Artist/Title: Tarwater - Remix EP
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1913
- (This is a USED item)
Room Tone release with remixes by To Rococo Rot, 3rd Eye Foundation, Kiln, Birdwatcher and Bundy K Brown

- Artist/Title: Tel Aviv - s/t
- 4
- Format: CD
- Label: USED
- Price: $3
- Catalog ID: CarbonDist_USED_TELAVIV
- (This is a USED item)
Teenbeat release. feat. Marc Robinson, post-Unrest

- Artist/Title: Telecult Powers - Amazing Laws of
- 6
- Format: CDR
- Label: Abandon Ship (USA)
- Price: $5
- Catalog ID: CarbonDist_ASR050
"Abandon Ship is proud to announce it's 50th release! And with it comes the first non Temple of Pei Telecults album. It took some convincing via Vulcan mind-meld, but I couldn't feel more honored. So wipe the dust off of your ouija board, reshuffle your deck of tarot cards, and hem the stitches on your voodoo doll. Some real-deal mystical shit is about to go down. Keep a tight grip on your salvia pipe, for it may be your only companion on this dark voyage. Some local myths turned heroes in this mind-expanding duo. Trade in your distortion and delay for magickal boxes of pure analog spirit. Nobody has kept it realer than these guys. "

- Artist/Title: teledroom - two twos
- 4
- Format: CD
- Label: Glasvocht
- Price: $10
- Catalog ID: CarbonDist_gvcd02
"Teledroom is the new recording project of The Ordinary Seaman and Wio. These two homerecorders allreasy made a cd-r together some years ago, but with "Two Twos" they seem to have really found each other. "Two Twos" slowly grew, over a period of two years, from loose improvised recordings to a cohorent and varied full-cd. It mixes the best of both Ordinary Seaman‘s and Wio‘s worlds, resulting in a laidback easy listening cd, spiced up with sparse electronica and melodic soundscapes. The Ordinary Seaman is in fact Filip Gheysen, who also runs Glasvocht records. He‘s also known for his other projects Alfa and Picturesque. Wio is a member of de Portables, and released a solo cd in 2001. He is now working on new recordings to be released on (K-RAA-K)3.

- Artist/Title: TEN-TON - 2_05
- 4
- Format: CD
- Label: Practice (USA)
- Price: $8
- Catalog ID: CarbonDist_Practice003
"We are interested in: altered sounds interaction/layering planning/improvisation structure/repetition/rhythm expectations/variations/mutation process/growing intensity/energy/density collaboration" - from the TEN-TON website. pretty much describes their brand of noise, franctic rock, and looping rhythms. completely confuse me, and the best possible way. amazing live.

- Artist/Title: Teriyakis - Positive Influence / Romper Stomper
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_TERIYAKIS
- (This is a USED item)
on Egoless - 1995

- Artist/Title: Th. - afflux
- 4
- Format: 3inch CDR
- Label: small doses (USA)
- Price: $6
- Catalog ID: CarbonDist_dosefifteen
"a 19+ minute glitched out composition that varies from minimal and dark to piercing and cacophonic. th. is taylor holdgraf who also works under the iamseamonster moniker. edition of 77. housed in a trifold, two-sided vellum cover."

- Artist/Title: THC - Blue Wave 12" single
- 8
- Format: LP
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_THC
- (This is a USED item)
12" single. Drum and Bass

- Artist/Title: The Butcherings - Manifesto of the Moment
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_butcherings
- (This is a USED item)

- Artist/Title: The Cherry Point - Night of the Bloody Tapes
- 4
- Format: CD
- Label: PacRec (USA)
- Price: $8
- Catalog ID: CarbonDist_TRO207
"Compiled from three years of cassette releases, Night of the Bloody Tapes provides a shattering drive-in experience of unrelenting horror and harsh noise nightmares. Equally fueled by Fangoria magazine, import laserdiscs, third generation vhs bootlegs, damaged contact mics & DOD death metal distortion, The Cherry Point has set the ultimate bait in the trap of terror.
Four tracks, over 40 minutes of static walls, electronic jabs and junk crashes. Contains material originally from the long deleted split tapes with Ahlzagailzehguh, Black Sand Desert, Luasa Raelon, Nkondi, Andy Ortmann, Pedestrian Deposit, The Rita, and more. Mixed & mastered by John Wiese.
ESSENTIAL VIEWING: Shriek of the Mutilated, Raw Meat, Night of the Demon, Girls Nite Out, House on Sorority Row, Just Before Dawn, The Burning, Shock Waves, Mardi Gras Massacre, The Town That Dreaded Sundown, Criminally Insane, Creature From Black Lake, The Deadly Spawn, Shredder and films by William Lustig and Larry Cohen
BANNED IN 31 COUNTRIES, NIGHT OF THE BLOODY TAPES WILL RIP THE FLESH OUT OF YOUR GUTS!"

- Artist/Title: the circle and the point - and so on for ever
- 4
- Format: CDR
- Label: House of Alchemy (USA)
- Price: $9
- Catalog ID: CarbonDist_HOUSEOF004
"Post-Terrastock 6, two weary travelers holed up in a spare bedroom with a random cache of instruments and various noisemakers in an attempt to unleash some of the beer-fueled steam that had built up over the previous weekend. The music here comes from two delirious afternoons, still weary from a lack of sleep, minds still overloaded from a weekend of mania- both music related and beyond. Floating acoustic guitars buried in the murk of distorted electric guitars. Featuring Grant Capes from (VxPxC), these are ideas six years in the making, now just starting to unwind. Adorned with major cover art by Darryl Norsen. 2006. house of 004. limited edition of 123 cd-r's"

- Artist/Title: The Cocktails - Long Sound
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_COCKTAILS_LONGSOUND
- (This is a USED item)
Carrot Top release from 1993 featuring Archer Prewitt (Sea and Cake)

- Artist/Title: The Cocktails - Peel
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_COCKTAILS_PEEL
- (This is a USED item)
Carrot Top release from 1994 featuring Archer Prewitt (Sea and Cake)

- Artist/Title: The Cocktails - s/t
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_COCKTAILS_ST
- (This is a USED item)
Carrot Top release from 1996 featuring Archer Prewitt (Sea and Cake)

- Artist/Title: The Cocktails - s/t
- 5
- Format: CD
- Label: USED
- Price: $6
- Catalog ID: CarbonUSED_RELEASE1975
- (This is a USED item)
1996 Carrot Top release

- Artist/Title: The Crownhate Ruin - Until the Eagle Grins
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_CROWNHATERUIN
- (This is a USED item)
Dischord release from 1996

- Artist/Title: The Curious Hair - say hello to happiness
- 4
- Format: CD
- Label: Evol Egg Nart
- Price: $5
- Catalog ID: CarbonUsed_30
- (This is a USED item)

- Artist/Title: The Dylan Group / We - bittersweet / remix
- 7
- Format: LP
- Label: USED
- Price: $4
- Catalog ID: CarbonDist_USED_DYLANGROUP
- (This is a USED item)
12" with original by Dylan Group and remix by We on Bubblecore Records

- Artist/Title: The Eternals - chapter and verse
- 8
- Format: LP
- Label: Thrill Jockey
- Price: $3
- Catalog ID: CarbonUSED_ETERNALS
- (This is a USED item)
12" single. 1999. recorded by Casey Rice

- Artist/Title: The Frantic Flattops - Hi-Fi Honey
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_FranticFlattops
- (This is a USED item)
on Rock-A-Billy Records

- Artist/Title: The French Flys - s/t
- 4
- Format: CDR
- Label: finkbeiner entertainment group
- Price: $6
- Catalog ID: CarbonDist_FEG03
four hillbilly freaks from Albuquerque NM. four tracks of deconstructed hillbilly music. four flys smelling the shit in the basement.

- Artist/Title: The Gizmos - Raw First Takes 1977
- 4
- Format: CDR
- Label: slippy town
- Price: $8
- Catalog ID: CarbonDist_SLIPTO26
"More groovy barrel-scrapings from the original '76/'77 Gizmos! This includes the previously unreleased first takes of "Kiss Of The Rat," "Human Garbage Disposal," "Cave Woman," "Gizmos World Tour," "Amerika First," and (previously released on Gulcher's SIMPLY GOOD TASTE comp CD) "Hey Beat Mon!" Although some of the written parts aren't quite executed properly, there's a spontaneity that was lost on some of the released tracks. I kinda prefer these versions myself! Plus two unreleased bonus tracks of the 1976 Gizmos performing "Muff Divin' (In Willkie South)" and "Mean Screen" at a drunken teenage party. Listen as sloshed Gizmos slowly crawl through the two songs. Adolescent mud tones! With Ken Highland, Eddie Flowers, Ted Niemiec, Rich Coffee, Dave Sulak, Davey Medlock, Rick Czajka, Jim DeVries, Don Jaskulske, and MX-80's Rich Stim. Edition of 177. Released April 2004."

- Artist/Title: The Greys - cd sampler
- 4
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUsed_greys
- (This is a USED item)
16 tracks from Greys 8 volume collection

- Artist/Title: the haters / mr. natural / bassifondi orchestra - 3 way split
- 4
- Format: CD
- Label: Gender-Less Kibbutz (USA)
- Price: $10
- Catalog ID: CarbonDist_GLK017

- Artist/Title: The Hectics - Come Booze Down With...
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_HECTICS
- (This is a USED item)
on 360 Twist Records - 1996

- Artist/Title: The Infusion - s/t
- 5
- Format: CD
- Label: USED
- Price: $4
- Catalog ID: CarbonUSED_RELEASE1951
- (This is a USED item)
33revpermi release featuring Ron Anderson

- Artist/Title: The Invisibl Skratch Piklz - The Shiggar Fraggar Show!
- 5
- Format: CD
- Label: USED
- Price: $8
- Catalog ID: CarbonUSED_RELEASE1936
- (This is a USED item)
live radio show from the Invisibl Skratch Piklz

- Artist/Title: The Juniper Meadows - Jacaranda twilight
- 4
- Format: CDR
- Label: Deserted Village (UK)
- Price: $8
- Catalog ID: CarbonDist_DV21
"Jacaranda twilight is a pastoral instrumental duo of Brad "Foxy" Rose and Chris Skillern. It's a bright, uncluttered recording and an entirely acoustic affair and they manage to play a dozen instruments between them over seven tracks. "

- Artist/Title: The Lemonheads - Style
- 4
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_Lemonheads
- (This is a USED item)

- Artist/Title: The Meices - Words / One hand
- 4
- Format: 7inch
- Label: USED
- Price: $3
- Catalog ID: CarbonUSED_MEICES
- (This is a USED item)
on Word of Mouth Records. white vinyl. comes with Bobby is Fred zine #2

- Artist/Title: The Mystifying Oracle - the ceremony
- 4
- Format: 3inch CDR
- Label: sound-o-mat
- Price: $8
- Catalog ID: CarbonDist_SEANCE01
5min piece on rectangular CDR in a cellophane-wrapped and decorated paper box {edition of 50]. the cdr is the ouija board, comes with literature on using the baord, etc. amazing packaging! part of the Music for Seances series (http://austere.org/oracle/seances.shtml)

- Artist/Title: The New Blockaders / Thurston Moore / Jim OâRour - the voloptulist
- 6
- Format: CD
- Label: Hospital Productions (USA)
- Price: $12
- Catalog ID: CarbonDist_HOS144
"high tension collaboration of long drawn drone with english clutter dissovling into tape hiss ambient with booming free barbaric yawps from these legendary characters. chris corsano guests on the o'rourke piece."

- Artist/Title: The Revival Hour - Clusterchord EP
- 16
- Format: LP
- Label: Antiphon (USA)
- Price: $13
- Catalog ID: CarbonDist_ANON002
Outside what Carbon normally carries in the catalog, this is from a couple friends currently living in Rochester NY, who know how to create massively lush, melodic compositions. A very broad reference, would be a more vocally-centered Animal Collective, with multi layered percussion, keyboard/piano, guitars, etc.
Clusterchord is the 5-track debut EP from The Revival Hour, which is D.M. Stith (Asthmatic Kitty) and John Mark Lapham from the Earlies (Secretly Canadian/Names) and The Late Cord (4AD), with a full length LP coming in early 2013.
Review of their forthcoming LP in The Guardian of London.
[note, all Carbon copies have a slight split on the top spine]

- Artist/Title: The Rods - Wings of Fire / You Keep Me Hanging On
- 6
- Format: 7inch
- Label: USED
- Price: $2
- Catalog ID: CarbonUSED_THERODS
- (This is a USED item)
picture disc

- Artist/Title: The Screaminâ Mee-Mees - Garbage Collage
- 4
- Format: CD
- Label: gulcher
- Price: $10
- Catalog ID: CarbonDist-GULCHER422
"Hey, it's time to play it loud on yer cheap stereo again! The Screamin' Mee-Mees' basement vault has been re-opened--and whaddayagot? Mr. Jon Ashline (vocals, coffee cans, plastic lamp shade, metal lawn table, snare drum, organ, piano, guitar) and Mr. Bruce Cole (vocals, guitar, keyboard) playin' jammin' stumblin' through 23 previously unreleased chunks o' St. Loo brain-spill--mangled Midwestern (sub-)folk/(pre-)punk--basement-rockin' (anti-)wizardry from these masters of their own universe. It was all recorded 'tween 1975 and 1980. But they start in '78 with "Struck Out (Again)," a redo of a tune from their debut LIVE FROM THE BASEMENT EP ('77)--this new version's given a cheezy surf-wave arrangement with two-handed keyboard-whiz by Bruce Cole and guest bonehead Wolf Roxon. Then Jon Ashline switches to piano for the beatnik-cellar-operatics of the duo's "Be Retarded." Jump back to '76 for "C'mon Jimmy," which features the other guest appearance of the CD: "Mean" Gene Scott sings his own punky DIY campaign ditty rootin' for Jimmy Carter (who ran for prez in that Bicentennial year). The next six tracks come from '75, with Bruce on acoustic guitar and Jon on assorted kitchen-counter percussion. This batch sometimes sounds like early T. Rex ("Ride A White Swan") with Marc Bolan mutated into 1920s hillbilly singer Dock Boggs. This is especially true of the fabulous "Money Back Guarantee," which features Fahey/Page-style finger-pick guitar brilliance from Bruce that'll shock you when heard. There's some 50's greaser stuff here 'n there too. "A Group Of Women," "No Known Antidote," "Mouth Song," "I Drink Sody," and even the obvious parody "Disco For Drunks" all have the Mee-Mees' odd "folk" vibe (also abundant on the Mee-Mees' Prenatal '72-'76 CDR, which kinda works like a companion volume to this disc). From '78 is "Too Young To Shave Part Two," an acoustic version of a tune from the HOME MOVIES EP. Then we get a cool batch of electric duo stuff from 1980, with Bruce doin' lots of great guitar noise and Jon bangin' mostly on a snare drum. The Stones are evoked in big-slop fashion on "Breathin' Bag" and "I've Been A Rollin' Stone," while surf music provides the skeleton for "You Wish That You Was You." Then Bruce turns up the reverb for the real thing on a killer version of the Chantays' "Pipeline"! They also cover an early Seeds tune ("Daisy Mae"), do a bit o' free diddle ("Untitled"), and offer up more of their free-spazz story-tellin' balladry ("Dirty Socks," "Smokey Nightclub," "James Brown"). The final tracks come from '76, and to these ears, have a C&W/outlaw-country feel--Willie & Waylon & the Legendary Stardust Cowboy?! It's bitchen stuff too. "The Radiator Song" is a classic, as is the paganesque and very looney "Why Can't A Watermelon Pray?" Plus "The Jerseyville Bake-Off" and a very stoopid version of the standard "I'll See You In My Dreams." Ain't it funny how good leftovers can taste? And ain't it groovy how funny-inspired these guys always seem to be? Yes, and yeah yeah yeah. Keep it cheap, kidz!"

- Artist/Title: The Sound of Failure - s/t
- 4
- Format: CD
- Label: breathmint
- Price: $4
- Catalog ID: CarbonUsed_soundoffailure
- (This is a USED item)

- Artist/Title: The Sundays - static and slience
- 5
- Format: CD
- Label: USED
- Price: $5
- Catalog ID: CarbonUSED_RELEASE1937
- (This is a USED item)
1997 Geffen release

- Artist/Title: The Turd Burglar - s/t
- 4
- Format: CDR
- Label: finkbeiner entertainment group
- Price: $6
- Catalog ID: CarbonDist_FEG02
a most disturbing set that started out as a Pengo set and special guest, The Turd Burglar, turned into something more Shittie. this release includes live tracks and manipulations that will make your bowls move...

- Artist/Title: The Wire - JUNE 2003
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE232
- (This is a USED item)
Yo La Tengo, The Ex, David Sylvian, Mauricio Kagel, Soft Machine, Nina Simone, Asmus Tietchens, Sightings, Cliff Martinez, Semiconductor

- Artist/Title: The Wire - SEPTEMBER 2003
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE235
- (This is a USED item)
Matmos, Kaffe Matthews, David Dyrne, Mike Kelley, Ron Geesin, Borad Bergman, Robert Wyatt, Erase Errata, Leafcutter John, Eric Glick Rieman

- Artist/Title: The Wire - NOVEMBER 2003
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE237
- (This is a USED item)
Aphex Twin, Christian Marclay, Taku Sugimoto, Spectral music: from Varese to Saariaho, Gloria Coates, Earth Erik Friedlander, Tim Hecker, Burning Man, Will Menter

- Artist/Title: The Wire - JANUARY 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE239
- (This is a USED item)
2003 Rewind, Arthur Russell, Jermome Noetinger, Paal Nilssen-Love, Matt Rogalsky, Damon and Naomi, Basil Kirchin, Matthew Bourne

- Artist/Title: The Wire - FEBRUARY 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE240
- (This is a USED item)
Einsturzende Neubauten, Sun City Girls, Joe Boyd, Charles Mingus, Greg Tate, Anthony Pateras, Portable, Davis Redford Triad, Halfer Trio, Mike Cooper

- Artist/Title: The Wire - MARCH 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE241
- (This is a USED item)
cLOUDDEAD, Gyorgi Ligeti, Art Bears, Mars, Four Tet, Olga Neuwirth, Double Leopards, Bernhard Gal, A Hack and a Hacksaw, Ghost, Squarepusher, Paul Wirkus

- Artist/Title: The Wire - MAY 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE243
- (This is a USED item)
The State of the Song, Halfer Trio, Buck 65, Takehisa Kosugi, Jem Finer, Nautical Almanac, Oxbow on Dino

- Artist/Title: The Wire - JUNE 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE244
- (This is a USED item)
Fennesz, Eric Dolphy, Vinicius Cantuaria, Oriental woodwinds, Susan Philipsz, PG Six, Henrik Rylander, Sixtoo

- Artist/Title: The Wire - JULY 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE245
- (This is a USED item)
Alvin Lucier, Damo Suzuki, Ellen Fullman, Devendra Banhart, Sunn O))), Bark Psychosis, Dengue Fever, Mark Leckey

- Artist/Title: The Wire - SEPTEMBER 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE247
- (This is a USED item)
Derek Bailey, Time Barnes, Jac Berrocal, Chris Watson, Kenneth Anger, Mira Caliz, Felix Kubin, Thomas Melchoir, Text of Light

- Artist/Title: The Wire - OCTOBER 2004
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE248
- (This is a USED item)
Zeena Parkins and Ikue Mori, Henry Flint, Mats Gustafsson, Psychedelic soul, Jennifer Herrema, Radian, Juana Molina, Comets on Fire

- Artist/Title: The Wire - JANUARY 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE251
- (This is a USED item)
2004 Rewind, LCD Soundsystem, Glenn Jones, Zeitkratzer, Joanna Newsom, Nils Okland, My Cat is an Alien, Dalek

- Artist/Title: The Wire - FEBRUARY 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE252
- (This is a USED item)
Anthony Braxton, The Soft Pink Truth, Mike Ladd, A user's guide to subterranean Metal, Gang Gang Dance, Hugh Davies, Dylan Nyoukis, Oki

- Artist/Title: The Wire - MARCH 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE253
- (This is a USED item)
MF Doom, Bill Fay, Hijokaidan, James Tenney, Ken Vandermark, M Ward, Colin Potter, Wally Shoup, Hugh Metcalfe

- Artist/Title: The Wire - APRIL 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE254
- (This is a USED item)
Mike Patton, Ira Cohen, Anthony and the Johnsons, Elliot Sharp, Grime, Richard Barrett, Venetian Snares, MIA

- Artist/Title: The Wire - MAY 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE255
- (This is a USED item)
Electrelane, Steve Beresford, Kali Z Fasteau, Foetus, Alex Von Schlippenbach, Boris, Josephine Foster, The Complainer, Annie Gosfield

- Artist/Title: The Wire - JUNE 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE256
- (This is a USED item)
Laugh till it hurts, Tod Dockstader, Mark Stewart, The Books, Cooper-Moore, Clemens, Gadenstatter

- Artist/Title: The Wire - JULY 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE257
- (This is a USED item)
Jamie Lidell, Ornetter Coleman, Animal Collective, Keiji Haino, Primer: Lone Horns Improv, Magik Markers, Monolake, Tony Bevan

- Artist/Title: The Wire - AUGUST 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE258
- (This is a USED item)
The Red Krayola, Carla Bozulich, Pierre Schaeffer, This Heat, Wolf Eyes vs Braxton, Bjork, Marissa Nadler, The Skaters

- Artist/Title: The Wire - SEPTEMBER 2005
- 10
- Format: ZINE
- Label: The Wire
- Price: $3
- Catalog ID: CarbonDist_WIRE259
- (This is a USED item)
Richard Youngs, Hugh Hopper, Ralf Wehowsky, Xenakis, Broadcast, Alexander Hacke, Okkyung Lee, Tracy and The Plastics, Tony Oursler
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