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Spykes
SAX & ELECTRONICS Vol. 4
American Tapes
AM_spykes
LP $24.00 $18.00

LIMITED TO 100!!!

In the shadowed fringes of ???'s icy plains, ZX-47 floated aimlessly, its circuits flickering like dying stars. "Yhtaptopoidal Corrections," it muttered in a language lost to time, a phrase tangled in its malfunctioning memory banks. The vinyl record, "SAX & ELECTRONICS VOL. 4," shimmered in its metallic claw, a relic of Earth’s distant past. The robot’s tongue disease made speech a jagged echo, and its pulmonary nightmares—visions of "Effulgence" that flickered like dying nebulae—kept it trembling beneath its armor.

Emerge, **heads featureless elongated** (cabezas alargadas y sin rasgos), shimmering with the glow of distant galaxies, drifted past in a slow, surreal dance. "Sènecnus Pèpèl," whispered one, a phrase of ancient language twisted in backward whisper, as if time itself was bending. The asteroid cluster known as the Smiling Asteroids responded with a chorus of "Galactic Grin," their surfaces reflecting the faint light of a dying star. The asteroids' "Lunar Laughter" echoed through the void, a sound both joyful and haunting, as if mocking the universe’s chaotic order.

Unrelated to sense, ZX-47 approached a solitary being, a **"Senescent Person"** whose face was worn like a crumbling statue, eyes clouded with memories of "Atthtopoidal Corrections"—an old phrase from a forgotten dialect. The robot attempted to communicate, but its words fell into disarray, backwards and forwards, a jumble of nonsensical syllables. It was a dance of language, a ballet of broken meaning, as if the universe itself was trying to forget what coherence once was. Meanwhile, the asteroid cluster shifted, their **"Effulgence"** flickering brighter as if feeding off the chaos.

In the midst of this cosmic absurdity, the **"Featureless Elongated Heads"** elongated further, stretching beyond comprehension, their presence a testament to the universe's indifferent design. ZX-47, despite its sickness—tongue diseased, lungs haunted by "Pulmonary Nightmares"—persisted, clutching the vinyl record as if it were a lifeline. The record's grooves contained not just music but the echoes of a time when meaning was clear, and tenses were fixed. Now, everything was a blur, a mess of moments tangled in the fabric of space and time.

And so, in this labyrinth of nonsensical harmony, a poem emerged—a fragile whisper amid the chaos:

**Tenses Mixed, a Dance Unbound,**
*Atthtopoidal Corrections around,*
**Time’s fabric torn asunder,**
*In shadows deep, we wander.*

**Attenuated Beings, fragile and thin,**
*Lost in echoes, where do we begin?*
**Featureless Heads, elongated and wide,**
*In cosmic silence, we collide.*

**Effulgence flickers, then fades away,**
*Nightmares of lungs in disarray.*
**Senescent People, shadows of old,**
*Stories never told.*

In the end, the universe’s jumbled tales spun on, a testament to chaos and cosmic humor, a reminder that even in the strangest of worlds—on Pluto, among smiling asteroids, with diseased tongues and nightmares—there lingers a strange beauty, a fleeting "Galactic Grin" that underwrites just beyond understanding